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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 25 / 26 / 0 / 60 it is the complementary color CMYK 1 / 0 / 15 / 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 25 / 26 / 0 / 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 25 / 26 / 0 / 60: CMYK 15 / 23 / 0 / 62, CMYK 15 / 20 / 0 / 55, CMYK 14 / 18 / 0 / 47, CMYK 14 / 16 / 0 / 40 and CMYK 13 / 15 / 0 / 32

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 25 / 26 / 0 / 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 25 / 26 / 0 / 60: CMYK 25 / 26 / 0 / 60, CMYK 28 / 31 / 0 / 67, CMYK 33 / 39 / 0 / 75, CMYK 42 / 53 / 0 / 82 and CMYK 65 / 88 / 0 / 90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 26 / 0 / 60

HEX #4D4B66

RGB 77 75 102

HSL 244.44, 0.15%, 0.35%

LAB 33.07, 7.39, -15.4

 

Complementary color

CMYK 1 / 0 / 15 / 29

HEX #B2B499

RGB 178 180 153

HSL 64.44, 0.15%, 0.65%

LAB 72.5, -5.43, 13.55

 

CMYK 15 / 23 / 0 / 62

HEX #524B61

RGB 82 75 97

HSL 259.09, 0.13%, 0.34%

LAB 33.33, 7.9, -11.8

 

CMYK 15 / 20 / 0 / 55

HEX #635D74

RGB 99 93 116

HSL 255.65, 0.11%, 0.41%

LAB 40.8, 7.46, -12.12

 

CMYK 14 / 18 / 0 / 47

HEX #746F87

RGB 116 111 135

HSL 252.5, 0.1%, 0.48%

LAB 48.05, 7.08, -12.47

 

CMYK 14 / 16 / 0 / 40

HEX #85819A

RGB 133 129 154

HSL 249.6, 0.11%, 0.55%

LAB 55.09, 6.74, -12.82

 

CMYK 13 / 15 / 0 / 32

HEX #9693AD

RGB 150 147 173

HSL 246.92, 0.14%, 0.63%

LAB 61.97, 6.43, -13.19

 

CMYK 25 / 26 / 0 / 60

HEX #4D4B66

RGB 77 75 102

HSL 244.44, 0.15%, 0.35%

LAB 33.07, 7.39, -15.4

 

CMYK 28 / 31 / 0 / 67

HEX #3C3953

RGB 60 57 83

HSL 246.92, 0.19%, 0.27%

LAB 25.29, 7.94, -15.26

 

CMYK 33 / 39 / 0 / 75

HEX #2B2740

RGB 43 39 64

HSL 249.6, 0.24%, 0.2%

LAB 17.15, 8.65, -15.22

 

CMYK 42 / 53 / 0 / 82

HEX #1A152D

RGB 26 21 45

HSL 252.5, 0.36%, 0.13%

LAB 8.53, 9.65, -15.33

 

CMYK 65 / 88 / 0 / 90

HEX #09031A

RGB 9 3 26

HSL 255.65, 0.79%, 0.06%

LAB 1.79, 5.89, -11.19

 

CMYK 25 / 26 / 0 / 60

HEX #4D4B66

RGB 77 75 102

HSL 244.44, 0.15%, 0.35%

LAB 33.07, 7.39, -15.4

 

CMYK 20 / 26 / 0 / 60

HEX #524B66

RGB 82 75 102

HSL 255.56, 0.15%, 0.35%

LAB 33.53, 9.16, -14.65

 

CMYK 16 / 26 / 0 / 60

HEX #564B66

RGB 86 75 102

HSL 264.44, 0.15%, 0.35%

LAB 33.92, 10.61, -14.02

 

CMYK 11 / 26 / 0 / 60

HEX #5B4B66

RGB 91 75 102

HSL 275.56, 0.15%, 0.35%

LAB 34.43, 12.45, -13.2

 

