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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC4BB3 it is the complementary color #23B44C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC4BB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC4BB3 shade: #E14BAE, #F25DC1, #FF6FD4, #FF81E7 and #FF93FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC4BB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC4BB3 shade: #DC4BB3, #CB39A0, #BA278D, #A9157A and #980367

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC4BB3 shade: #DC4CB3, #DC4C8C, #DC4C66 and #DC4C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC4BB3 shade: #DC4CB3, #DC4CDA, #B74CDC, #904CDC and #694CDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC4BB3 shade matches the following richer shades: #DC4CB3, #ED3BBB and #FE29C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC4BB3 shade: #DC4CB3, #CA5DAC, #B96FA4, #A8809C and #969195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC4BB3 shade: #B54CDC, #DC4CDC, #DC4CB5, #DC4C8F and #DC4C69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC4BB3 shade: #B2238A, #D52AA4, #DC4CB3, #E26FC2 and #E991D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC4BB3 shade: #DC4BB3, #DC8F4C and #4CDCC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC4BB3 shade: #DC4BB3, #B5DC4C and #4CB5DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC4BB3 shade: #DC4BB3, #DC8F4C, #4CDC72 and #4C99DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC4BB3 shade: #DC4BB3, #DCBA4C, #4CDC72 and #4C6EDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 19 / 14

HEX #DC4BB3

RGB 220 75 179

HSL 316.97, 0.67%, 0.58%

LAB 55.59, 66.66, -25.62

 

Complementary color

CMYK 81 / 0 / 58 / 29

HEX #23B44C

RGB 35 180 76

HSL 136.97, 0.67%, 0.42%

LAB 64.58, -58.51, 42.14

 

CMYK 0 / 67 / 23 / 12

HEX #E14BAE

RGB 225 75 174

HSL 320.4, 0.71%, 0.59%

LAB 56.18, 67.29, -21.74

 

CMYK 0 / 62 / 20 / 5

HEX #F25DC1

RGB 242 93 193

HSL 319.73, 0.85%, 0.66%

LAB 62.13, 67.28, -23.31

 

CMYK 0 / 56 / 17 / 0

HEX #FF6FD4

RGB 255 111 212

HSL 317.92, 1%, 0.72%

LAB 67.56, 65.87, -25.53

 

CMYK 0 / 49 / 9 / 0

HEX #FF81E7

RGB 255 129 231

HSL 311.43, 1%, 0.75%

LAB 71.37, 60.53, -30.21

 

CMYK 0 / 42 / 2 / 0

HEX #FF93FA

RGB 255 147 250

HSL 302.78, 1%, 0.79%

LAB 75.47, 54.95, -34.25

 

CMYK 0 / 66 / 19 / 14

HEX #DC4BB3

RGB 220 75 179

HSL 316.97, 0.67%, 0.58%

LAB 55.59, 66.66, -25.62

 

CMYK 0 / 72 / 21 / 20

HEX #CB39A0

RGB 203 57 160

HSL 317.67, 0.58%, 0.51%

LAB 49.69, 66.26, -23.81

 

CMYK 0 / 79 / 24 / 27

HEX #BA278D

RGB 186 39 141

HSL 318.37, 0.65%, 0.44%

LAB 43.96, 65.2, -21.49

 

CMYK 0 / 88 / 28 / 34

HEX #A9157A

RGB 169 21 122

HSL 319.05, 0.78%, 0.37%

LAB 38.51, 63.15, -18.47

 

CMYK 0 / 98 / 32 / 40

HEX #980367

RGB 152 3 103

HSL 319.73, 0.96%, 0.3%

LAB 33.39, 59.86, -14.59

 

CMYK 0 / 65 / 19 / 14

HEX #DC4CB3

RGB 220 76 179

HSL 317.08, 0.67%, 0.58%

LAB 55.72, 66.27, -25.41

 

CMYK 0 / 65 / 36 / 14

HEX #DC4C8C

RGB 220 76 140

HSL 333.33, 0.67%, 0.58%

LAB 54.32, 61.43, -4.67

 

