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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 72 245 45 it is the complementary color RGB 183 10 210. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 72 245 45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 72 245 45: RGB 77 245 40, RGB 94 255 59, RGB 111 255 78, RGB 128 255 97 and RGB 145 255 116

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 72 245 45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 72 245 45: RGB 72 245 45, RGB 55 227 26, RGB 38 209 7, RGB 21 191 0 and RGB 4 173 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 82 / 4

HEX #48F52D

RGB 72 245 45

HSL 111.9, 0.91%, 0.57%

LAB 85.44, -76.15, 75.16

 

Complementary color

CMYK 13 / 95 / 0 / 18

HEX #B70AD2

RGB 183 10 210

HSL 291.9, 0.91%, 0.43%

LAB 45.55, 79.87, -59.84

 

CMYK 69 / 0 / 84 / 4

HEX #4DF528

RGB 77 245 40

HSL 109.17, 0.91%, 0.56%

LAB 85.52, -75.51, 76.44

 

CMYK 63 / 0 / 77 / 0

HEX #5EFF3B

RGB 94 255 59

HSL 109.29, 1%, 0.62%

LAB 89.02, -74.39, 74.9

 

CMYK 56 / 0 / 69 / 0

HEX #6FFF4E

RGB 111 255 78

HSL 108.81, 1%, 0.65%

LAB 89.6, -69.3, 69.4

 

CMYK 50 / 0 / 62 / 0

HEX #80FF61

RGB 128 255 97

HSL 108.23, 1%, 0.69%

LAB 90.31, -63.35, 62.99

 

CMYK 43 / 0 / 55 / 0

HEX #91FF74

RGB 145 255 116

HSL 107.48, 1%, 0.73%

LAB 91.14, -56.62, 55.95

 

CMYK 71 / 0 / 82 / 4

HEX #48F52D

RGB 72 245 45

HSL 111.9, 0.91%, 0.57%

LAB 85.44, -76.15, 75.16

 

CMYK 76 / 0 / 89 / 11

HEX #37E31A

RGB 55 227 26

HSL 111.34, 0.79%, 0.5%

LAB 79.51, -74.2, 73.81

 

CMYK 82 / 0 / 97 / 18

HEX #26D107

RGB 38 209 7

HSL 110.79, 0.94%, 0.42%

LAB 73.56, -71.62, 71.22

 

CMYK 89 / 0 / 100 / 25

HEX #15BF00

RGB 21 191 0

HSL 113.4, 1%, 0.37%

LAB 67.59, -68.26, 67.08

 

CMYK 98 / 0 / 100 / 32

HEX #04AD00

RGB 4 173 0

HSL 118.61, 1%, 0.34%

LAB 61.58, -64.23, 62.22

 

CMYK 71 / 0 / 82 / 4

HEX #48F52D

RGB 72 245 45

HSL 111.9, 0.91%, 0.57%

LAB 85.44, -76.15, 75.16

 

CMYK 82 / 0 / 80 / 4

HEX #2DF530

RGB 45 245 48

HSL 120.9, 0.91%, 0.57%

LAB 85.04, -79.63, 73.87

 

CMYK 82 / 0 / 67 / 4

HEX #2DF552

RGB 45 245 82

HSL 131.1, 0.91%, 0.57%

LAB 85.24, -77.11, 62.87

 

CMYK 82 / 0 / 53 / 4

HEX #2DF573

RGB 45 245 115

HSL 141, 0.91%, 0.57%

LAB 85.55, -73.22, 49.09

 

CMYK 82 / 0 / 40 / 4

HEX #2DF594

RGB 45 245 148

HSL 150.9, 0.91%, 0.57%

LAB 86.01, -67.89, 33.74

 

CMYK 71 / 0 / 82 / 4

HEX #48F52D

RGB 72 245 45

HSL 111.9, 0.91%, 0.57%

LAB 85.44, -76.15, 75.16

 

CMYK 71 / 0 / 80 / 84

HEX #0C2908

RGB 12 41 8

HSL 112.73, 0.67%, 0.1%

LAB 13.72, -18.96, 16.47

 

CMYK 71 / 0 / 82 / 64

HEX #1B5C11

RGB 27 92 17

HSL 112, 0.69%, 0.21%

LAB 33.83, -35.53, 34.69

 

CMYK 71 / 0 / 82 / 44

HEX #2A8F1A

RGB 42 143 26

HSL 111.79, 0.69%, 0.33%

LAB 52.08, -50.04, 49.26

 

CMYK 71 / 0 / 81 / 24

HEX #39C224

RGB 57 194 36

HSL 112.03, 0.69%, 0.45%

LAB 69.17, -63.42, 62.43

 

CMYK 71 / 0 / 82 / 4

HEX #48F52D

RGB 72 245 45

HSL 111.9, 0.91%, 0.57%

LAB 85.44, -76.15, 75.16

 

CMYK 82 / 4 / 0 / 4

HEX #2DEBF5

RGB 45 235 245

HSL 183, 0.91%, 0.57%

LAB 85.28, -40.42, -17.64

 

CMYK 0 / 82 / 37 / 4

HEX #F52D9B

RGB 245 45 155

HSL 327, 0.91%, 0.57%

LAB 55.74, 79.05, -10.96

 

CMYK 71 / 0 / 82 / 4

HEX #48F52D

RGB 72 245 45

HSL 111.9, 0.91%, 0.57%

LAB 85.44, -76.15, 75.16

 

CMYK 82 / 69 / 0 / 4

HEX #2D4BF5

RGB 45 75 245

HSL 231, 0.91%, 0.57%

LAB 41.5, 49.92, -86.92

 

CMYK 0 / 82 / 69 / 4

HEX #F52D4B

RGB 245 45 75

HSL 351, 0.91%, 0.57%

LAB 53.81, 73.36, 34.02

 

CMYK 71 / 0 / 82 / 4

HEX #48F52D

RGB 72 245 45

HSL 111.9, 0.91%, 0.57%

LAB 85.44, -76.15, 75.16

 

CMYK 82 / 4 / 0 / 4

HEX #2DEBF5

RGB 45 235 245

HSL 183, 0.91%, 0.57%

LAB 85.28, -40.42, -17.64

 

CMYK 12 / 82 / 0 / 4

HEX #D72DF5

RGB 215 45 245

HSL 291, 0.91%, 0.57%

LAB 54.99, 85, -64.2

 

CMYK 0 / 78 / 82 / 4

HEX #F5372D

RGB 245 55 45

HSL 3, 0.91%, 0.57%

LAB 54.38, 69.75, 51.13

 

CMYK 71 / 0 / 82 / 4

HEX #48F52D

RGB 72 245 45

HSL 111.9, 0.91%, 0.57%

LAB 85.44, -76.15, 75.16

 

CMYK 82 / 29 / 0 / 4

HEX #2DAFF5

RGB 45 175 245

HSL 201, 0.91%, 0.57%

LAB 67.88, -10.51, -44.42

 

CMYK 12 / 82 / 0 / 4

HEX #D72DF5

RGB 215 45 245

HSL 291, 0.91%, 0.57%

LAB 54.99, 85, -64.2

 

CMYK 0 / 53 / 82 / 4

HEX #F5732D

RGB 245 115 45

HSL 21, 0.91%, 0.57%

LAB 63.23, 46.04, 59.25

 

Description

Color code: RGB 72 245 45 | qconv.com Color code: RGB 72 245 45 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 245 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 245 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 82 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 82% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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