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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38299A it is the complementary color #C7D665. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38299A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38299A shade: #3D2995, #4E3BA8, #5F4DBB, #705FCE and #8171E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38299A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38299A shade: #38299A, #271787, #160574, #050061 and #00004E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38299A shade: #382999, #562999, #742999, #932999 and #992981

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38299A shade: #382999 and #292999

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38299A shade matches the following richer shades: #382999, #2C19A9 and #2109B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38299A shade: #382999, #433889, #4F487A, #5A586A and #66675A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38299A shade: #295899, #293A99, #362999, #542999 and #722999

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38299A shade: #201758, #2C2079, #382999, #4331BA and #5846CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38299A shade: #38299A, #992976 and #499929

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38299A shade: #38299A, #993629 and #299936

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38299A shade: #38299A, #992976, #8C9929 and #29994C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38299A shade: #38299A, #992954, #8C9929 and #29996E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 73 / 0 / 40

HEX #38299A

RGB 56 41 154

HSL 247.96, 0.58%, 0.38%

LAB 26.04, 40.24, -59.17

 

Complementary color

CMYK 7 / 0 / 53 / 16

HEX #C7D665

RGB 199 214 101

HSL 67.96, 0.58%, 0.62%

LAB 82.47, -20.96, 53.34

 

CMYK 59 / 72 / 0 / 42

HEX #3D2995

RGB 61 41 149

HSL 251.11, 0.57%, 0.37%

LAB 26, 39.36, -56.14

 

CMYK 54 / 65 / 0 / 34

HEX #4E3BA8

RGB 78 59 168

HSL 250.46, 0.48%, 0.45%

LAB 33.08, 37.69, -56.05

 

CMYK 49 / 59 / 0 / 27

HEX #5F4DBB

RGB 95 77 187

HSL 249.82, 0.45%, 0.52%

LAB 40.13, 36.1, -55.8

 

CMYK 46 / 54 / 0 / 19

HEX #705FCE

RGB 112 95 206

HSL 249.19, 0.53%, 0.59%

LAB 47.09, 34.67, -55.51

 

CMYK 43 / 50 / 0 / 12

HEX #8171E1

RGB 129 113 225

HSL 248.57, 0.65%, 0.66%

LAB 53.94, 33.41, -55.23

 

CMYK 64 / 73 / 0 / 40

HEX #38299A

RGB 56 41 154

HSL 247.96, 0.58%, 0.38%

LAB 26.04, 40.24, -59.17

 

CMYK 71 / 83 / 0 / 47

HEX #271787

RGB 39 23 135

HSL 248.57, 0.71%, 0.31%

LAB 19.2, 41.88, -58.72

 

CMYK 81 / 96 / 0 / 55

HEX #160574

RGB 22 5 116

HSL 249.19, 0.92%, 0.24%

LAB 12.86, 42.54, -57.16

 

CMYK 95 / 100 / 0 / 62

HEX #050061

RGB 5 0 97

HSL 243.09, 1%, 0.19%

LAB 8.09, 39.11, -52.64

 

CMYK 100 / 100 / 0 / 69

HEX #00004E

RGB 0 0 78

HSL 240, 1%, 0.15%

LAB 4.97, 31.45, -44.88

 

CMYK 63 / 73 / 0 / 40

HEX #382999

RGB 56 41 153

HSL 248.04, 0.58%, 0.38%

LAB 25.94, 39.92, -58.72

 

CMYK 44 / 73 / 0 / 40

HEX #562999

RGB 86 41 153

HSL 264.11, 0.58%, 0.38%

LAB 29.07, 44.74, -53.48

 

CMYK 24 / 73 / 0 / 40

HEX #742999

RGB 116 41 153

HSL 280.18, 0.58%, 0.38%

LAB 33.13, 50.67, -46.69

 

CMYK 4 / 73 / 0 / 40

HEX #932999

RGB 147 41 153

HSL 296.79, 0.58%, 0.38%

LAB 38, 57.39, -38.62

 

CMYK 0 / 73 / 16 / 40

HEX #992981

RGB 153 41 129

HSL 312.86, 0.58%, 0.38%

LAB 37.74, 54.92, -24.25

 

CMYK 63 / 73 / 0 / 40

HEX #382999

RGB 56 41 153

HSL 248.04, 0.58%, 0.38%

LAB 25.94, 39.92, -58.72

 

CMYK 73 / 73 / 0 / 40

HEX #292999

RGB 41 41 153

HSL 240, 0.58%, 0.38%

LAB 24.82, 38.11, -60.61

 

CMYK 63 / 73 / 0 / 40

HEX #382999

RGB 56 41 153

HSL 248.04, 0.58%, 0.38%

LAB 25.94, 39.92, -58.72

 

CMYK 74 / 85 / 0 / 34

HEX #2C19A9

RGB 44 25 169

HSL 247.92, 0.74%, 0.38%

LAB 23.98, 51.67, -71.72

 

CMYK 82 / 95 / 0 / 28

HEX #2109B8

RGB 33 9 184

HSL 248.23, 0.91%, 0.38%

LAB 23.6, 60.33, -81.38

 

CMYK 63 / 73 / 0 / 40

HEX #382999

RGB 56 41 153

HSL 248.04, 0.58%, 0.38%

LAB 25.94, 39.92, -58.72

 

CMYK 51 / 59 / 0 / 46

HEX #433889

RGB 67 56 137

HSL 248.15, 0.42%, 0.38%

LAB 28.97, 27.48, -43.87

 