CMYK 0 / 65 / 54 / 14

HEX #DC4C66

RGB 220 76 102

HSL 349.17, 0.67%, 0.58%

LAB 53.32, 57.85, 16.52

 

CMYK 0 / 65 / 65 / 14

HEX #DC4C4C

RGB 220 76 76

HSL 0, 0.67%, 0.58%

LAB 52.85, 56.1, 31.22

 

CMYK 0 / 65 / 19 / 14

HEX #DC4CB3

RGB 220 76 179

HSL 317.08, 0.67%, 0.58%

LAB 55.72, 66.27, -25.41

 

CMYK 0 / 65 / 1 / 14

HEX #DC4CDA

RGB 220 76 218

HSL 300.83, 0.67%, 0.58%

LAB 57.51, 72.14, -44.95

 

CMYK 17 / 65 / 0 / 14

HEX #B74CDC

RGB 183 76 220

HSL 284.58, 0.67%, 0.58%

LAB 52.29, 64.13, -54.71

 

CMYK 35 / 65 / 0 / 14

HEX #904CDC

RGB 144 76 220

HSL 268.33, 0.67%, 0.58%

LAB 47.32, 55.77, -62.97

 

CMYK 52 / 65 / 0 / 14

HEX #694CDC

RGB 105 76 220

HSL 252.08, 0.67%, 0.58%

LAB 43.27, 48.36, -69.73

 

CMYK 0 / 65 / 19 / 14

HEX #DC4CB3

RGB 220 76 179

HSL 317.08, 0.67%, 0.58%

LAB 55.72, 66.27, -25.41

 

CMYK 0 / 75 / 21 / 7

HEX #ED3BBB

RGB 237 59 187

HSL 316.85, 0.83%, 0.58%

LAB 56.8, 77.22, -28.15

 

CMYK 0 / 84 / 24 / 0

HEX #FE29C2

RGB 254 41 194

HSL 316.9, 0.99%, 0.58%

LAB 58.56, 86, -29.23

 

CMYK 0 / 65 / 19 / 14

HEX #DC4CB3

RGB 220 76 179

HSL 317.08, 0.67%, 0.58%

LAB 55.72, 66.27, -25.41

 

CMYK 0 / 54 / 15 / 21

HEX #CA5DAC

RGB 202 93 172

HSL 316.51, 0.51%, 0.58%

LAB 55.45, 52.86, -22.01

 

CMYK 0 / 40 / 11 / 27

HEX #B96FA4

RGB 185 111 164

HSL 317.03, 0.35%, 0.58%

LAB 56.45, 36.97, -16.04

 

CMYK 0 / 24 / 7 / 34

HEX #A8809C

RGB 168 128 156

HSL 318, 0.19%, 0.58%

LAB 58.19, 20.14, -8.99

 

CMYK 0 / 3 / 1 / 41

HEX #969195

RGB 150 145 149

HSL 312, 0.02%, 0.58%

LAB 60.7, 2.61, -1.47

 

CMYK 18 / 65 / 0 / 14

HEX #B54CDC

RGB 181 76 220

HSL 283.75, 0.67%, 0.58%

LAB 52.02, 63.69, -55.16

 

CMYK 0 / 65 / 0 / 14

HEX #DC4CDC

RGB 220 76 220

HSL 300, 0.67%, 0.58%

LAB 57.61, 72.47, -45.92

 

CMYK 0 / 65 / 18 / 14

HEX #DC4CB5

RGB 220 76 181

HSL 316.25, 0.67%, 0.58%

LAB 55.81, 66.55, -26.44

 

CMYK 0 / 65 / 35 / 14

HEX #DC4C8F

RGB 220 76 143

HSL 332.08, 0.67%, 0.58%

LAB 54.41, 61.76, -6.31

 

CMYK 0 / 65 / 52 / 14

HEX #DC4C69

RGB 220 76 105

HSL 347.92, 0.67%, 0.58%

LAB 53.39, 58.09, 14.83

 

