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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70C4FF it is the complementary color #8F3B00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70C4FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #70C4FF: #75C4FA, #86D6FF, #97E8FF, #A8FAFF and #B9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70C4FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #70C4FF: #70C4FF, #5FB2EC, #4EA0D9, #3D8EC6 and #2C7CB3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 23 / 0 / 0

HEX #70C4FF

RGB 112 196 255

HSL 204.76, 1%, 0.72%

LAB 76.16, -9.06, -36.76

 

Complementary color

CMYK 0 / 59 / 100 / 44

HEX #8F3B00

RGB 143 59 0

HSL 24.76, 1%, 0.28%

LAB 35.92, 33.1, 46.93

 

CMYK 53 / 22 / 0 / 2

HEX #75C4FA

RGB 117 196 250

HSL 204.36, 0.93%, 0.72%

LAB 76.17, -9.53, -34.05

 

CMYK 47 / 16 / 0 / 0

HEX #86D6FF

RGB 134 214 255

HSL 200.33, 1%, 0.76%

LAB 82.05, -13.86, -27.62

 

CMYK 41 / 9 / 0 / 0

HEX #97E8FF

RGB 151 232 255

HSL 193.27, 1%, 0.8%

LAB 87.73, -19, -18.91

 

CMYK 34 / 2 / 0 / 0

HEX #A8FAFF

RGB 168 250 255

HSL 183.45, 1%, 0.83%

LAB 93.41, -23.58, -10.32

 

CMYK 27 / 0 / 0 / 0

HEX #B9FFFF

RGB 185 255 255

HSL 180, 1%, 0.86%

LAB 95.6, -21.45, -6.98

 

CMYK 56 / 23 / 0 / 0

HEX #70C4FF

RGB 112 196 255

HSL 204.76, 1%, 0.72%

LAB 76.16, -9.06, -36.76

 

CMYK 60 / 25 / 0 / 7

HEX #5FB2EC

RGB 95 178 236

HSL 204.68, 0.79%, 0.65%

LAB 69.7, -8.39, -36.57

 

CMYK 64 / 26 / 0 / 15

HEX #4EA0D9

RGB 78 160 217

HSL 204.6, 0.65%, 0.58%

LAB 63.15, -7.55, -36.38

 

CMYK 69 / 28 / 0 / 22

HEX #3D8EC6

RGB 61 142 198

HSL 204.53, 0.55%, 0.51%

LAB 56.5, -6.49, -36.18

 

CMYK 75 / 31 / 0 / 30

HEX #2C7CB3

RGB 44 124 179

HSL 204.44, 0.61%, 0.44%

LAB 49.74, -5.12, -35.95

 

CMYK 56 / 23 / 0 / 0

HEX #70C4FF

RGB 112 196 255

HSL 204.76, 1%, 0.72%

LAB 76.16, -9.06, -36.76

 

CMYK 56 / 32 / 0 / 0

HEX #70AEFF

RGB 112 174 255

HSL 213.99, 1%, 0.72%

LAB 70.13, 3.03, -46.17

 

CMYK 56 / 41 / 0 / 0

HEX #7096FF

RGB 112 150 255

HSL 224.06, 1%, 0.72%

LAB 63.74, 16.86, -56.28

 

CMYK 56 / 51 / 0 / 0

HEX #707EFF

RGB 112 126 255

HSL 234.13, 1%, 0.72%

LAB 57.64, 31.11, -66.03

 

CMYK 53 / 56 / 0 / 0

HEX #7970FF

RGB 121 112 255

HSL 243.78, 1%, 0.72%

LAB 54.94, 41.07, -70.36

 

CMYK 56 / 23 / 0 / 0

HEX #70C4FF

RGB 112 196 255

HSL 204.76, 1%, 0.72%

LAB 76.16, -9.06, -36.76

 

CMYK 57 / 24 / 0 / 80

HEX #162733

RGB 22 39 51

HSL 204.83, 0.4%, 0.14%

LAB 14.74, -2.92, -10.01

 

CMYK 56 / 24 / 0 / 60

HEX #2D4E66

RGB 45 78 102

HSL 205.26, 0.39%, 0.29%

LAB 31.73, -4.4, -17.65

 

CMYK 56 / 23 / 0 / 40

HEX #437699

RGB 67 118 153

HSL 204.42, 0.39%, 0.43%

LAB 47.56, -6.53, -24.14

 

CMYK 56 / 23 / 0 / 20

HEX #5A9DCC

RGB 90 157 204

HSL 204.74, 0.53%, 0.58%

LAB 62.21, -7.72, -30.58

 

CMYK 56 / 23 / 0 / 0

HEX #70C4FF

RGB 112 196 255

HSL 204.76, 1%, 0.72%

LAB 76.16, -9.06, -36.76

 

CMYK 23 / 56 / 0 / 0

HEX #C570FF

RGB 197 112 255

HSL 275.66, 1%, 0.72%

LAB 62.24, 57.8, -58.25

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF70

RGB 255 255 112

HSL 60, 1%, 0.72%

LAB 97.61, -17.77, 66.83

 

CMYK 56 / 23 / 0 / 0

HEX #70C4FF

RGB 112 196 255

HSL 204.76, 1%, 0.72%

LAB 76.16, -9.06, -36.76

 

CMYK 0 / 56 / 23 / 0

HEX #FF70C5

RGB 255 112 197

HSL 324.34, 1%, 0.72%

LAB 67.19, 63.36, -17.7

 

CMYK 23 / 0 / 56 / 0

HEX #C5FF70

RGB 197 255 112

HSL 84.34, 1%, 0.72%

LAB 93.69, -39.86, 61.34

 

CMYK 56 / 23 / 0 / 0

HEX #70C4FF

RGB 112 196 255

HSL 204.76, 1%, 0.72%

LAB 76.16, -9.06, -36.76

 

CMYK 23 / 56 / 0 / 0

HEX #C570FF

RGB 197 112 255

HSL 275.66, 1%, 0.72%

LAB 62.24, 57.8, -58.25

 

CMYK 0 / 34 / 56 / 0

HEX #FFA970

RGB 255 169 112

HSL 23.92, 1%, 0.72%

LAB 76.56, 25.99, 42.12

 

CMYK 34 / 0 / 56 / 0

HEX #A9FF70

RGB 169 255 112

HSL 96.08, 1%, 0.72%

LAB 92.19, -49.55, 59.22

 

CMYK 56 / 23 / 0 / 0

HEX #70C4FF

RGB 112 196 255

HSL 204.76, 1%, 0.72%

LAB 76.16, -9.06, -36.76

 

CMYK 6 / 56 / 0 / 0

HEX #F070FF

RGB 240 112 255

HSL 293.71, 1%, 0.72%

LAB 67.53, 68.36, -49.52

 

CMYK 0 / 34 / 56 / 0

HEX #FFA970

RGB 255 169 112

HSL 23.92, 1%, 0.72%

LAB 76.56, 25.99, 42.12

 

CMYK 51 / 0 / 56 / 0

HEX #7EFF70

RGB 126 255 112

HSL 114.13, 1%, 0.72%

LAB 90.38, -62.34, 56.65

 

Description

Color code: HEX #70C4FF | qconv.com Color code: HEX #70C4FF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 196 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 196 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 23 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 23% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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