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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 89 158 195 it is the complementary color RGB 166 97 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 89 158 195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 89 158 195: RGB 94 158 190, RGB 111 176 209, RGB 128 194 228, RGB 145 212 247 and RGB 162 230 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 89 158 195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 89 158 195: RGB 89 158 195, RGB 72 140 176, RGB 55 122 157, RGB 38 104 138 and RGB 21 86 119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 19 / 0 / 24

HEX #599EC3

RGB 89 158 195

HSL 200.94, 0.47%, 0.56%

LAB 62.1, -11.24, -25.72

 

Complementary color

CMYK 0 / 42 / 64 / 35

HEX #A6613C

RGB 166 97 60

HSL 20.94, 0.47%, 0.44%

LAB 48.24, 24.5, 32.77

SW® 6356

CMYK 51 / 17 / 0 / 25

HEX #5E9EBE

RGB 94 158 190

HSL 200, 0.42%, 0.56%

LAB 62.13, -11.61, -22.86

 

CMYK 47 / 16 / 0 / 18

HEX #6FB0D1

RGB 111 176 209

HSL 200.2, 0.52%, 0.63%

LAB 68.78, -11.91, -23.17

 

CMYK 44 / 15 / 0 / 11

HEX #80C2E4

RGB 128 194 228

HSL 200.4, 0.65%, 0.7%

LAB 75.31, -12.15, -23.48

 

CMYK 41 / 14 / 0 / 3

HEX #91D4F7

RGB 145 212 247

HSL 200.59, 0.86%, 0.77%

LAB 81.74, -12.34, -23.79

 

CMYK 36 / 10 / 0 / 0

HEX #A2E6FF

RGB 162 230 255

HSL 196.13, 1%, 0.82%

LAB 87.72, -15.22, -18.87

 

CMYK 54 / 19 / 0 / 24

HEX #599EC3

RGB 89 158 195

HSL 200.94, 0.47%, 0.56%

LAB 62.1, -11.24, -25.72

 

CMYK 59 / 20 / 0 / 31

HEX #488CB0

RGB 72 140 176

HSL 200.77, 0.42%, 0.49%

LAB 55.35, -10.7, -25.43

 

CMYK 65 / 22 / 0 / 38

HEX #377A9D

RGB 55 122 157

HSL 200.59, 0.48%, 0.42%

LAB 48.47, -9.97, -25.12

 

CMYK 72 / 25 / 0 / 46

HEX #26688A

RGB 38 104 138

HSL 200.4, 0.57%, 0.35%

LAB 41.45, -8.96, -24.78

 

CMYK 82 / 28 / 0 / 53

HEX #155677

RGB 21 86 119

HSL 200.2, 0.7%, 0.27%

LAB 34.29, -7.5, -24.39

 

CMYK 54 / 19 / 0 / 24

HEX #599EC3

RGB 89 158 195

HSL 200.94, 0.47%, 0.56%

LAB 62.1, -11.24, -25.72

 

CMYK 54 / 27 / 0 / 24

HEX #5A8EC3

RGB 90 142 195

HSL 210.29, 0.47%, 0.56%

LAB 57.52, -2.02, -32.8

 

CMYK 54 / 36 / 0 / 24

HEX #5A7DC3

RGB 90 125 195

HSL 220, 0.47%, 0.56%

LAB 52.71, 8.02, -40.35

 

CMYK 54 / 45 / 0 / 24

HEX #5A6BC3

RGB 90 107 195

HSL 230.29, 0.47%, 0.56%

LAB 47.79, 19.05, -48.15

 

CMYK 54 / 54 / 0 / 24

HEX #5A5AC3

RGB 90 90 195

HSL 240, 0.47%, 0.56%

LAB 43.4, 29.62, -55.2

 

CMYK 54 / 19 / 0 / 24

HEX #599EC3

RGB 89 158 195

HSL 200.94, 0.47%, 0.56%

LAB 62.1, -11.24, -25.72

 

CMYK 54 / 19 / 0 / 4

HEX #70C7F6

RGB 112 199 246

HSL 201.04, 0.88%, 0.7%

LAB 76.65, -13.31, -31.19

 

CMYK 55 / 19 / 0 / 84

HEX #13222A

RGB 19 34 42

HSL 200.87, 0.38%, 0.12%

LAB 12.28, -3.63, -7.34

 

CMYK 55 / 19 / 0 / 64

HEX #2A4B5D

RGB 42 75 93

HSL 201.18, 0.38%, 0.26%

LAB 30.19, -6.34, -14.31

 

CMYK 54 / 19 / 0 / 44

HEX #427590

RGB 66 117 144

HSL 200.77, 0.37%, 0.41%

LAB 46.84, -9.05, -19.95

 

CMYK 54 / 19 / 0 / 24

HEX #599EC3

RGB 89 158 195

HSL 200.94, 0.47%, 0.56%

LAB 62.1, -11.24, -25.72

 

CMYK 25 / 54 / 0 / 24

HEX #925AC3

RGB 146 90 195

HSL 272, 0.47%, 0.56%

LAB 48.71, 42.95, -46.38

 

CMYK 0 / 4 / 54 / 24

HEX #C3BC5A

RGB 195 188 90

HSL 56, 0.47%, 0.56%

LAB 75.02, -10.47, 49.73

 

CMYK 54 / 19 / 0 / 24

HEX #599EC3

RGB 89 158 195

HSL 200.94, 0.47%, 0.56%

LAB 62.1, -11.24, -25.72

 

CMYK 0 / 54 / 18 / 24

HEX #C35AA0

RGB 195 90 160

HSL 320, 0.47%, 0.56%

LAB 53.44, 50.35, -18.17

 

CMYK 18 / 0 / 54 / 24

HEX #A0C35A

RGB 160 195 90

HSL 80, 0.47%, 0.56%

LAB 74.34, -28.13, 48.28

 

CMYK 54 / 19 / 0 / 24

HEX #599EC3

RGB 89 158 195

HSL 200.94, 0.47%, 0.56%

LAB 62.1, -11.24, -25.72

 

CMYK 25 / 54 / 0 / 24

HEX #925AC3

RGB 146 90 195

HSL 272, 0.47%, 0.56%

LAB 48.71, 42.95, -46.38

 

CMYK 0 / 36 / 54 / 24

HEX #C37D5A

RGB 195 125 90

HSL 20, 0.47%, 0.56%

LAB 58.98, 23.49, 30.25

 

CMYK 29 / 0 / 54 / 24

HEX #8BC35A

RGB 139 195 90

HSL 92, 0.47%, 0.56%

LAB 73.06, -36.02, 46.45

 

CMYK 54 / 19 / 0 / 24

HEX #599EC3

RGB 89 158 195

HSL 200.94, 0.47%, 0.56%

LAB 62.1, -11.24, -25.72

 

CMYK 9 / 54 / 0 / 24

HEX #B15AC3

RGB 177 90 195

HSL 289.71, 0.47%, 0.56%

LAB 52.51, 51.22, -40.13

 

CMYK 0 / 36 / 54 / 24

HEX #C37D5A

RGB 195 125 90

HSL 20, 0.47%, 0.56%

LAB 58.98, 23.49, 30.25

 

CMYK 45 / 0 / 54 / 24

HEX #6BC35A

RGB 107 195 90

HSL 110.29, 0.47%, 0.56%

LAB 71.48, -46.69, 44.19

 

Description

Color code: RGB 89 158 195 | qconv.com Color code: RGB 89 158 195 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 158 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 158 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 19 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 19% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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