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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA824E it is the complementary color #457DB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA824E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BA824E: #BF8249, #D0945C, #E1A66F, #F2B882 and #FFCA95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA824E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BA824E: #BA824E, #A9703B, #985E28, #874C15 and #763A02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 58 / 27

HEX #BA824E

RGB 186 130 78

HSL 28.89, 0.44%, 0.52%

LAB 58.93, 15.96, 36.47

 

Complementary color

CMYK 61 / 29 / 0 / 31

HEX #457DB1

RGB 69 125 177

HSL 208.89, 0.44%, 0.48%

LAB 50.81, -2.33, -33.06

 

CMYK 0 / 32 / 62 / 25

HEX #BF8249

RGB 191 130 73

HSL 28.98, 0.48%, 0.52%

LAB 59.46, 17.72, 39.86

 

CMYK 0 / 29 / 56 / 18

HEX #D0945C

RGB 208 148 92

HSL 28.97, 0.55%, 0.59%

LAB 66.03, 16.48, 38.32

 

CMYK 0 / 26 / 51 / 12

HEX #E1A66F

RGB 225 166 111

HSL 28.95, 0.66%, 0.66%

LAB 72.51, 15.42, 36.86

 

CMYK 0 / 24 / 46 / 5

HEX #F2B882

RGB 242 184 130

HSL 28.93, 0.81%, 0.73%

LAB 78.91, 14.49, 35.48

 

CMYK 0 / 21 / 42 / 0

HEX #FFCA95

RGB 255 202 149

HSL 30, 1%, 0.79%

LAB 84.83, 12.12, 33.6

 

CMYK 0 / 30 / 58 / 27

HEX #BA824E

RGB 186 130 78

HSL 28.89, 0.44%, 0.52%

LAB 58.93, 15.96, 36.47

 

CMYK 0 / 34 / 65 / 34

HEX #A9703B

RGB 169 112 59

HSL 28.91, 0.48%, 0.45%

LAB 52.22, 17.29, 38.06

 

CMYK 0 / 38 / 74 / 40

HEX #985E28

RGB 152 94 40

HSL 28.93, 0.58%, 0.38%

LAB 45.41, 18.87, 39.62

 

CMYK 0 / 44 / 84 / 47

HEX #874C15

RGB 135 76 21

HSL 28.95, 0.73%, 0.31%

LAB 38.51, 20.76, 40.84

 

CMYK 0 / 51 / 98 / 54

HEX #763A02

RGB 118 58 2

HSL 28.97, 0.97%, 0.24%

LAB 31.54, 22.96, 41.33

 

CMYK 0 / 30 / 58 / 27

HEX #BA824E

RGB 186 130 78

HSL 28.89, 0.44%, 0.52%

LAB 58.93, 15.96, 36.47

 

CMYK 0 / 22 / 58 / 27

HEX #BA924E

RGB 186 146 78

HSL 37.78, 0.44%, 0.52%

LAB 62.97, 7.11, 41.3

 

CMYK 0 / 12 / 58 / 27

HEX #BAA44E

RGB 186 164 78

HSL 47.78, 0.44%, 0.52%

LAB 67.68, -2.65, 46.78

 

CMYK 0 / 2 / 58 / 27

HEX #BAB64E

RGB 186 182 78

HSL 57.78, 0.44%, 0.52%

LAB 72.52, -12.09, 52.25

 

CMYK 8 / 0 / 58 / 27

HEX #ACBA4E

RGB 172 186 78

HSL 67.78, 0.44%, 0.52%

LAB 72.52, -19.97, 51.94

 

CMYK 0 / 30 / 58 / 27

HEX #BA824E

RGB 186 130 78

HSL 28.89, 0.44%, 0.52%

LAB 58.93, 15.96, 36.47

 

CMYK 0 / 30 / 58 / 7

HEX #EDA663

RGB 237 166 99

HSL 29.13, 0.79%, 0.66%

LAB 73.66, 19.34, 44.74

 

CMYK 0 / 30 / 58 / 87

HEX #21170E

RGB 33 23 14

HSL 28.42, 0.4%, 0.09%

LAB 8.72, 3.47, 7.18

 

CMYK 0 / 30 / 58 / 67

HEX #543B23

RGB 84 59 35

HSL 29.39, 0.41%, 0.23%

LAB 27.11, 7.84, 19.13

 

CMYK 0 / 30 / 58 / 47

HEX #875E39

RGB 135 94 57

HSL 28.46, 0.41%, 0.38%

LAB 43.44, 12.4, 27.7

 

CMYK 0 / 30 / 58 / 27

HEX #BA824E

RGB 186 130 78

HSL 28.89, 0.44%, 0.52%

LAB 58.93, 15.96, 36.47

 

CMYK 39 / 0 / 58 / 27

HEX #72BA4E

RGB 114 186 78

HSL 100, 0.44%, 0.52%

LAB 68.93, -42.02, 46.9

 

CMYK 54 / 58 / 0 / 27

HEX #554EBA

RGB 85 78 186

HSL 243.89, 0.44%, 0.52%

LAB 39.45, 33.16, -56.34

 

CMYK 0 / 30 / 58 / 27

HEX #BA824E

RGB 186 130 78

HSL 28.89, 0.44%, 0.52%

LAB 58.93, 15.96, 36.47

 

CMYK 58 / 0 / 31 / 27

HEX #4EBA81

RGB 78 186 129

HSL 148.33, 0.44%, 0.52%

LAB 68.26, -44.27, 19.83

 

CMYK 31 / 58 / 0 / 27

HEX #814EBA

RGB 129 78 186

HSL 268.33, 0.44%, 0.52%

LAB 43.74, 43.02, -49.21

 

CMYK 0 / 30 / 58 / 27

HEX #BA824E

RGB 186 130 78

HSL 28.89, 0.44%, 0.52%

LAB 58.93, 15.96, 36.47

 

CMYK 39 / 0 / 58 / 27

HEX #72BA4E

RGB 114 186 78

HSL 100, 0.44%, 0.52%

LAB 68.93, -42.02, 46.9

 

CMYK 58 / 27 / 0 / 27

HEX #4E88BA

RGB 78 136 186

HSL 207.78, 0.44%, 0.52%

LAB 54.84, -3.98, -31.91

 

CMYK 19 / 58 / 0 / 27

HEX #964EBA

RGB 150 78 186

HSL 280, 0.44%, 0.52%

LAB 46.28, 48.3, -45.01

 

CMYK 0 / 30 / 58 / 27

HEX #BA824E

RGB 186 130 78

HSL 28.89, 0.44%, 0.52%

LAB 58.93, 15.96, 36.47

 

CMYK 56 / 0 / 58 / 27

HEX #52BA4E

RGB 82 186 78

HSL 117.78, 0.44%, 0.52%

LAB 67.62, -51.53, 45.05

 

CMYK 58 / 27 / 0 / 27

HEX #4E88BA

RGB 78 136 186

HSL 207.78, 0.44%, 0.52%

LAB 54.84, -3.98, -31.91

 

CMYK 2 / 58 / 0 / 27

HEX #B64EBA

RGB 182 78 186

HSL 297.78, 0.44%, 0.52%

LAB 50.62, 56.59, -37.87

 

Description

Color code: HEX #BA824E | qconv.com Color code: HEX #BA824E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 130 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 130 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 58 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 58% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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