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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 167 135 it is the complementary color RGB 77 88 120. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 167 135. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 178 167 135: RGB 183 167 130, RGB 200 185 149, RGB 217 203 168, RGB 234 221 187 and RGB 251 239 206

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 167 135. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 178 167 135: RGB 178 167 135, RGB 161 149 116, RGB 144 131 97, RGB 127 113 78 and RGB 110 95 59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 24 / 30

HEX #B2A787

RGB 178 167 135

HSL 44.65, 0.22%, 0.61%

LAB 68.64, -1.24, 18.01

 

Complementary color

CMYK 36 / 27 / 0 / 53

HEX #4D5878

RGB 77 88 120

HSL 224.65, 0.22%, 0.39%

LAB 37.69, 4.17, -19.51

 

CMYK 0 / 9 / 29 / 28

HEX #B7A782

RGB 183 167 130

HSL 41.89, 0.27%, 0.61%

LAB 68.98, 0.02, 21.27

 

CMYK 0 / 8 / 26 / 22

HEX #C8B995

RGB 200 185 149

HSL 42.35, 0.32%, 0.68%

LAB 75.54, -0.34, 20.23

 

CMYK 0 / 6 / 23 / 15

HEX #D9CBA8

RGB 217 203 168

HSL 42.86, 0.39%, 0.75%

LAB 82, -0.65, 19.24

 

CMYK 0 / 6 / 20 / 8

HEX #EADDBB

RGB 234 221 187

HSL 43.4, 0.53%, 0.83%

LAB 88.35, -0.93, 18.31

 

CMYK 0 / 5 / 18 / 2

HEX #FBEFCE

RGB 251 239 206

HSL 44, 0.85%, 0.9%

LAB 94.61, -1.19, 17.42

 

CMYK 0 / 6 / 24 / 30

HEX #B2A787

RGB 178 167 135

HSL 44.65, 0.22%, 0.61%

LAB 68.64, -1.24, 18.01

 

CMYK 0 / 7 / 28 / 37

HEX #A19574

RGB 161 149 116

HSL 44, 0.19%, 0.54%

LAB 61.94, -0.91, 19.06

 

CMYK 0 / 9 / 33 / 44

HEX #908361

RGB 144 131 97

HSL 43.4, 0.2%, 0.47%

LAB 55.1, -0.51, 20.2

 

CMYK 0 / 11 / 39 / 50

HEX #7F714E

RGB 127 113 78

HSL 42.86, 0.24%, 0.4%

LAB 48.1, -0.02, 21.44

 

CMYK 0 / 14 / 46 / 57

HEX #6E5F3B

RGB 110 95 59

HSL 42.35, 0.3%, 0.33%

LAB 40.92, 0.6, 22.79

 

CMYK 0 / 6 / 24 / 30

HEX #B2A787

RGB 178 167 135

HSL 44.65, 0.22%, 0.61%

LAB 68.64, -1.24, 18.01

 

CMYK 0 / 2 / 25 / 31

HEX #B1AD85

RGB 177 173 133

HSL 54.55, 0.22%, 0.61%

LAB 70.13, -5.13, 21.12

 

CMYK 2 / 0 / 25 / 31

HEX #AEB185

RGB 174 177 133

HSL 64.09, 0.22%, 0.61%

LAB 70.96, -8.42, 22.23

 

CMYK 6 / 0 / 25 / 31

HEX #A7B185

RGB 167 177 133

HSL 73.64, 0.22%, 0.61%

LAB 70.42, -11.11, 21.4

 

CMYK 10 / 0 / 25 / 31

HEX #9FB185

RGB 159 177 133

HSL 84.55, 0.22%, 0.61%

LAB 69.83, -14.14, 20.49

 

CMYK 0 / 6 / 24 / 30

HEX #B2A787

RGB 178 167 135

HSL 44.65, 0.22%, 0.61%

LAB 68.64, -1.24, 18.01

 

CMYK 0 / 6 / 24 / 10

HEX #E5D7AE

RGB 229 215 174

HSL 44.73, 0.51%, 0.79%

LAB 86.16, -1.54, 22

 

CMYK 0 / 8 / 24 / 90

HEX #191713

RGB 25 23 19

HSL 40, 0.14%, 0.09%

LAB 7.83, 0.05, 2.91

 

CMYK 0 / 7 / 24 / 70

HEX #4C473A

RGB 76 71 58

HSL 43.33, 0.13%, 0.26%

LAB 30.28, -0.4, 8.59

 

CMYK 0 / 6 / 24 / 50

HEX #7F7760

RGB 127 119 96

HSL 44.52, 0.14%, 0.44%

LAB 50.16, -0.92, 13.78

 

CMYK 0 / 6 / 24 / 30

HEX #B2A787

RGB 178 167 135

HSL 44.65, 0.22%, 0.61%

LAB 68.64, -1.24, 18.01

 

CMYK 23 / 0 / 25 / 31

HEX #88B185

RGB 136 177 133

HSL 115.91, 0.22%, 0.61%

LAB 68.29, -22.49, 18.14

 

CMYK 16 / 25 / 0 / 31

HEX #9485B1

RGB 148 133 177

HSL 260.45, 0.22%, 0.61%

LAB 58.27, 14.68, -21.1

 

CMYK 0 / 6 / 24 / 30

HEX #B2A787

RGB 178 167 135

HSL 44.65, 0.22%, 0.61%

LAB 68.64, -1.24, 18.01

 

CMYK 25 / 0 / 7 / 31

HEX #85B1A5

RGB 133 177 165

HSL 163.64, 0.22%, 0.61%

LAB 68.86, -17.26, 1.35

 

CMYK 7 / 25 / 0 / 31

HEX #A585B1

RGB 165 133 177

HSL 283.64, 0.22%, 0.61%

LAB 59.84, 20.35, -18.56

 

CMYK 0 / 6 / 24 / 30

HEX #B2A787

RGB 178 167 135

HSL 44.65, 0.22%, 0.61%

LAB 68.64, -1.24, 18.01

 

CMYK 23 / 0 / 25 / 31

HEX #88B185

RGB 136 177 133

HSL 115.91, 0.22%, 0.61%

LAB 68.29, -22.49, 18.14

 

CMYK 25 / 18 / 0 / 31

HEX #8591B1

RGB 133 145 177

HSL 223.64, 0.22%, 0.61%

LAB 60.26, 2.93, -18.17

 

CMYK 2 / 25 / 0 / 31

HEX #AE85B1

RGB 174 133 177

HSL 295.91, 0.22%, 0.61%

LAB 60.74, 23.41, -17.11

 

CMYK 0 / 6 / 24 / 30

HEX #B2A787

RGB 178 167 135

HSL 44.65, 0.22%, 0.61%

LAB 68.64, -1.24, 18.01

 

CMYK 25 / 0 / 19 / 31

HEX #85B18F

RGB 133 177 143

HSL 133.64, 0.22%, 0.61%

LAB 68.32, -21.71, 12.69

 

CMYK 25 / 18 / 0 / 31

HEX #8591B1

RGB 133 145 177

HSL 223.64, 0.22%, 0.61%

LAB 60.26, 2.93, -18.17

 

CMYK 0 / 25 / 6 / 31

HEX #B185A7

RGB 177 133 167

HSL 313.64, 0.22%, 0.61%

LAB 60.7, 22.55, -11.44

 

Description

Color code: RGB 178 167 135 | qconv.com Color code: RGB 178 167 135 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 167 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 167 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 24 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 24% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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