CMYK 7 / 26 / 0 / 60

HEX #5F4B66

RGB 95 75 102

HSL 284.44, 0.15%, 0.35%

LAB 34.85, 13.94, -12.52

 

CMYK 25 / 26 / 0 / 60

HEX #4D4B66

RGB 77 75 102

HSL 244.44, 0.15%, 0.35%

LAB 33.07, 7.39, -15.4

 

CMYK 24 / 26 / 0 / 40

HEX #747199

RGB 116 113 153

HSL 244.5, 0.16%, 0.52%

LAB 49.28, 10.24, -21.22

 

CMYK 25 / 26 / 0 / 20

HEX #9A96CC

RGB 154 150 204

HSL 244.44, 0.35%, 0.69%

LAB 64.2, 13.16, -27.19

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 24 / 25 / 0 / 80

HEX #272633

RGB 39 38 51

HSL 244.62, 0.15%, 0.17%

LAB 15.78, 3.92, -8.29

 

CMYK 25 / 26 / 0 / 60

HEX #4D4B66

RGB 77 75 102

HSL 244.44, 0.15%, 0.35%

LAB 33.07, 7.39, -15.4

 

CMYK 0 / 26 / 7 / 60

HEX #664B5F

RGB 102 75 95

HSL 315.56, 0.15%, 0.35%

LAB 35.37, 15.11, -7.25

 

CMYK 18 / 0 / 26 / 60

HEX #54664B

RGB 84 102 75

HSL 100, 0.15%, 0.35%

LAB 41.05, -12.43, 13.08

 

CMYK 25 / 26 / 0 / 60

HEX #4D4B66

RGB 77 75 102

HSL 244.44, 0.15%, 0.35%

LAB 33.07, 7.39, -15.4

 

CMYK 0 / 25 / 26 / 60

HEX #664D4B

RGB 102 77 75

HSL 4.44, 0.15%, 0.35%

LAB 35.28, 10.21, 5.25

 

CMYK 26 / 0 / 25 / 60

HEX #4B664D

RGB 75 102 77

HSL 124.44, 0.15%, 0.35%

LAB 40.47, -15.56, 10.97

 

CMYK 25 / 26 / 0 / 60

HEX #4D4B66

RGB 77 75 102

HSL 244.44, 0.15%, 0.35%

LAB 33.07, 7.39, -15.4

 

CMYK 0 / 26 / 7 / 60

HEX #664B5F

RGB 102 75 95

HSL 315.56, 0.15%, 0.35%

LAB 35.37, 15.11, -7.25

 

CMYK 2 / 0 / 26 / 60

HEX #64664B

RGB 100 102 75

HSL 64.44, 0.15%, 0.35%

LAB 42.34, -5.77, 15.05

 

CMYK 26 / 0 / 19 / 60

HEX #4B6653

RGB 75 102 83

HSL 137.78, 0.15%, 0.35%

LAB 40.61, -14.32, 7.55

 

CMYK 25 / 26 / 0 / 60

HEX #4D4B66

RGB 77 75 102

HSL 244.44, 0.15%, 0.35%

LAB 33.07, 7.39, -15.4

 

CMYK 0 / 26 / 15 / 60

HEX #664B57

RGB 102 75 87

HSL 333.33, 0.15%, 0.35%

LAB 35.09, 13.56, -2.6

 

CMYK 2 / 0 / 26 / 60

HEX #64664B

RGB 100 102 75

HSL 64.44, 0.15%, 0.35%

LAB 42.34, -5.77, 15.05

 

CMYK 26 / 0 / 11 / 60

HEX #4B665B

RGB 75 102 91

HSL 155.56, 0.15%, 0.35%

LAB 40.82, -12.55, 2.99

 

Description

Color code: CMYK 25 / 26 / 0 / 60 | qconv.com Color code: CMYK 25 / 26 / 0 / 60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 75 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 75 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 26 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 26% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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