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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 82 / 0 / 67 / 4 it is the complementary color CMYK 0 / 95 / 18 / 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 82 / 0 / 67 / 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 82 / 0 / 67 / 4: CMYK 80 / 0 / 69 / 4, CMYK 74 / 0 / 63 / 0, CMYK 67 / 0 / 55 / 0, CMYK 61 / 0 / 48 / 0 and CMYK 54 / 0 / 40 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 82 / 0 / 67 / 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 82 / 0 / 67 / 4: CMYK 82 / 0 / 67 / 4, CMYK 88 / 0 / 73 / 11, CMYK 95 / 0 / 79 / 18, CMYK 100 / 0 / 87 / 25 and CMYK 100 / 0 / 97 / 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 67 / 4

HEX #2CF551

RGB 44 245 81

HSL 131.04, 0.91%, 0.57%

LAB 85.22, -77.3, 63.24

 

Complementary color

CMYK 0 / 95 / 18 / 17

HEX #D30AAE

RGB 211 10 174

HSL 311.04, 0.91%, 0.43%

LAB 48.41, 79.41, -33.98

 

CMYK 80 / 0 / 69 / 4

HEX #31F54C

RGB 49 245 76

HSL 128.27, 0.91%, 0.58%

LAB 85.24, -77.24, 65.17

 

CMYK 74 / 0 / 63 / 0

HEX #42FF5F

RGB 66 255 95

HSL 129.21, 1%, 0.63%

LAB 88.69, -76.32, 61.55

 

CMYK 67 / 0 / 55 / 0

HEX #53FF72

RGB 83 255 114

HSL 130.81, 1%, 0.66%

LAB 89.19, -71.48, 54.06

 

CMYK 61 / 0 / 48 / 0

HEX #64FF85

RGB 100 255 133

HSL 132.77, 1%, 0.7%

LAB 89.82, -65.72, 46.16

 

CMYK 54 / 0 / 40 / 0

HEX #75FF98

RGB 117 255 152

HSL 135.22, 1%, 0.73%

LAB 90.58, -59.14, 38.05

 

CMYK 82 / 0 / 67 / 4

HEX #2CF551

RGB 44 245 81

HSL 131.04, 0.91%, 0.57%

LAB 85.22, -77.3, 63.24

 

CMYK 88 / 0 / 73 / 11

HEX #1BE33E

RGB 27 227 62

HSL 130.5, 0.79%, 0.5%

LAB 79.34, -75.15, 64.02

 

CMYK 95 / 0 / 79 / 18

HEX #0AD12B

RGB 10 209 43

HSL 129.95, 0.91%, 0.43%

LAB 73.44, -72.32, 64.27

 

CMYK 100 / 0 / 87 / 25

HEX #00BF18

RGB 0 191 24

HSL 127.54, 1%, 0.37%

LAB 67.52, -68.71, 63.58

 

CMYK 100 / 0 / 97 / 32

HEX #00AD05

RGB 0 173 5

HSL 121.73, 1%, 0.34%

LAB 61.57, -64.31, 61.52

 

CMYK 82 / 0 / 67 / 4

HEX #2CF551

RGB 44 245 81

HSL 131.04, 0.91%, 0.57%

LAB 85.22, -77.3, 63.24

 

CMYK 82 / 0 / 53 / 4

HEX #2DF573

RGB 45 245 115

HSL 141, 0.91%, 0.57%

LAB 85.55, -73.22, 49.09

 

CMYK 82 / 0 / 40 / 4

HEX #2DF594

RGB 45 245 148

HSL 150.9, 0.91%, 0.57%

LAB 86.01, -67.89, 33.74

 

CMYK 82 / 0 / 26 / 4

HEX #2DF5B5

RGB 45 245 181

HSL 160.8, 0.91%, 0.57%

LAB 86.6, -61.19, 17.76

 

CMYK 82 / 0 / 12 / 4

HEX #2DF5D7

RGB 45 245 215

HSL 171, 0.91%, 0.57%

LAB 87.37, -53.01, 1.19

 

