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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 68 81 it is the complementary color RGB 194 187 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 68 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61 68 81 shade: RGB 66 68 76, RGB 83 86 95, RGB 100 104 114, RGB 117 122 133 and RGB 134 140 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 68 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61 68 81 shade: RGB 61 68 81, RGB 44 50 62, RGB 27 32 43, RGB 10 14 24 and RGB 0 0 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61 68 81 shade: RGB 61 68 81, RGB 61 63 81, RGB 65 61 81, RGB 70 61 81 and RGB 75 61 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61 68 81 shade: RGB 61 68 81, RGB 61 63 81 and RGB 61 61 81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61 68 81 shade matches the following richer shades: RGB 61 68 81, RGB 49 64 92, RGB 38 61 104, RGB 26 58 116 and RGB 15 54 127

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61 68 81 shade: RGB 61 68 81, RGB 72 71 69, RGB 84 75 58, RGB 96 78 46 and RGB 107 82 35

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61 68 81 shade: RGB 61 79 81, RGB 61 73 81, RGB 61 68 81, RGB 61 63 81 and RGB 65 61 81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61 68 81 shade: RGB 25 28 34, RGB 43 48 57, RGB 61 68 81, RGB 79 88 104 and RGB 96 107 128

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61 68 81 shade: RGB 61 68 81, RGB 78 61 81 and RGB 76 81 61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61 68 81 shade: RGB 61 68 81, RGB 81 61 68 and RGB 68 81 61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61 68 81 shade: RGB 61 68 81, RGB 78 61 81, RGB 81 74 61 and RGB 64 81 61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61 68 81 shade: RGB 61 68 81, RGB 81 61 78, RGB 81 74 61 and RGB 61 81 64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 16 / 0 / 68

HEX #3D4451

RGB 61 68 81

HSL 219, 0.14%, 0.28%

LAB 28.7, 0.47, -8.75

 

Complementary color

CMYK 0 / 4 / 10 / 24

HEX #C2BBAE

RGB 194 187 174

HSL 39, 0.14%, 0.72%

LAB 76.11, 0.2, 7.45

 

CMYK 13 / 11 / 0 / 70

HEX #42444C

RGB 66 68 76

HSL 228, 0.07%, 0.28%

LAB 28.94, 1.07, -5.1

 

CMYK 13 / 9 / 0 / 63

HEX #53565F

RGB 83 86 95

HSL 225, 0.07%, 0.35%

LAB 36.59, 0.86, -5.62

 

CMYK 12 / 9 / 0 / 55

HEX #646872

RGB 100 104 114

HSL 222.86, 0.07%, 0.42%

LAB 43.98, 0.67, -6.13

 

CMYK 12 / 8 / 0 / 48

HEX #757A85

RGB 117 122 133

HSL 221.25, 0.06%, 0.49%

LAB 51.15, 0.5, -6.63

 

CMYK 12 / 8 / 0 / 40

HEX #868C98

RGB 134 140 152

HSL 220, 0.08%, 0.56%

LAB 58.12, 0.33, -7.13

 

CMYK 25 / 16 / 0 / 68

HEX #3D4451

RGB 61 68 81

HSL 219, 0.14%, 0.28%

LAB 28.7, 0.47, -8.75

 

CMYK 29 / 19 / 0 / 76

HEX #2C323E

RGB 44 50 62

HSL 220, 0.17%, 0.21%

LAB 20.69, 0.72, -8.4

 

CMYK 37 / 26 / 0 / 83

HEX #1B202B

RGB 27 32 43

HSL 221.25, 0.23%, 0.14%

LAB 12.22, 1.04, -8.1

 

CMYK 58 / 42 / 0 / 91

HEX #0A0E18

RGB 10 14 24

HSL 222.86, 0.41%, 0.07%

LAB 4.02, 1.01, -6.33

 

CMYK 100 / 100 / 0 / 98

HEX #000005

RGB 0 0 5

HSL 240, 1%, 0.01%

LAB 0.1, 0.7, -1.89

 

CMYK 25 / 16 / 0 / 68

HEX #3D4451

RGB 61 68 81

HSL 219, 0.14%, 0.28%

LAB 28.7, 0.47, -8.75

 

