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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 75 55 205 it is the complementary color RGB 180 200 50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 75 55 205. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 75 55 205: RGB 80 55 200, RGB 97 73 219, RGB 114 91 238, RGB 131 109 255 and RGB 148 127 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 75 55 205. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 75 55 205: RGB 75 55 205, RGB 58 37 186, RGB 41 19 167, RGB 24 1 148 and RGB 7 0 129

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 73 / 0 / 20

HEX #4B37CD

RGB 75 55 205

HSL 248, 0.6%, 0.51%

LAB 35.27, 50.91, -74.3

 

Complementary color

CMYK 10 / 0 / 75 / 22

HEX #B4C832

RGB 180 200 50

HSL 68, 0.6%, 0.49%

LAB 76.83, -25.25, 67.47

 

CMYK 60 / 73 / 0 / 22

HEX #5037C8

RGB 80 55 200

HSL 250.34, 0.57%, 0.5%

LAB 35.22, 50.03, -71.46

 

CMYK 56 / 67 / 0 / 14

HEX #6149DB

RGB 97 73 219

HSL 249.86, 0.67%, 0.57%

LAB 41.88, 48.41, -71.46

 

CMYK 52 / 62 / 0 / 7

HEX #725BEE

RGB 114 91 238

HSL 249.39, 0.81%, 0.65%

LAB 48.55, 46.8, -71.28

 

CMYK 49 / 57 / 0 / 0

HEX #836DFF

RGB 131 109 255

HSL 249.04, 1%, 0.71%

LAB 55.05, 44.72, -70.14

 

CMYK 42 / 50 / 0 / 0

HEX #947FFF

RGB 148 127 255

HSL 249.84, 1%, 0.75%

LAB 60.51, 38.07, -61.28

 

CMYK 63 / 73 / 0 / 20

HEX #4B37CD

RGB 75 55 205

HSL 248, 0.6%, 0.51%

LAB 35.27, 50.91, -74.3

 

CMYK 69 / 80 / 0 / 27

HEX #3A25BA

RGB 58 37 186

HSL 248.46, 0.67%, 0.44%

LAB 28.82, 52.45, -73.85

 

CMYK 75 / 89 / 0 / 35

HEX #2913A7

RGB 41 19 167

HSL 248.92, 0.8%, 0.36%

LAB 22.75, 53.22, -72.57

 

CMYK 84 / 99 / 0 / 42

HEX #180194

RGB 24 1 148

HSL 249.39, 0.99%, 0.29%

LAB 17.25, 52.79, -70.12

 

CMYK 95 / 100 / 0 / 49

HEX #070081

RGB 7 0 129

HSL 243.26, 1%, 0.25%

LAB 13.41, 47.86, -64.6

 

CMYK 63 / 73 / 0 / 20

HEX #4B37CD

RGB 75 55 205

HSL 248, 0.6%, 0.51%

LAB 35.27, 50.91, -74.3

 

CMYK 51 / 73 / 0 / 20

HEX #6437CD

RGB 100 55 205

HSL 258, 0.6%, 0.51%

LAB 37.57, 54.3, -70.44

 

CMYK 39 / 73 / 0 / 20

HEX #7D37CD

RGB 125 55 205

HSL 268, 0.6%, 0.51%

LAB 40.41, 58.37, -65.68

 

CMYK 27 / 73 / 0 / 20

HEX #9637CD

RGB 150 55 205

HSL 278, 0.6%, 0.51%

LAB 43.69, 62.92, -60.21

 

CMYK 15 / 73 / 0 / 20

HEX #AF37CD

RGB 175 55 205

HSL 288, 0.6%, 0.51%

LAB 47.31, 67.81, -54.19

 

CMYK 63 / 73 / 0 / 20

HEX #4B37CD

RGB 75 55 205

HSL 248, 0.6%, 0.51%

LAB 35.27, 50.91, -74.3

 

CMYK 100 / 100 / 0 / 100

HEX #000001

RGB 0 0 1

HSL 240, 1%, 0%

LAB 0.02, 0.14, -0.38

 

CMYK 63 / 73 / 0 / 80

HEX #130E34

RGB 19 14 52

HSL 247.89, 0.58%, 0.13%

LAB 6.33, 14.96, -24.04

 

CMYK 63 / 73 / 0 / 60

HEX #261C67

RGB 38 28 103

HSL 248, 0.57%, 0.26%

LAB 16.61, 28.32, -42.43

 

CMYK 64 / 73 / 0 / 40

HEX #38299A

RGB 56 41 154

HSL 247.96, 0.58%, 0.38%

LAB 26.04, 40.24, -59.17

 

CMYK 63 / 73 / 0 / 20

HEX #4B37CD

RGB 75 55 205

HSL 248, 0.6%, 0.51%

LAB 35.27, 50.91, -74.3

 

CMYK 0 / 73 / 24 / 20

HEX #CD379B

RGB 205 55 155

HSL 320, 0.6%, 0.51%

LAB 49.59, 66.77, -20.97

 

CMYK 54 / 0 / 73 / 20

HEX #5FCD37

RGB 95 205 55

HSL 104, 0.6%, 0.51%

LAB 73.79, -57.35, 61.29

 

CMYK 63 / 73 / 0 / 20

HEX #4B37CD

RGB 75 55 205

HSL 248, 0.6%, 0.51%

LAB 35.27, 50.91, -74.3

 

CMYK 0 / 63 / 73 / 20

HEX #CD4B37

RGB 205 75 55

HSL 8, 0.6%, 0.51%

LAB 49.84, 50.4, 38.93

 

CMYK 73 / 0 / 63 / 20

HEX #37CD4B

RGB 55 205 75

HSL 128, 0.6%, 0.51%

LAB 72.88, -64.13, 52.2

 

CMYK 63 / 73 / 0 / 20

HEX #4B37CD

RGB 75 55 205

HSL 248, 0.6%, 0.51%

LAB 35.27, 50.91, -74.3

 

CMYK 0 / 73 / 24 / 20

HEX #CD379B

RGB 205 55 155

HSL 320, 0.6%, 0.51%

LAB 49.59, 66.77, -20.97

 

CMYK 10 / 0 / 73 / 20

HEX #B9CD37

RGB 185 205 55

HSL 68, 0.6%, 0.51%

LAB 78.61, -25.37, 67.64

 

CMYK 73 / 0 / 49 / 20

HEX #37CD69

RGB 55 205 105

HSL 140, 0.6%, 0.51%

LAB 73.22, -60.16, 38.68

 

CMYK 63 / 73 / 0 / 20

HEX #4B37CD

RGB 75 55 205

HSL 248, 0.6%, 0.51%

LAB 35.27, 50.91, -74.3

 

CMYK 0 / 73 / 46 / 20

HEX #CD376E

RGB 205 55 110

HSL 338, 0.6%, 0.51%

LAB 48.05, 61.89, 3.91

 

CMYK 10 / 0 / 73 / 20

HEX #B9CD37

RGB 185 205 55

HSL 68, 0.6%, 0.51%

LAB 78.61, -25.37, 67.64

 

CMYK 73 / 0 / 27 / 20

HEX #37CD96

RGB 55 205 150

HSL 158, 0.6%, 0.51%

LAB 73.98, -51.59, 16.41

 

Description

Color code: RGB 75 55 205 | qconv.com Color code: RGB 75 55 205 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 55 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 55 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 73 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 73% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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