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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 75 83 101 it is the complementary color RGB 180 172 154. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 75 83 101. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 75 83 101: RGB 80 83 96, RGB 97 101 115, RGB 114 119 134, RGB 131 137 153 and RGB 148 155 172

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 75 83 101. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 75 83 101: RGB 75 83 101, RGB 58 65 82, RGB 41 47 63, RGB 24 29 44 and RGB 7 11 25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 18 / 0 / 60

HEX #4B5365

RGB 75 83 101

HSL 221.54, 0.15%, 0.35%

LAB 35.25, 1.33, -11.46

 

Complementary color

CMYK 0 / 4 / 14 / 29

HEX #B4AC9A

RGB 180 172 154

HSL 41.54, 0.15%, 0.65%

LAB 70.55, -0.24, 10.28

 

CMYK 17 / 14 / 0 / 62

HEX #505360

RGB 80 83 96

HSL 228.75, 0.09%, 0.35%

LAB 35.47, 1.85, -7.95

 

CMYK 16 / 12 / 0 / 55

HEX #616573

RGB 97 101 115

HSL 226.67, 0.08%, 0.42%

LAB 42.89, 1.62, -8.38

 

CMYK 15 / 11 / 0 / 47

HEX #727786

RGB 114 119 134

HSL 225, 0.08%, 0.49%

LAB 50.09, 1.41, -8.82

 

CMYK 14 / 10 / 0 / 40

HEX #838999

RGB 131 137 153

HSL 223.64, 0.1%, 0.56%

LAB 57.09, 1.22, -9.26

 

CMYK 14 / 10 / 0 / 33

HEX #949BAC

RGB 148 155 172

HSL 222.5, 0.13%, 0.63%

LAB 63.93, 1.04, -9.7

 

CMYK 26 / 18 / 0 / 60

HEX #4B5365

RGB 75 83 101

HSL 221.54, 0.15%, 0.35%

LAB 35.25, 1.33, -11.46

 

CMYK 29 / 21 / 0 / 68

HEX #3A4152

RGB 58 65 82

HSL 222.5, 0.17%, 0.27%

LAB 27.54, 1.61, -11.17

 

CMYK 35 / 25 / 0 / 75

HEX #292F3F

RGB 41 47 63

HSL 223.64, 0.21%, 0.2%

LAB 19.49, 1.97, -10.94

 

CMYK 45 / 34 / 0 / 83

HEX #181D2C

RGB 24 29 44

HSL 225, 0.29%, 0.13%

LAB 10.96, 2.48, -10.81

 

CMYK 72 / 56 / 0 / 90

HEX #070B19

RGB 7 11 25

HSL 226.67, 0.56%, 0.06%

LAB 3.2, 1.87, -8.32

 

CMYK 26 / 18 / 0 / 60

HEX #4B5365

RGB 75 83 101

HSL 221.54, 0.15%, 0.35%

LAB 35.25, 1.33, -11.46

 

CMYK 26 / 23 / 0 / 60

HEX #4B4F66

RGB 75 79 102

HSL 231.11, 0.15%, 0.35%

LAB 34.08, 4.13, -13.87

 

CMYK 25 / 26 / 0 / 60

HEX #4C4B66

RGB 76 75 102

HSL 242.22, 0.15%, 0.35%

LAB 32.98, 7.04, -15.54

 

CMYK 22 / 26 / 0 / 60

HEX #504B66

RGB 80 75 102

HSL 251.11, 0.15%, 0.35%

LAB 33.34, 8.45, -14.95

 

CMYK 17 / 26 / 0 / 60

HEX #554B66

RGB 85 75 102

HSL 262.22, 0.15%, 0.35%

LAB 33.82, 10.25, -14.18

 

CMYK 26 / 18 / 0 / 60

HEX #4B5365

RGB 75 83 101

HSL 221.54, 0.15%, 0.35%

LAB 35.25, 1.33, -11.46

 

CMYK 26 / 18 / 0 / 40

HEX #717D98

RGB 113 125 152

HSL 221.54, 0.16%, 0.52%

LAB 52.34, 1.9, -15.99

 

CMYK 26 / 18 / 0 / 20

HEX #97A7CB

RGB 151 167 203

HSL 221.54, 0.33%, 0.69%

LAB 68.41, 2.44, -20.21

 

CMYK 26 / 18 / 0 / 0

HEX #BDD1FE

RGB 189 209 254

HSL 221.54, 0.97%, 0.87%

LAB 83.74, 2.94, -24.22

 

CMYK 26 / 18 / 0 / 80

HEX #252932

RGB 37 41 50

HSL 221.54, 0.15%, 0.17%

LAB 16.55, 0.7, -6.43

 

CMYK 26 / 18 / 0 / 60

HEX #4B5365

RGB 75 83 101

HSL 221.54, 0.15%, 0.35%

LAB 35.25, 1.33, -11.46

 

CMYK 3 / 26 / 0 / 60

HEX #634B66

RGB 99 75 102

HSL 293.33, 0.15%, 0.35%

LAB 35.29, 15.44, -11.81

 

CMYK 7 / 0 / 26 / 60

HEX #5F664B

RGB 95 102 75

HSL 75.56, 0.15%, 0.35%

LAB 41.91, -7.89, 14.4

 

CMYK 26 / 18 / 0 / 60

HEX #4B5365

RGB 75 83 101

HSL 221.54, 0.15%, 0.35%

LAB 35.25, 1.33, -11.46

 

CMYK 0 / 26 / 18 / 60

HEX #664B54

RGB 102 75 84

HSL 340, 0.15%, 0.35%

LAB 35, 13, -0.85

 

CMYK 18 / 0 / 26 / 60

HEX #54664B

RGB 84 102 75

HSL 100, 0.15%, 0.35%

LAB 41.05, -12.43, 13.08

 

CMYK 26 / 18 / 0 / 60

HEX #4B5365

RGB 75 83 101

HSL 221.54, 0.15%, 0.35%

LAB 35.25, 1.33, -11.46

 

CMYK 3 / 26 / 0 / 60

HEX #634B66

RGB 99 75 102

HSL 293.33, 0.15%, 0.35%

LAB 35.29, 15.44, -11.81

 

CMYK 0 / 8 / 26 / 60

HEX #665E4B

RGB 102 94 75

HSL 42.22, 0.15%, 0.35%

LAB 40.14, -0.18, 12.07

 

CMYK 24 / 0 / 26 / 60

HEX #4E664B

RGB 78 102 75

HSL 113.33, 0.15%, 0.35%

LAB 40.62, -14.8, 12.42

 

CMYK 26 / 18 / 0 / 60

HEX #4B5365

RGB 75 83 101

HSL 221.54, 0.15%, 0.35%

LAB 35.25, 1.33, -11.46

 

CMYK 0 / 26 / 5 / 60

HEX #664B61

RGB 102 75 97

HSL 311.11, 0.15%, 0.35%

LAB 35.44, 15.52, -8.4

 

CMYK 0 / 8 / 26 / 60

HEX #665E4B

RGB 102 94 75

HSL 42.22, 0.15%, 0.35%

LAB 40.14, -0.18, 12.07

 

CMYK 26 / 0 / 22 / 60

HEX #4B6650

RGB 75 102 80

HSL 131.11, 0.15%, 0.35%

LAB 40.54, -14.95, 9.26

 

Description

Color code: RGB 75 83 101 | qconv.com Color code: RGB 75 83 101 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 83 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 83 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 18 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 18% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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