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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 73 160 242 it is the complementary color RGB 182 95 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 73 160 242. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 73 160 242: RGB 78 160 237, RGB 95 178 255, RGB 112 196 255, RGB 129 214 255 and RGB 146 232 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 73 160 242. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 73 160 242: RGB 73 160 242, RGB 56 142 223, RGB 39 124 204, RGB 22 106 185 and RGB 5 88 166

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 34 / 0 / 5

HEX #49A0F2

RGB 73 160 242

HSL 209.11, 0.87%, 0.62%

LAB 64.14, 0.04, -48.64

 

Complementary color

CMYK 0 / 48 / 93 / 29

HEX #B65F0D

RGB 182 95 13

HSL 29.11, 0.87%, 0.38%

LAB 49.69, 30.49, 55.3

 

CMYK 67 / 32 / 0 / 7

HEX #4EA0ED

RGB 78 160 237

HSL 209.06, 0.82%, 0.62%

LAB 64.06, -0.92, -46

 

CMYK 63 / 30 / 0 / 0

HEX #5FB2FF

RGB 95 178 255

HSL 208.88, 1%, 0.69%

LAB 70.52, -2.38, -45.61

 

CMYK 56 / 23 / 0 / 0

HEX #70C4FF

RGB 112 196 255

HSL 204.76, 1%, 0.72%

LAB 76.16, -9.06, -36.76

 

CMYK 49 / 16 / 0 / 0

HEX #81D6FF

RGB 129 214 255

HSL 199.52, 1%, 0.75%

LAB 81.83, -14.97, -27.97

 

CMYK 43 / 9 / 0 / 0

HEX #92E8FF

RGB 146 232 255

HSL 192.66, 1%, 0.79%

LAB 87.51, -20.2, -19.27

 

CMYK 70 / 34 / 0 / 5

HEX #49A0F2

RGB 73 160 242

HSL 209.11, 0.87%, 0.62%

LAB 64.14, 0.04, -48.64

 

CMYK 75 / 36 / 0 / 13

HEX #388EDF

RGB 56 142 223

HSL 209.1, 0.72%, 0.55%

LAB 57.57, 1.62, -48.55

 

CMYK 81 / 39 / 0 / 20

HEX #277CCC

RGB 39 124 204

HSL 209.09, 0.68%, 0.48%

LAB 50.93, 3.58, -48.43

 

CMYK 88 / 43 / 0 / 27

HEX #166AB9

RGB 22 106 185

HSL 209.08, 0.79%, 0.41%

LAB 44.21, 6.06, -48.25

 

CMYK 97 / 47 / 0 / 35

HEX #0558A6

RGB 5 88 166

HSL 209.07, 0.94%, 0.34%

LAB 37.42, 9.17, -47.98

 

CMYK 70 / 34 / 0 / 5

HEX #49A0F2

RGB 73 160 242

HSL 209.11, 0.87%, 0.62%

LAB 64.14, 0.04, -48.64

 

CMYK 70 / 45 / 0 / 5

HEX #4984F2

RGB 73 132 242

HSL 219.05, 0.87%, 0.62%

LAB 56.42, 16.65, -60.93

 

CMYK 70 / 57 / 0 / 5

HEX #4968F2

RGB 73 104 242

HSL 228.99, 0.87%, 0.62%

LAB 49.16, 33.94, -72.65

 

CMYK 70 / 69 / 0 / 5

HEX #494CF2

RGB 73 76 242

HSL 238.93, 0.87%, 0.62%

LAB 42.76, 50.72, -83.13

 

CMYK 59 / 70 / 0 / 5

HEX #6349F2

RGB 99 73 242

HSL 249.23, 0.87%, 0.62%

LAB 43.99, 55.5, -81.04

 

CMYK 70 / 34 / 0 / 5

HEX #49A0F2

RGB 73 160 242

HSL 209.11, 0.87%, 0.62%

LAB 64.14, 0.04, -48.64

 

CMYK 71 / 34 / 0 / 85

HEX #0B1926

RGB 11 25 38

HSL 208.89, 0.55%, 0.1%

LAB 8.19, -1.06, -10.76

 

CMYK 70 / 34 / 0 / 65

HEX #1B3B59

RGB 27 59 89

HSL 209.03, 0.53%, 0.23%

LAB 23.94, -0.91, -21.48

 

CMYK 70 / 34 / 0 / 45

HEX #2A5D8C

RGB 42 93 140

HSL 208.78, 0.54%, 0.36%

LAB 38.22, -0.85, -31.03

 

CMYK 70 / 34 / 0 / 25

HEX #3A7EBF

RGB 58 126 191

HSL 209.32, 0.53%, 0.49%

LAB 51.36, -0.02, -40.28

 

CMYK 70 / 34 / 0 / 5

HEX #49A0F2

RGB 73 160 242

HSL 209.11, 0.87%, 0.62%

LAB 64.14, 0.04, -48.64

 

CMYK 22 / 70 / 0 / 5

HEX #BD49F2

RGB 189 73 242

HSL 281.18, 0.87%, 0.62%

LAB 54.02, 70.98, -64.27

 

CMYK 6 / 0 / 70 / 5

HEX #E4F249

RGB 228 242 73

HSL 64.97, 0.87%, 0.62%

LAB 91.9, -24.68, 75.43

 

CMYK 70 / 34 / 0 / 5

HEX #49A0F2

RGB 73 160 242

HSL 209.11, 0.87%, 0.62%

LAB 64.14, 0.04, -48.64

 

CMYK 0 / 70 / 34 / 5

HEX #F249A0

RGB 242 73 160

HSL 329.11, 0.87%, 0.62%

LAB 58.21, 70.83, -10.25

 

CMYK 34 / 0 / 70 / 5

HEX #A0F249

RGB 160 242 73

HSL 89.11, 0.87%, 0.62%

LAB 87.71, -50.36, 69.87

 

CMYK 70 / 34 / 0 / 5

HEX #49A0F2

RGB 73 160 242

HSL 209.11, 0.87%, 0.62%

LAB 64.14, 0.04, -48.64

 

CMYK 22 / 70 / 0 / 5

HEX #BD49F2

RGB 189 73 242

HSL 281.18, 0.87%, 0.62%

LAB 54.02, 70.98, -64.27

 

CMYK 0 / 36 / 70 / 5

HEX #F29B49

RGB 242 155 73

HSL 29.11, 0.87%, 0.62%

LAB 71.42, 25.58, 54.96

 

CMYK 48 / 0 / 70 / 5

HEX #7FF249

RGB 127 242 73

HSL 100.83, 0.87%, 0.62%

LAB 86.25, -60.8, 67.92

 

CMYK 70 / 34 / 0 / 5

HEX #49A0F2

RGB 73 160 242

HSL 209.11, 0.87%, 0.62%

LAB 64.14, 0.04, -48.64

 

CMYK 1 / 70 / 0 / 5

HEX #EF49F2

RGB 239 73 242

HSL 298.93, 0.87%, 0.62%

LAB 61.24, 81.18, -52.31

 

CMYK 0 / 36 / 70 / 5

HEX #F29B49

RGB 242 155 73

HSL 29.11, 0.87%, 0.62%

LAB 71.42, 25.58, 54.96

 

CMYK 69 / 0 / 70 / 5

HEX #4CF249

RGB 76 242 73

HSL 118.93, 0.87%, 0.62%

LAB 84.75, -72.73, 65.9

 

Description

Color code: RGB 73 160 242 | qconv.com Color code: RGB 73 160 242 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 160 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 160 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 34 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 34% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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