CMYK 82 / 0 / 67 / 4

HEX #2CF551

RGB 44 245 81

HSL 131.04, 0.91%, 0.57%

LAB 85.22, -77.3, 63.24

 

CMYK 83 / 0 / 66 / 84

HEX #07290E

RGB 7 41 14

HSL 132.35, 0.71%, 0.09%

LAB 13.61, -19.54, 13.65

 

CMYK 82 / 0 / 67 / 64

HEX #115C1E

RGB 17 92 30

HSL 130.4, 0.69%, 0.21%

LAB 33.7, -36.18, 28.7

 

CMYK 82 / 0 / 67 / 44

HEX #1A8F2F

RGB 26 143 47

HSL 130.77, 0.69%, 0.33%

LAB 51.92, -50.85, 41.01

 

CMYK 82 / 0 / 67 / 24

HEX #23C240

RGB 35 194 64

HSL 130.94, 0.69%, 0.45%

LAB 68.98, -64.44, 52.42

 

CMYK 82 / 0 / 67 / 4

HEX #2CF551

RGB 44 245 81

HSL 131.04, 0.91%, 0.57%

LAB 85.22, -77.3, 63.24

 

CMYK 82 / 31 / 0 / 4

HEX #2DA8F5

RGB 45 168 245

HSL 203.1, 0.91%, 0.57%

LAB 65.87, -6.63, -47.59

 

CMYK 0 / 82 / 64 / 4

HEX #F52D58

RGB 245 45 88

HSL 347.1, 0.91%, 0.57%

LAB 54.02, 73.99, 26.6

 

CMYK 82 / 0 / 67 / 4

HEX #2CF551

RGB 44 245 81

HSL 131.04, 0.91%, 0.57%

LAB 85.22, -77.3, 63.24

 

CMYK 67 / 82 / 0 / 4

HEX #522DF5

RGB 82 45 245

HSL 251.1, 0.91%, 0.57%

LAB 38.31, 67.69, -92.14

 

CMYK 0 / 67 / 82 / 4

HEX #F5522D

RGB 245 82 45

HSL 11.1, 0.91%, 0.57%

LAB 57.69, 60.61, 54.2

 

CMYK 82 / 0 / 67 / 4

HEX #2CF551

RGB 44 245 81

HSL 131.04, 0.91%, 0.57%

LAB 85.22, -77.3, 63.24

 

CMYK 82 / 31 / 0 / 4

HEX #2DA8F5

RGB 45 168 245

HSL 203.1, 0.91%, 0.57%

LAB 65.87, -6.63, -47.59

 

CMYK 0 / 82 / 15 / 4

HEX #F52DD0

RGB 245 45 208

HSL 311.1, 0.91%, 0.57%

LAB 57.89, 85.09, -38.4

 

CMYK 0 / 50 / 82 / 4

HEX #F57A2D

RGB 245 122 45

HSL 23.1, 0.91%, 0.57%

LAB 64.58, 42.63, 60.46

 

CMYK 82 / 0 / 67 / 4

HEX #2CF551

RGB 44 245 81

HSL 131.04, 0.91%, 0.57%

LAB 85.22, -77.3, 63.24

 

CMYK 82 / 56 / 0 / 4

HEX #2D6CF5

RGB 45 108 245

HSL 221.1, 0.91%, 0.57%

LAB 49.34, 29.59, -74.07

 

CMYK 0 / 82 / 15 / 4

HEX #F52DD0

RGB 245 45 208

HSL 311.1, 0.91%, 0.57%

LAB 57.89, 85.09, -38.4

 

CMYK 0 / 26 / 82 / 4

HEX #F5B52D

RGB 245 181 45

HSL 40.8, 0.91%, 0.57%

LAB 77.67, 12.04, 71.97

 

Description

Color code: CMYK 82 / 0 / 67 / 4 | qconv.com Color code: CMYK 82 / 0 / 67 / 4 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 245 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 245 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 67 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 67% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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