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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 77 88 120 it is the complementary color RGB 178 167 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 77 88 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 77 88 120: RGB 82 88 115, RGB 99 106 134, RGB 116 124 153, RGB 133 142 172 and RGB 150 160 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 77 88 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 77 88 120: RGB 77 88 120, RGB 60 70 101, RGB 43 52 82, RGB 26 34 63 and RGB 9 16 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 27 / 0 / 53

HEX #4D5878

RGB 77 88 120

HSL 224.65, 0.22%, 0.39%

LAB 37.69, 4.17, -19.51

 

Complementary color

CMYK 0 / 6 / 24 / 30

HEX #B2A787

RGB 178 167 135

HSL 44.65, 0.22%, 0.61%

LAB 68.64, -1.24, 18.01

 

CMYK 29 / 23 / 0 / 55

HEX #525873

RGB 82 88 115

HSL 229.09, 0.17%, 0.39%

LAB 37.86, 4.38, -16.13

 

CMYK 26 / 21 / 0 / 47

HEX #636A86

RGB 99 106 134

HSL 228, 0.15%, 0.46%

LAB 45.2, 4.02, -16.33

 

CMYK 24 / 19 / 0 / 40

HEX #747C99

RGB 116 124 153

HSL 227.03, 0.15%, 0.53%

LAB 52.32, 3.71, -16.58

 

CMYK 23 / 17 / 0 / 33

HEX #858EAC

RGB 133 142 172

HSL 226.15, 0.19%, 0.6%

LAB 59.26, 3.44, -16.85

 

CMYK 21 / 16 / 0 / 25

HEX #96A0BF

RGB 150 160 191

HSL 225.37, 0.24%, 0.67%

LAB 66.05, 3.19, -17.14

 

CMYK 36 / 27 / 0 / 53

HEX #4D5878

RGB 77 88 120

HSL 224.65, 0.22%, 0.39%

LAB 37.69, 4.17, -19.51

 

CMYK 41 / 31 / 0 / 60

HEX #3C4665

RGB 60 70 101

HSL 225.37, 0.25%, 0.32%

LAB 30.11, 4.69, -19.45

 

CMYK 48 / 37 / 0 / 68

HEX #2B3452

RGB 43 52 82

HSL 226.15, 0.31%, 0.25%

LAB 22.23, 5.4, -19.49

 

CMYK 59 / 46 / 0 / 75

HEX #1A223F

RGB 26 34 63

HSL 227.03, 0.42%, 0.17%

LAB 13.96, 6.45, -19.66

 

CMYK 80 / 64 / 0 / 83

HEX #09102C

RGB 9 16 44

HSL 228, 0.66%, 0.1%

LAB 5.51, 7.06, -19.45

 

CMYK 36 / 27 / 0 / 53

HEX #4D5878

RGB 77 88 120

HSL 224.65, 0.22%, 0.39%

LAB 37.69, 4.17, -19.51

 

CMYK 36 / 33 / 0 / 53

HEX #4D5179

RGB 77 81 121

HSL 234.55, 0.22%, 0.39%

LAB 35.68, 8.91, -23.24

 

CMYK 34 / 36 / 0 / 53

HEX #504D79

RGB 80 77 121

HSL 244.09, 0.22%, 0.39%

LAB 34.79, 12.41, -24.61

 

CMYK 28 / 36 / 0 / 53

HEX #574D79

RGB 87 77 121

HSL 253.64, 0.22%, 0.39%

LAB 35.43, 14.65, -23.57

 

CMYK 21 / 36 / 0 / 53

HEX #5F4D79

RGB 95 77 121

HSL 264.55, 0.22%, 0.39%

LAB 36.22, 17.29, -22.28

 

CMYK 36 / 27 / 0 / 53

HEX #4D5878

RGB 77 88 120

HSL 224.65, 0.22%, 0.39%

LAB 37.69, 4.17, -19.51

 

CMYK 36 / 27 / 0 / 33

HEX #6E7DAB

RGB 110 125 171

HSL 225.25, 0.27%, 0.55%

LAB 52.86, 5.99, -26.22

 

CMYK 36 / 27 / 0 / 13

HEX #8EA3DE

RGB 142 163 222

HSL 224.25, 0.55%, 0.71%

LAB 67.44, 6.86, -32.23

 

CMYK 33 / 28 / 0 / 93

HEX #0C0D12

RGB 12 13 18

HSL 230, 0.2%, 0.06%

LAB 3.7, 0.63, -2.63

 

CMYK 36 / 26 / 0 / 73

HEX #2C3345

RGB 44 51 69

HSL 223.2, 0.22%, 0.22%

LAB 21.33, 2.16, -12.16

 

CMYK 36 / 27 / 0 / 53

HEX #4D5878

RGB 77 88 120

HSL 224.65, 0.22%, 0.39%

LAB 37.69, 4.17, -19.51

 

CMYK 2 / 36 / 0 / 53

HEX #764D79

RGB 118 77 121

HSL 295.91, 0.22%, 0.39%

LAB 38.79, 25.18, -18.08

 

CMYK 12 / 0 / 36 / 53

HEX #6A794D

RGB 106 121 77

HSL 80.45, 0.22%, 0.39%

LAB 48.6, -13.65, 22.34

 

CMYK 36 / 27 / 0 / 53

HEX #4D5878

RGB 77 88 120

HSL 224.65, 0.22%, 0.39%

LAB 37.69, 4.17, -19.51

 

CMYK 0 / 36 / 26 / 53

HEX #794D59

RGB 121 77 89

HSL 343.64, 0.22%, 0.39%

LAB 38.01, 20.39, 0.69

 

CMYK 26 / 0 / 36 / 53

HEX #59794D

RGB 89 121 77

HSL 103.64, 0.22%, 0.39%

LAB 47.41, -20.44, 20.54

 

CMYK 36 / 27 / 0 / 53

HEX #4D5878

RGB 77 88 120

HSL 224.65, 0.22%, 0.39%

LAB 37.69, 4.17, -19.51

 

CMYK 2 / 36 / 0 / 53

HEX #764D79

RGB 118 77 121

HSL 295.91, 0.22%, 0.39%

LAB 38.79, 25.18, -18.08

 

CMYK 0 / 10 / 36 / 53

HEX #796D4D

RGB 121 109 77

HSL 43.64, 0.22%, 0.39%

LAB 46.36, -0.46, 19.61

 

CMYK 34 / 0 / 36 / 53

HEX #50794D

RGB 80 121 77

HSL 115.91, 0.22%, 0.39%

LAB 46.86, -23.77, 19.72

 

CMYK 36 / 27 / 0 / 53

HEX #4D5878

RGB 77 88 120

HSL 224.65, 0.22%, 0.39%

LAB 37.69, 4.17, -19.51

 

CMYK 0 / 36 / 8 / 53

HEX #794D6F

RGB 121 77 111

HSL 313.64, 0.22%, 0.39%

LAB 38.76, 24.25, -11.92

 

CMYK 0 / 10 / 36 / 53

HEX #796D4D

RGB 121 109 77

HSL 43.64, 0.22%, 0.39%

LAB 46.36, -0.46, 19.61

 

CMYK 36 / 0 / 28 / 53

HEX #4D7957

RGB 77 121 87

HSL 133.64, 0.22%, 0.39%

LAB 46.9, -22.96, 13.95

 

Description

Color code: RGB 77 88 120 | qconv.com Color code: RGB 77 88 120 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 88 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 88 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 27 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 27% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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