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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 82 63 62 it is the complementary color RGB 173 192 193. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 82 63 62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 82 63 62: RGB 87 63 57, RGB 104 81 76, RGB 121 99 95, RGB 138 117 114 and RGB 155 135 133

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 82 63 62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 82 63 62: RGB 82 63 62, RGB 65 45 43, RGB 48 27 24, RGB 31 9 5 and RGB 14 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 24 / 68

HEX #523F3E

RGB 82 63 62

HSL 3, 0.14%, 0.28%

LAB 28.63, 8.09, 3.77

 

Complementary color

CMYK 10 / 1 / 0 / 24

HEX #ADC0C1

RGB 173 192 193

HSL 183, 0.14%, 0.72%

LAB 76.33, -6.26, -2.72

 

CMYK 0 / 28 / 34 / 66

HEX #573F39

RGB 87 63 57

HSL 12, 0.21%, 0.28%

LAB 29.1, 9.51, 7.77

 

CMYK 0 / 22 / 27 / 59

HEX #68514C

RGB 104 81 76

HSL 10.71, 0.16%, 0.35%

LAB 36.65, 8.76, 6.6

 

CMYK 0 / 18 / 21 / 53

HEX #79635F

RGB 121 99 95

HSL 9.23, 0.12%, 0.42%

LAB 43.97, 8.15, 5.59

 

CMYK 0 / 15 / 17 / 46

HEX #8A7572

RGB 138 117 114

HSL 7.5, 0.1%, 0.49%

LAB 51.08, 7.64, 4.68

 

CMYK 0 / 13 / 14 / 39

HEX #9B8785

RGB 155 135 133

HSL 5.45, 0.1%, 0.56%

LAB 58.03, 7.21, 3.85

 

CMYK 0 / 23 / 24 / 68

HEX #523F3E

RGB 82 63 62

HSL 3, 0.14%, 0.28%

LAB 28.63, 8.09, 3.77

 

CMYK 0 / 31 / 34 / 75

HEX #412D2B

RGB 65 45 43

HSL 5.45, 0.2%, 0.21%

LAB 20.73, 8.88, 4.93

 

CMYK 0 / 44 / 50 / 81

HEX #301B18

RGB 48 27 24

HSL 7.5, 0.33%, 0.14%

LAB 12.47, 9.96, 6.43

 

CMYK 0 / 71 / 84 / 88

HEX #1F0905

RGB 31 9 5

HSL 9.23, 0.72%, 0.07%

LAB 4.5, 8.9, 4.84

 

CMYK 0 / 100 / 100 / 95

HEX #0E0000

RGB 14 0 0

HSL 0, 1%, 0.03%

LAB 0.84, 3.78, 1.33

 

CMYK 0 / 23 / 24 / 68

HEX #523F3E

RGB 82 63 62

HSL 3, 0.14%, 0.28%

LAB 28.63, 8.09, 3.77

 

CMYK 0 / 20 / 25 / 68

HEX #51413D

RGB 81 65 61

HSL 12, 0.14%, 0.28%

LAB 29.07, 6.18, 5.04

 

CMYK 0 / 15 / 25 / 68

HEX #51453D

RGB 81 69 61

HSL 24, 0.14%, 0.28%

LAB 30.26, 3.63, 6.72

 

CMYK 0 / 11 / 25 / 68

HEX #51483D

RGB 81 72 61

HSL 33, 0.14%, 0.28%

LAB 31.16, 1.73, 7.99

 

CMYK 0 / 7 / 25 / 68

HEX #514B3D

RGB 81 75 61

HSL 42, 0.14%, 0.28%

LAB 32.07, -0.14, 9.26

 

CMYK 0 / 23 / 24 / 68

HEX #523F3E

RGB 82 63 62

HSL 3, 0.14%, 0.28%

LAB 28.63, 8.09, 3.77

 

CMYK 0 / 23 / 24 / 48

HEX #856665

RGB 133 102 101

HSL 1.88, 0.14%, 0.46%

LAB 46.22, 12.28, 5.36

 

CMYK 0 / 23 / 24 / 28

HEX #B88D8B

RGB 184 141 139

HSL 2.67, 0.24%, 0.63%

LAB 62.6, 16, 7.36

 

CMYK 0 / 23 / 24 / 8

HEX #EBB5B2

RGB 235 181 178

HSL 3.16, 0.59%, 0.81%

LAB 78.42, 19.12, 9.08

 

CMYK 0 / 23 / 26 / 88

HEX #1F1817

RGB 31 24 23

HSL 7.5, 0.15%, 0.11%

LAB 9.04, 3.28, 2.01

 

CMYK 0 / 23 / 24 / 68

HEX #523F3E

RGB 82 63 62

HSL 3, 0.14%, 0.28%

LAB 28.63, 8.09, 3.77

 

CMYK 6 / 0 / 25 / 68

HEX #4C513D

RGB 76 81 61

HSL 75, 0.14%, 0.28%

LAB 33.47, -6.04, 11.12

 

CMYK 25 / 16 / 0 / 68

HEX #3D4451

RGB 61 68 81

HSL 219, 0.14%, 0.28%

LAB 28.7, 0.47, -8.75

 

CMYK 0 / 23 / 24 / 68

HEX #523F3E

RGB 82 63 62

HSL 3, 0.14%, 0.28%

LAB 28.63, 8.09, 3.77

 

CMYK 25 / 0 / 23 / 68

HEX #3D513E

RGB 61 81 62

HSL 123, 0.14%, 0.28%

LAB 32.31, -12.12, 8.7

 

CMYK 23 / 25 / 0 / 68

HEX #3E3D51

RGB 62 61 81

HSL 243, 0.14%, 0.28%

LAB 26.61, 5.43, -11.91

 

CMYK 0 / 23 / 24 / 68

HEX #523F3E

RGB 82 63 62

HSL 3, 0.14%, 0.28%

LAB 28.63, 8.09, 3.77

 

CMYK 6 / 0 / 25 / 68

HEX #4C513D

RGB 76 81 61

HSL 75, 0.14%, 0.28%

LAB 33.47, -6.04, 11.12

 

CMYK 25 / 1 / 0 / 68

HEX #3D5051

RGB 61 80 81

HSL 183, 0.14%, 0.28%

LAB 32.53, -7.07, -3.01

 

CMYK 19 / 25 / 0 / 68

HEX #423D51

RGB 66 61 81

HSL 255, 0.14%, 0.28%

LAB 26.99, 6.93, -11.3

 

CMYK 0 / 23 / 24 / 68

HEX #523F3E

RGB 82 63 62

HSL 3, 0.14%, 0.28%

LAB 28.63, 8.09, 3.77

 

CMYK 14 / 0 / 25 / 68

HEX #46513D

RGB 70 81 61

HSL 93, 0.14%, 0.28%

LAB 32.97, -8.62, 10.35

 

CMYK 25 / 1 / 0 / 68

HEX #3D5051

RGB 61 80 81

HSL 183, 0.14%, 0.28%

LAB 32.53, -7.07, -3.01

 

CMYK 11 / 25 / 0 / 68

HEX #483D51

RGB 72 61 81

HSL 273, 0.14%, 0.28%

LAB 27.6, 9.22, -10.32

 

Description

Color code: RGB 82 63 62 | qconv.com Color code: RGB 82 63 62 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 63 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 63 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 24 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 24% 68% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

21% - Franck Provost
Link: http://www.franckprovost-expert.com

71% - FOX Life
Link: http://www.foxlife.us

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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