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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 74 177 221 it is the complementary color RGB 181 78 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 74 177 221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 74 177 221: RGB 79 177 216, RGB 96 195 235, RGB 113 213 254, RGB 130 231 255 and RGB 147 249 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 74 177 221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 74 177 221: RGB 74 177 221, RGB 57 159 202, RGB 40 141 183, RGB 23 123 164 and RGB 6 105 145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 20 / 0 / 13

HEX #4AB1DD

RGB 74 177 221

HSL 197.96, 0.68%, 0.58%

LAB 68.11, -16.17, -30.9

 

Complementary color

CMYK 0 / 57 / 81 / 29

HEX #B54E22

RGB 181 78 34

HSL 17.96, 0.68%, 0.42%

LAB 46.16, 39.38, 44.69

 

CMYK 63 / 18 / 0 / 15

HEX #4FB1D8

RGB 79 177 216

HSL 197.08, 0.64%, 0.58%

LAB 68.07, -16.93, -28.21

 

CMYK 59 / 17 / 0 / 8

HEX #60C3EB

RGB 96 195 235

HSL 197.27, 0.78%, 0.65%

LAB 74.52, -17.56, -28.59

 

CMYK 56 / 16 / 0 / 0

HEX #71D5FE

RGB 113 213 254

HSL 197.45, 0.99%, 0.72%

LAB 80.88, -18.05, -28.95

 

CMYK 49 / 9 / 0 / 0

HEX #82E7FF

RGB 130 231 255

HSL 191.52, 1%, 0.75%

LAB 86.56, -23.33, -20.77

 

CMYK 42 / 2 / 0 / 0

HEX #93F9FF

RGB 147 249 255

HSL 183.33, 1%, 0.79%

LAB 92.21, -28.27, -12.21

 

CMYK 67 / 20 / 0 / 13

HEX #4AB1DD

RGB 74 177 221

HSL 197.96, 0.68%, 0.58%

LAB 68.11, -16.17, -30.9

 

CMYK 72 / 21 / 0 / 21

HEX #399FCA

RGB 57 159 202

HSL 197.79, 0.58%, 0.51%

LAB 61.59, -15.19, -30.5

 

CMYK 78 / 23 / 0 / 28

HEX #288DB7

RGB 40 141 183

HSL 197.62, 0.64%, 0.44%

LAB 54.99, -13.91, -30.06

 

CMYK 86 / 25 / 0 / 36

HEX #177BA4

RGB 23 123 164

HSL 197.45, 0.75%, 0.37%

LAB 48.3, -12.22, -29.54

 

CMYK 96 / 28 / 0 / 43

HEX #066991

RGB 6 105 145

HSL 197.27, 0.92%, 0.3%

LAB 41.51, -9.99, -28.93

 

CMYK 67 / 20 / 0 / 13

HEX #4AB1DD

RGB 74 177 221

HSL 197.96, 0.68%, 0.58%

LAB 68.11, -16.17, -30.9

 

CMYK 66 / 30 / 0 / 14

HEX #4B9BDC

RGB 75 155 220

HSL 206.9, 0.67%, 0.58%

LAB 61.75, -4.24, -40.25

 

CMYK 66 / 41 / 0 / 14

HEX #4B82DC

RGB 75 130 220

HSL 217.24, 0.67%, 0.58%

LAB 54.69, 10.47, -51.41

 

CMYK 66 / 52 / 0 / 14

HEX #4B6ADC

RGB 75 106 220

HSL 227.17, 0.67%, 0.58%

LAB 48.22, 25.32, -61.79

 

CMYK 66 / 63 / 0 / 14

HEX #4B52DC

RGB 75 82 220

HSL 237.1, 0.67%, 0.58%

LAB 42.3, 40.2, -71.4

 

CMYK 67 / 20 / 0 / 13

HEX #4AB1DD

RGB 74 177 221

HSL 197.96, 0.68%, 0.58%

LAB 68.11, -16.17, -30.9

 

CMYK 65 / 18 / 0 / 93

HEX #060E11

RGB 6 14 17

HSL 196.36, 0.48%, 0.05%

LAB 3.55, -1.66, -2.3

 

CMYK 66 / 21 / 0 / 73

HEX #173644

RGB 23 54 68

HSL 198.67, 0.49%, 0.18%

LAB 20.97, -6.5, -12.15

 

CMYK 66 / 20 / 0 / 53

HEX #285F77

RGB 40 95 119

HSL 198.23, 0.5%, 0.31%

LAB 37.78, -10.03, -18.91

 

CMYK 66 / 20 / 0 / 33

HEX #3988AA

RGB 57 136 170

HSL 198.05, 0.5%, 0.45%

LAB 53.36, -13.2, -25.09

 

CMYK 67 / 20 / 0 / 13

HEX #4AB1DD

RGB 74 177 221

HSL 197.96, 0.68%, 0.58%

LAB 68.11, -16.17, -30.9

 

CMYK 34 / 66 / 0 / 14

HEX #914BDC

RGB 145 75 220

HSL 268.97, 0.67%, 0.58%

LAB 47.26, 56.46, -63.06

 

CMYK 0 / 8 / 66 / 14

HEX #DCCB4B

RGB 220 203 75

HSL 52.97, 0.67%, 0.58%

LAB 80.98, -8.71, 63.48

 

CMYK 67 / 20 / 0 / 13

HEX #4AB1DD

RGB 74 177 221

HSL 197.96, 0.68%, 0.58%

LAB 68.11, -16.17, -30.9

 

CMYK 0 / 66 / 19 / 14

HEX #DC4BB3

RGB 220 75 179

HSL 316.97, 0.67%, 0.58%

LAB 55.59, 66.66, -25.62

 

CMYK 19 / 0 / 66 / 14

HEX #B3DC4B

RGB 179 220 75

HSL 76.97, 0.67%, 0.58%

LAB 82.53, -33.69, 64.14

 

CMYK 67 / 20 / 0 / 13

HEX #4AB1DD

RGB 74 177 221

HSL 197.96, 0.68%, 0.58%

LAB 68.11, -16.17, -30.9

 

CMYK 34 / 66 / 0 / 14

HEX #914BDC

RGB 145 75 220

HSL 268.97, 0.67%, 0.58%

LAB 47.26, 56.46, -63.06

 

CMYK 0 / 47 / 66 / 14

HEX #DC744B

RGB 220 116 75

HSL 16.97, 0.67%, 0.58%

LAB 60.08, 37.24, 40.49

 

CMYK 32 / 0 / 66 / 14

HEX #96DC4B

RGB 150 220 75

HSL 88.97, 0.67%, 0.58%

LAB 80.84, -44.46, 61.85

 

CMYK 67 / 20 / 0 / 13

HEX #4AB1DD

RGB 74 177 221

HSL 197.96, 0.68%, 0.58%

LAB 68.11, -16.17, -30.9

 

CMYK 14 / 66 / 0 / 14

HEX #BD4BDC

RGB 189 75 220

HSL 287.17, 0.67%, 0.58%

LAB 52.97, 65.88, -53.58

 

CMYK 0 / 47 / 66 / 14

HEX #DC744B

RGB 220 116 75

HSL 16.97, 0.67%, 0.58%

LAB 60.08, 37.24, 40.49

 

CMYK 52 / 0 / 66 / 14

HEX #6ADC4B

RGB 106 220 75

HSL 107.17, 0.67%, 0.58%

LAB 78.9, -58.32, 59.2

 

Description

Color code: RGB 74 177 221 | qconv.com Color code: RGB 74 177 221 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 177 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 177 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 20 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 20% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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