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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 166 97 60 it is the complementary color RGB 89 158 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 166 97 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 166 97 60: RGB 171 97 55, RGB 188 115 74, RGB 205 133 93, RGB 222 151 112 and RGB 239 169 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 166 97 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 166 97 60: RGB 166 97 60, RGB 149 79 41, RGB 132 61 22, RGB 115 43 3 and RGB 98 25 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 64 / 35

HEX #A6613C

RGB 166 97 60

HSL 20.94, 0.47%, 0.44%

LAB 48.24, 24.5, 32.77

 

Complementary color

CMYK 54 / 19 / 0 / 24

HEX #599EC3

RGB 89 158 195

HSL 200.94, 0.47%, 0.56%

LAB 62.1, -11.24, -25.72

 

CMYK 0 / 43 / 68 / 33

HEX #AB6137

RGB 171 97 55

HSL 21.72, 0.51%, 0.44%

LAB 48.86, 26.29, 36.4

 

CMYK 0 / 39 / 61 / 26

HEX #BC734A

RGB 188 115 74

HSL 21.58, 0.46%, 0.51%

LAB 55.53, 24.79, 34.55

 

CMYK 0 / 35 / 55 / 20

HEX #CD855D

RGB 205 133 93

HSL 21.43, 0.53%, 0.58%

LAB 62.12, 23.49, 32.85

 

CMYK 0 / 32 / 50 / 13

HEX #DE9770

RGB 222 151 112

HSL 21.27, 0.63%, 0.65%

LAB 68.63, 22.34, 31.29

 

CMYK 0 / 29 / 45 / 6

HEX #EFA983

RGB 239 169 131

HSL 21.11, 0.77%, 0.73%

LAB 75.05, 21.33, 29.86

 

CMYK 0 / 42 / 64 / 35

HEX #A6613C

RGB 166 97 60

HSL 20.94, 0.47%, 0.44%

LAB 48.24, 24.5, 32.77

SW® 6356

CMYK 0 / 47 / 72 / 42

HEX #954F29

RGB 149 79 41

HSL 21.11, 0.57%, 0.37%

LAB 41.44, 26.11, 34.73

 

CMYK 0 / 54 / 83 / 48

HEX #843D16

RGB 132 61 22

HSL 21.27, 0.71%, 0.3%

LAB 34.6, 27.96, 36.64

 

CMYK 0 / 63 / 97 / 55

HEX #732B03

RGB 115 43 3

HSL 21.43, 0.95%, 0.23%

LAB 27.79, 29.93, 37.82

 

CMYK 0 / 74 / 100 / 62

HEX #621900

RGB 98 25 0

HSL 15.31, 1%, 0.19%

LAB 21.18, 31.79, 31.48

 

CMYK 0 / 42 / 64 / 35

HEX #A6613C

RGB 166 97 60

HSL 20.94, 0.47%, 0.44%

LAB 48.24, 24.5, 32.77

SW® 6356

CMYK 0 / 32 / 64 / 36

HEX #A4703B

RGB 164 112 59

HSL 30.29, 0.47%, 0.44%

LAB 51.61, 15.09, 37.19

 

CMYK 0 / 21 / 64 / 36

HEX #A4813B

RGB 164 129 59

HSL 40, 0.47%, 0.44%

LAB 56, 5.48, 42.18

 

CMYK 0 / 10 / 64 / 36

HEX #A4933B

RGB 164 147 59

HSL 50.29, 0.47%, 0.44%

LAB 60.85, -4.47, 47.52

 

CMYK 0 / 0 / 64 / 36

HEX #A4A43B

RGB 164 164 59

HSL 60, 0.47%, 0.44%

LAB 65.56, -13.5, 52.55

 

CMYK 0 / 42 / 64 / 35

HEX #A6613C

RGB 166 97 60

HSL 20.94, 0.47%, 0.44%

LAB 48.24, 24.5, 32.77

SW® 6356

CMYK 0 / 41 / 64 / 15

HEX #D97F4E

RGB 217 127 78

HSL 21.15, 0.65%, 0.58%

LAB 62.07, 30.49, 41.14

 

CMYK 0 / 38 / 62 / 95

HEX #0D0805

RGB 13 8 5

HSL 22.5, 0.44%, 0.04%

LAB 2.44, 0.96, 1.62

 

CMYK 0 / 42 / 64 / 75

HEX #402517

RGB 64 37 23

HSL 20.49, 0.47%, 0.17%

LAB 17.81, 11.07, 14.61

 

CMYK 0 / 42 / 63 / 55

HEX #73432A

RGB 115 67 42

HSL 20.55, 0.46%, 0.31%

LAB 33.62, 18.13, 23.82

 

CMYK 0 / 42 / 64 / 35

HEX #A6613C

RGB 166 97 60

HSL 20.94, 0.47%, 0.44%

LAB 48.24, 24.5, 32.77

SW® 6356

CMYK 34 / 0 / 64 / 36

HEX #6CA43B

RGB 108 164 59

HSL 92, 0.47%, 0.44%

LAB 61.7, -36.29, 47.26

 

CMYK 64 / 60 / 0 / 36

HEX #3B42A4

RGB 59 66 164

HSL 236, 0.47%, 0.44%

LAB 32.93, 28.63, -53.95

 

CMYK 0 / 42 / 64 / 35

HEX #A6613C

RGB 166 97 60

HSL 20.94, 0.47%, 0.44%

LAB 48.24, 24.5, 32.77

SW® 6356

CMYK 64 / 0 / 43 / 36

HEX #3BA45E

RGB 59 164 94

HSL 140, 0.47%, 0.44%

LAB 60.15, -45.97, 27.66

 

CMYK 43 / 64 / 0 / 36

HEX #5E3BA4

RGB 94 59 164

HSL 260, 0.47%, 0.44%

LAB 34.37, 39.71, -51.48

 

CMYK 0 / 42 / 64 / 35

HEX #A6613C

RGB 166 97 60

HSL 20.94, 0.47%, 0.44%

LAB 48.24, 24.5, 32.77

SW® 6356

CMYK 34 / 0 / 64 / 36

HEX #6CA43B

RGB 108 164 59

HSL 92, 0.47%, 0.44%

LAB 61.7, -36.29, 47.26

 

CMYK 64 / 21 / 0 / 36

HEX #3B81A4

RGB 59 129 164

HSL 200, 0.47%, 0.44%

LAB 51.05, -10.9, -25.19

 

CMYK 30 / 64 / 0 / 36

HEX #733BA4

RGB 115 59 164

HSL 272, 0.47%, 0.44%

LAB 36.84, 44.43, -47.37

 

CMYK 0 / 42 / 64 / 35

HEX #A6613C

RGB 166 97 60

HSL 20.94, 0.47%, 0.44%

LAB 48.24, 24.5, 32.77

SW® 6356

CMYK 53 / 0 / 64 / 36

HEX #4DA43B

RGB 77 164 59

HSL 109.71, 0.47%, 0.44%

LAB 60.29, -46.42, 45.31

 

CMYK 64 / 21 / 0 / 36

HEX #3B81A4

RGB 59 129 164

HSL 200, 0.47%, 0.44%

LAB 51.05, -10.9, -25.19

 

CMYK 10 / 64 / 0 / 36

HEX #933BA4

RGB 147 59 164

HSL 290.29, 0.47%, 0.44%

LAB 41.23, 52.16, -40.09

 

Description

Color code: RGB 166 97 60 | qconv.com Color code: RGB 166 97 60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 97 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 97 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 64 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 64% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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