CMYK 25 / 22 / 0 / 68

HEX #3D3F51

RGB 61 63 81

HSL 234, 0.14%, 0.28%

LAB 27.13, 3.74, -11.12

 

CMYK 20 / 25 / 0 / 68

HEX #413D51

RGB 65 61 81

HSL 252, 0.14%, 0.28%

LAB 26.89, 6.55, -11.46

 

CMYK 14 / 25 / 0 / 68

HEX #463D51

RGB 70 61 81

HSL 267, 0.14%, 0.28%

LAB 27.39, 8.45, -10.65

 

CMYK 7 / 25 / 0 / 68

HEX #4B3D51

RGB 75 61 81

HSL 282, 0.14%, 0.28%

LAB 27.92, 10.39, -9.8

 

CMYK 25 / 16 / 0 / 68

HEX #3D4451

RGB 61 68 81

HSL 219, 0.14%, 0.28%

LAB 28.7, 0.47, -8.75

 

CMYK 25 / 22 / 0 / 68

HEX #3D3F51

RGB 61 63 81

HSL 234, 0.14%, 0.28%

LAB 27.13, 3.74, -11.12

 

CMYK 25 / 25 / 0 / 68

HEX #3D3D51

RGB 61 61 81

HSL 240, 0.14%, 0.28%

LAB 26.52, 5.06, -12.06

 

CMYK 25 / 16 / 0 / 68

HEX #3D4451

RGB 61 68 81

HSL 219, 0.14%, 0.28%

LAB 28.7, 0.47, -8.75

 

CMYK 47 / 30 / 0 / 64

HEX #31405C

RGB 49 64 92

HSL 219.07, 0.3%, 0.28%

LAB 27, 2.41, -18.57

 

CMYK 63 / 41 / 0 / 59

HEX #263D68

RGB 38 61 104

HSL 219.09, 0.46%, 0.28%

LAB 26.01, 5.86, -27.92

 

CMYK 78 / 50 / 0 / 55

HEX #1A3A74

RGB 26 58 116

HSL 218.67, 0.63%, 0.28%

LAB 25.28, 10.55, -36.78

 

CMYK 88 / 57 / 0 / 50

HEX #0F367F

RGB 15 54 127

HSL 219.11, 0.79%, 0.28%

LAB 24.55, 16.79, -44.94

 

CMYK 25 / 16 / 0 / 68

HEX #3D4451

RGB 61 68 81

HSL 219, 0.14%, 0.28%

LAB 28.7, 0.47, -8.75

 

CMYK 0 / 1 / 4 / 72

HEX #484745

RGB 72 71 69

HSL 40, 0.02%, 0.28%

LAB 30.19, -0.01, 1.34

 

CMYK 0 / 11 / 31 / 67

HEX #544B3A

RGB 84 75 58

HSL 39.23, 0.18%, 0.28%

LAB 32.31, 0.72, 11.52

 

CMYK 0 / 19 / 52 / 62

HEX #604E2E

RGB 96 78 46

HSL 38.4, 0.35%, 0.28%

LAB 34.26, 2.87, 21.69

 

CMYK 0 / 23 / 67 / 58

HEX #6B5223

RGB 107 82 35

HSL 39.17, 0.51%, 0.28%

LAB 36.52, 4.71, 30.91

 

CMYK 25 / 2 / 0 / 68

HEX #3D4F51

RGB 61 79 81

HSL 186, 0.14%, 0.28%

LAB 32.21, -6.46, -3.49

 

CMYK 25 / 10 / 0 / 68

HEX #3D4951

RGB 61 73 81

HSL 204, 0.14%, 0.28%

LAB 30.28, -2.73, -6.36

 

CMYK 25 / 16 / 0 / 68

HEX #3D4451

RGB 61 68 81

HSL 219, 0.14%, 0.28%

LAB 28.7, 0.47, -8.75

 

CMYK 25 / 22 / 0 / 68

HEX #3D3F51

RGB 61 63 81

HSL 234, 0.14%, 0.28%

LAB 27.13, 3.74, -11.12

 

