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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 79 133 186 it is the complementary color RGB 176 122 69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 79 133 186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 79 133 186: RGB 84 133 181, RGB 101 151 200, RGB 118 169 219, RGB 135 187 238 and RGB 152 205 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 79 133 186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 79 133 186: RGB 79 133 186, RGB 62 115 167, RGB 45 97 148, RGB 28 79 129 and RGB 11 61 110

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 28 / 0 / 27

HEX #4F85BA

RGB 79 133 186

HSL 209.72, 0.44%, 0.52%

LAB 54.01, -2.03, -33.2

 

Complementary color

CMYK 0 / 31 / 61 / 31

HEX #B07A45

RGB 176 122 69

HSL 29.72, 0.44%, 0.48%

LAB 55.66, 15.42, 37.04

 

CMYK 54 / 27 / 0 / 29

HEX #5485B5

RGB 84 133 181

HSL 209.69, 0.4%, 0.52%

LAB 54.02, -2.54, -30.3

 

CMYK 50 / 25 / 0 / 22

HEX #6597C8

RGB 101 151 200

HSL 209.7, 0.47%, 0.59%

LAB 60.84, -3.11, -30.42

 

CMYK 46 / 23 / 0 / 14

HEX #76A9DB

RGB 118 169 219

HSL 209.7, 0.58%, 0.66%

LAB 67.53, -3.58, -30.55

 

CMYK 43 / 21 / 0 / 7

HEX #87BBEE

RGB 135 187 238

HSL 209.71, 0.75%, 0.73%

LAB 74.1, -3.96, -30.7

 

CMYK 40 / 20 / 0 / 0

HEX #98CDFF

RGB 152 205 255

HSL 209.13, 1%, 0.8%

LAB 80.49, -4.81, -29.92

 

CMYK 58 / 28 / 0 / 27

HEX #4F85BA

RGB 79 133 186

HSL 209.72, 0.44%, 0.52%

LAB 54.01, -2.03, -33.2

 

CMYK 63 / 31 / 0 / 35

HEX #3E73A7

RGB 62 115 167

HSL 209.71, 0.46%, 0.45%

LAB 47.07, -1.11, -33.13

 

CMYK 70 / 34 / 0 / 42

HEX #2D6194

RGB 45 97 148

HSL 209.71, 0.53%, 0.38%

LAB 39.99, 0.1, -33.06

 

CMYK 78 / 39 / 0 / 49

HEX #1C4F81

RGB 28 79 129

HSL 209.7, 0.64%, 0.31%

LAB 32.75, 1.78, -32.98

 

CMYK 90 / 45 / 0 / 57

HEX #0B3D6E

RGB 11 61 110

HSL 209.7, 0.82%, 0.24%

LAB 25.36, 4.19, -32.85

 

CMYK 58 / 28 / 0 / 27

HEX #4F85BA

RGB 79 133 186

HSL 209.72, 0.44%, 0.52%

LAB 54.01, -2.03, -33.2

 

CMYK 58 / 38 / 0 / 27

HEX #4E74BA

RGB 78 116 186

HSL 218.89, 0.44%, 0.52%

LAB 49.08, 7.96, -40.96

 

CMYK 58 / 47 / 0 / 27

HEX #4E62BA

RGB 78 98 186

HSL 228.89, 0.44%, 0.52%

LAB 44.09, 19.2, -48.9

 

CMYK 58 / 57 / 0 / 27

HEX #4E50BA

RGB 78 80 186

HSL 238.89, 0.44%, 0.52%

LAB 39.42, 30.58, -56.43

 

CMYK 49 / 58 / 0 / 27

HEX #5E4EBA

RGB 94 78 186

HSL 248.89, 0.44%, 0.52%

LAB 40.2, 34.99, -55.1

 

CMYK 58 / 28 / 0 / 27

HEX #4F85BA

RGB 79 133 186

HSL 209.72, 0.44%, 0.52%

LAB 54.01, -2.03, -33.2

 

CMYK 57 / 29 / 0 / 7

HEX #65A9ED

RGB 101 169 237

HSL 210, 0.79%, 0.66%

LAB 67.47, -1.94, -40.58

 

CMYK 58 / 27 / 0 / 87

HEX #0E1821

RGB 14 24 33

HSL 208.42, 0.4%, 0.09%

LAB 7.74, -1.3, -7.68

 

CMYK 57 / 29 / 0 / 67

HEX #243C54

RGB 36 60 84

HSL 210, 0.4%, 0.24%

LAB 24.47, -1.35, -17.34

 

CMYK 58 / 28 / 0 / 47

HEX #396187

RGB 57 97 135

HSL 209.23, 0.41%, 0.38%

LAB 39.86, -2.14, -25.39

 

CMYK 58 / 28 / 0 / 27

HEX #4F85BA

RGB 79 133 186

HSL 209.72, 0.44%, 0.52%

LAB 54.01, -2.03, -33.2

 

CMYK 18 / 58 / 0 / 27

HEX #984EBA

RGB 152 78 186

HSL 281.11, 0.44%, 0.52%

LAB 46.54, 48.81, -44.59

 

CMYK 5 / 0 / 58 / 27

HEX #B1BA4E

RGB 177 186 78

HSL 65, 0.44%, 0.52%

LAB 72.9, -17.9, 52.47

 

CMYK 58 / 28 / 0 / 27

HEX #4F85BA

RGB 79 133 186

HSL 209.72, 0.44%, 0.52%

LAB 54.01, -2.03, -33.2

 

CMYK 0 / 58 / 28 / 27

HEX #BA4E86

RGB 186 78 134

HSL 328.89, 0.44%, 0.52%

LAB 49.02, 49.55, -9.57

 

CMYK 28 / 0 / 58 / 27

HEX #86BA4E

RGB 134 186 78

HSL 88.89, 0.44%, 0.52%

LAB 69.99, -34.95, 48.4

 

CMYK 58 / 28 / 0 / 27

HEX #4F85BA

RGB 79 133 186

HSL 209.72, 0.44%, 0.52%

LAB 54.01, -2.03, -33.2

 

CMYK 18 / 58 / 0 / 27

HEX #984EBA

RGB 152 78 186

HSL 281.11, 0.44%, 0.52%

LAB 46.54, 48.81, -44.59

 

CMYK 0 / 30 / 58 / 27

HEX #BA824E

RGB 186 130 78

HSL 28.89, 0.44%, 0.52%

LAB 58.93, 15.96, 36.47

 

CMYK 40 / 0 / 58 / 27

HEX #70BA4E

RGB 112 186 78

HSL 101.11, 0.44%, 0.52%

LAB 68.83, -42.69, 46.76

 

CMYK 58 / 28 / 0 / 27

HEX #4F85BA

RGB 79 133 186

HSL 209.72, 0.44%, 0.52%

LAB 54.01, -2.03, -33.2

 

CMYK 1 / 58 / 0 / 27

HEX #B84EBA

RGB 184 78 186

HSL 298.89, 0.44%, 0.52%

LAB 50.9, 57.11, -37.4

 

CMYK 0 / 30 / 58 / 27

HEX #BA824E

RGB 186 130 78

HSL 28.89, 0.44%, 0.52%

LAB 58.93, 15.96, 36.47

 

CMYK 57 / 0 / 58 / 27

HEX #50BA4E

RGB 80 186 78

HSL 118.89, 0.44%, 0.52%

LAB 67.56, -52.04, 44.95

 

Description

Color code: RGB 79 133 186 | qconv.com Color code: RGB 79 133 186 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 133 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 133 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 28 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 28% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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