CMYK 35 / 41 / 0 / 52

HEX #4F487A

RGB 79 72 122

HSL 248.4, 0.26%, 0.38%

LAB 33.35, 15.62, -27.49

 

CMYK 15 / 17 / 0 / 58

HEX #5A586A

RGB 90 88 106

HSL 246.67, 0.09%, 0.38%

LAB 38.19, 4.87, -10

 

CMYK 1 / 0 / 13 / 60

HEX #66675A

RGB 102 103 90

HSL 64.62, 0.07%, 0.38%

LAB 43.16, -2.94, 7.21

 

CMYK 73 / 42 / 0 / 40

HEX #295899

RGB 41 88 153

HSL 214.82, 0.58%, 0.38%

LAB 37.39, 7.11, -40.2

 

CMYK 73 / 62 / 0 / 40

HEX #293A99

RGB 41 58 153

HSL 230.89, 0.58%, 0.38%

LAB 28.9, 27.21, -53.92

 

CMYK 65 / 73 / 0 / 40

HEX #362999

RGB 54 41 153

HSL 246.96, 0.58%, 0.38%

LAB 25.77, 39.65, -59

 

CMYK 45 / 73 / 0 / 40

HEX #542999

RGB 84 41 153

HSL 263.04, 0.58%, 0.38%

LAB 28.83, 44.38, -53.88

 

CMYK 25 / 73 / 0 / 40

HEX #722999

RGB 114 41 153

HSL 279.11, 0.58%, 0.38%

LAB 32.84, 50.25, -47.18

 

CMYK 64 / 74 / 0 / 65

HEX #201758

RGB 32 23 88

HSL 248.31, 0.59%, 0.22%

LAB 13.38, 25.24, -37.76

 

CMYK 64 / 74 / 0 / 53

HEX #2C2079

RGB 44 32 121

HSL 248.09, 0.58%, 0.3%

LAB 19.84, 32.95, -48.77

 

CMYK 63 / 73 / 0 / 40

HEX #382999

RGB 56 41 153

HSL 248.04, 0.58%, 0.38%

LAB 25.94, 39.92, -58.72

 

CMYK 64 / 74 / 0 / 27

HEX #4331BA

RGB 67 49 186

HSL 247.88, 0.58%, 0.46%

LAB 31.66, 47.32, -69.14

 

CMYK 57 / 66 / 0 / 19

HEX #5846CE

RGB 88 70 206

HSL 247.94, 0.58%, 0.54%

LAB 39.43, 44.74, -68.02

 

CMYK 64 / 73 / 0 / 40

HEX #38299A

RGB 56 41 154

HSL 247.96, 0.58%, 0.38%

LAB 26.04, 40.24, -59.17

 

CMYK 0 / 73 / 23 / 40

HEX #992976

RGB 153 41 118

HSL 318.75, 0.58%, 0.38%

LAB 37.24, 53.34, -18.18

 

CMYK 52 / 0 / 73 / 40

HEX #499929

RGB 73 153 41

HSL 102.86, 0.58%, 0.38%

LAB 56.45, -44.86, 48.66

 

CMYK 64 / 73 / 0 / 40

HEX #38299A

RGB 56 41 154

HSL 247.96, 0.58%, 0.38%

LAB 26.04, 40.24, -59.17

 

CMYK 0 / 65 / 73 / 40

HEX #993629

RGB 153 54 41

HSL 6.96, 0.58%, 0.38%

LAB 37.06, 40.63, 30.01

 

CMYK 73 / 0 / 65 / 40

HEX #299936

RGB 41 153 54

HSL 126.96, 0.58%, 0.38%

LAB 55.6, -51.21, 42.04

 

CMYK 64 / 73 / 0 / 40

HEX #38299A

RGB 56 41 154

HSL 247.96, 0.58%, 0.38%

LAB 26.04, 40.24, -59.17

 

CMYK 0 / 73 / 23 / 40

HEX #992976

RGB 153 41 118

HSL 318.75, 0.58%, 0.38%

LAB 37.24, 53.34, -18.18

 

CMYK 8 / 0 / 73 / 40

HEX #8C9929

RGB 140 153 41

HSL 66.96, 0.58%, 0.38%

LAB 60.35, -19.32, 53.84

 

CMYK 73 / 0 / 50 / 40

HEX #29994C

RGB 41 153 76

HSL 138.75, 0.58%, 0.38%

LAB 55.86, -48.17, 31.58

 

CMYK 64 / 73 / 0 / 40

HEX #38299A

RGB 56 41 154

HSL 247.96, 0.58%, 0.38%

LAB 26.04, 40.24, -59.17

 

CMYK 0 / 73 / 45 / 40

HEX #992954

RGB 153 41 84

HSL 336.96, 0.58%, 0.38%

LAB 35.98, 49.29, 1.53

 

CMYK 8 / 0 / 73 / 40

HEX #8C9929

RGB 140 153 41

HSL 66.96, 0.58%, 0.38%

LAB 60.35, -19.32, 53.84

 

CMYK 73 / 0 / 28 / 40

HEX #29996E

RGB 41 153 110

HSL 156.96, 0.58%, 0.38%

LAB 56.47, -41.43, 13.85

 

Description

Color code: HEX #38299A | qconv.com Color code: HEX #38299A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 41 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 41 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 73 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 73% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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