CMYK 0 / 80 / 22 / 30

HEX #B2238A

RGB 178 35 138

HSL 316.78, 0.67%, 0.42%

LAB 42, 64.02, -22.82

 

CMYK 0 / 80 / 23 / 16

HEX #D52AA4

RGB 213 42 164

HSL 317.19, 0.67%, 0.5%

LAB 50.08, 73.47, -25.45

 

CMYK 0 / 65 / 19 / 14

HEX #DC4CB3

RGB 220 76 179

HSL 317.08, 0.67%, 0.58%

LAB 55.72, 66.27, -25.41

 

CMYK 0 / 51 / 14 / 11

HEX #E26FC2

RGB 226 111 194

HSL 316.7, 0.66%, 0.66%

LAB 62.87, 54.82, -22.95

 

CMYK 0 / 38 / 11 / 9

HEX #E991D0

RGB 233 145 208

HSL 317.05, 0.67%, 0.74%

LAB 70.96, 42.12, -18.39

 

CMYK 0 / 66 / 19 / 14

HEX #DC4BB3

RGB 220 75 179

HSL 316.97, 0.67%, 0.58%

LAB 55.59, 66.66, -25.62

 

CMYK 0 / 35 / 65 / 14

HEX #DC8F4C

RGB 220 143 76

HSL 27.92, 0.67%, 0.58%

LAB 66.05, 23.05, 46.85

 

CMYK 65 / 0 / 9 / 14

HEX #4CDCC9

RGB 76 220 201

HSL 172.08, 0.67%, 0.58%

LAB 80.15, -42.51, -1.93

 

CMYK 0 / 66 / 19 / 14

HEX #DC4BB3

RGB 220 75 179

HSL 316.97, 0.67%, 0.58%

LAB 55.59, 66.66, -25.62

 

CMYK 18 / 0 / 65 / 14

HEX #B5DC4C

RGB 181 220 76

HSL 76.25, 0.67%, 0.58%

LAB 82.66, -32.84, 63.93

 

CMYK 65 / 18 / 0 / 14

HEX #4CB5DC

RGB 76 181 220

HSL 196.25, 0.67%, 0.58%

LAB 69.29, -18.28, -28.53

 

CMYK 0 / 66 / 19 / 14

HEX #DC4BB3

RGB 220 75 179

HSL 316.97, 0.67%, 0.58%

LAB 55.59, 66.66, -25.62

 

CMYK 0 / 35 / 65 / 14

HEX #DC8F4C

RGB 220 143 76

HSL 27.92, 0.67%, 0.58%

LAB 66.05, 23.05, 46.85

 

CMYK 65 / 0 / 48 / 14

HEX #4CDC72

RGB 76 220 114

HSL 135.83, 0.67%, 0.58%

LAB 78.43, -60.59, 40.88

 

CMYK 65 / 30 / 0 / 14

HEX #4C99DC

RGB 76 153 220

HSL 207.92, 0.67%, 0.58%

LAB 61.21, -2.94, -41.09

 

CMYK 0 / 66 / 19 / 14

HEX #DC4BB3

RGB 220 75 179

HSL 316.97, 0.67%, 0.58%

LAB 55.59, 66.66, -25.62

 

CMYK 0 / 15 / 65 / 14

HEX #DCBA4C

RGB 220 186 76

HSL 45.83, 0.67%, 0.58%

LAB 76.59, 0.12, 58.45

 

CMYK 65 / 0 / 48 / 14

HEX #4CDC72

RGB 76 220 114

HSL 135.83, 0.67%, 0.58%

LAB 78.43, -60.59, 40.88

 

CMYK 65 / 50 / 0 / 14

HEX #4C6EDC

RGB 76 110 220

HSL 225.83, 0.67%, 0.58%

LAB 49.32, 22.98, -60.01

 

Description

Color code: HEX #DC4BB3 | qconv.com Color code: HEX #DC4BB3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 75 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 75 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 19 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 19% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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