CMYK 20 / 25 / 0 / 68

HEX #413D51

RGB 65 61 81

HSL 252, 0.14%, 0.28%

LAB 26.89, 6.55, -11.46

 

CMYK 26 / 18 / 0 / 87

HEX #191C22

RGB 25 28 34

HSL 220, 0.15%, 0.12%

LAB 10.2, 0.32, -4.59

 

CMYK 25 / 16 / 0 / 78

HEX #2B3039

RGB 43 48 57

HSL 218.57, 0.14%, 0.2%

LAB 19.73, 0.25, -6.44

 

CMYK 25 / 16 / 0 / 68

HEX #3D4451

RGB 61 68 81

HSL 219, 0.14%, 0.28%

LAB 28.7, 0.47, -8.75

 

CMYK 24 / 15 / 0 / 59

HEX #4F5868

RGB 79 88 104

HSL 218.4, 0.14%, 0.36%

LAB 37.19, 0.41, -10.36

 

CMYK 25 / 16 / 0 / 50

HEX #606B80

RGB 96 107 128

HSL 219.38, 0.14%, 0.44%

LAB 45.03, 0.87, -13.02

 

CMYK 25 / 16 / 0 / 68

HEX #3D4451

RGB 61 68 81

HSL 219, 0.14%, 0.28%

LAB 28.7, 0.47, -8.75

 

CMYK 4 / 25 / 0 / 68

HEX #4E3D51

RGB 78 61 81

HSL 291, 0.14%, 0.28%

LAB 28.25, 11.57, -9.26

 

CMYK 6 / 0 / 25 / 68

HEX #4C513D

RGB 76 81 61

HSL 75, 0.14%, 0.28%

LAB 33.47, -6.04, 11.12

 

CMYK 25 / 16 / 0 / 68

HEX #3D4451

RGB 61 68 81

HSL 219, 0.14%, 0.28%

LAB 28.7, 0.47, -8.75

 

CMYK 0 / 25 / 16 / 68

HEX #513D44

RGB 81 61 68

HSL 339, 0.14%, 0.28%

LAB 28.13, 10.05, -0.9

 

CMYK 16 / 0 / 25 / 68

HEX #44513D

RGB 68 81 61

HSL 99, 0.14%, 0.28%

LAB 32.81, -9.46, 10.1

 

CMYK 25 / 16 / 0 / 68

HEX #3D4451

RGB 61 68 81

HSL 219, 0.14%, 0.28%

LAB 28.7, 0.47, -8.75

 

CMYK 4 / 25 / 0 / 68

HEX #4E3D51

RGB 78 61 81

HSL 291, 0.14%, 0.28%

LAB 28.25, 11.57, -9.26

 

CMYK 0 / 9 / 25 / 68

HEX #514A3D

RGB 81 74 61

HSL 39, 0.14%, 0.28%

LAB 31.77, 0.48, 8.83

 

CMYK 21 / 0 / 25 / 68

HEX #40513D

RGB 64 81 61

HSL 111, 0.14%, 0.28%

LAB 32.51, -11.12, 9.63

 

CMYK 25 / 16 / 0 / 68

HEX #3D4451

RGB 61 68 81

HSL 219, 0.14%, 0.28%

LAB 28.7, 0.47, -8.75

 

CMYK 0 / 25 / 4 / 68

HEX #513D4E

RGB 81 61 78

HSL 309, 0.14%, 0.28%

LAB 28.48, 12.1, -6.93

 

CMYK 0 / 9 / 25 / 68

HEX #514A3D

RGB 81 74 61

HSL 39, 0.14%, 0.28%

LAB 31.77, 0.48, 8.83

 

CMYK 25 / 0 / 21 / 68

HEX #3D5140

RGB 61 81 64

HSL 129, 0.14%, 0.28%

LAB 32.36, -11.7, 7.51

 

Description

Color code: RGB 61 68 81 | qconv.com Color code: RGB 61 68 81 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 68 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 68 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 16 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 16% 0% 68% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

23% - WOWPASS!! ´ç½ÅÀ» ÃÖ°...
Link: http://www.wowpass.com

18% - Computers, Televisio...
Link: http://www.bestbuy.ca

19% - INTI - OUTDOOR &...
Link: http://www.inti2013.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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