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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 72 232 22 it is the complementary color RGB 183 23 233. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 72 232 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 72 232 22 shade: RGB 77 232 17, RGB 94 250 36, RGB 111 255 55, RGB 128 255 74 and RGB 145 255 93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 72 232 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 72 232 22 shade: RGB 72 232 22, RGB 55 214 3, RGB 38 196 0, RGB 21 178 0 and RGB 4 160 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 72 232 22 shade: RGB 72 233 22, RGB 129 233 22, RGB 186 233 22, RGB 233 223 22 and RGB 233 166 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 72 232 22 shade: RGB 72 233 22, RGB 22 233 28, RGB 22 233 85, RGB 22 233 142 and RGB 22 233 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 72 232 22 shade matches the following richer shades: RGB 72 233 22 and RGB 61 254 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 72 232 22 shade: RGB 72 233 22, RGB 83 213 42, RGB 94 192 63, RGB 104 171 84 and RGB 115 151 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 72 232 22 shade: RGB 187 233 22, RGB 131 233 22, RGB 75 233 22, RGB 22 233 25 and RGB 22 233 82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 72 232 22 shade: RGB 49 158 15, RGB 60 196 18, RGB 72 233 22, RGB 102 237 59 and RGB 131 240 97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 72 232 22 shade: RGB 72 232 22, RGB 22 233 223 and RGB 233 22 159

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 72 232 22 shade: RGB 72 232 22, RGB 22 75 233 and RGB 233 22 75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 72 232 22 shade: RGB 72 232 22, RGB 22 233 223, RGB 180 22 233 and RGB 233 22 32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 72 232 22 shade: RGB 72 232 22, RGB 22 180 233, RGB 180 22 233 and RGB 233 75 22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 91 / 9

HEX #48E816

RGB 72 232 22

HSL 105.71, 0.83%, 0.5%

LAB 81.37, -73.06, 76.15

 

Complementary color

CMYK 21 / 90 / 0 / 9

HEX #B717E9

RGB 183 23 233

HSL 285.71, 0.83%, 0.5%

LAB 47.7, 82.22, -69.47

 

CMYK 67 / 0 / 93 / 9

HEX #4DE811

RGB 77 232 17

HSL 103.26, 0.86%, 0.49%

LAB 81.47, -72.24, 76.94

 

CMYK 62 / 0 / 86 / 2

HEX #5EFA24

RGB 94 250 36

HSL 103.74, 0.96%, 0.56%

LAB 87.43, -73.87, 79.12

 

CMYK 56 / 0 / 78 / 0

HEX #6FFF37

RGB 111 255 55

HSL 103.2, 1%, 0.61%

LAB 89.48, -70.78, 76.63

 

CMYK 50 / 0 / 71 / 0

HEX #80FF4A

RGB 128 255 74

HSL 102.1, 1%, 0.65%

LAB 90.14, -65.22, 71.54

 

CMYK 43 / 0 / 64 / 0

HEX #91FF5D

RGB 145 255 93

HSL 100.74, 1%, 0.68%

LAB 90.93, -58.87, 65.47

 

CMYK 69 / 0 / 91 / 9

HEX #48E816

RGB 72 232 22

HSL 105.71, 0.83%, 0.5%

LAB 81.37, -73.06, 76.15

 

CMYK 74 / 0 / 99 / 16

HEX #37D603

RGB 55 214 3

HSL 105.21, 0.97%, 0.43%

LAB 75.4, -70.89, 73.2

 

CMYK 81 / 0 / 100 / 23

HEX #26C400

RGB 38 196 0

HSL 108.37, 1%, 0.38%

LAB 69.39, -68.03, 68.6

 

CMYK 88 / 0 / 100 / 30

HEX #15B200

RGB 21 178 0

HSL 112.92, 1%, 0.35%

LAB 63.34, -64.6, 63.68

 

CMYK 98 / 0 / 100 / 37

HEX #04A000

RGB 4 160 0

HSL 118.5, 1%, 0.31%

LAB 57.24, -60.6, 58.74

 

CMYK 69 / 0 / 91 / 9

HEX #48E916

RGB 72 233 22

HSL 105.78, 0.83%, 0.5%

LAB 81.68, -73.37, 76.41

 

CMYK 45 / 0 / 91 / 9

HEX #81E916

RGB 129 233 22

HSL 89.57, 0.83%, 0.5%

LAB 83.44, -59.21, 78.59

 

CMYK 20 / 0 / 91 / 9

HEX #BAE916

RGB 186 233 22

HSL 73.36, 0.83%, 0.5%

LAB 86.39, -38.98, 82.21

 

CMYK 0 / 4 / 91 / 9

HEX #E9DF16

RGB 233 223 22

HSL 57.16, 0.83%, 0.5%

LAB 87.07, -15.04, 84.2

 

CMYK 0 / 29 / 91 / 9

HEX #E9A616

RGB 233 166 22

HSL 40.95, 0.83%, 0.5%

LAB 72.66, 14.3, 73.21

 

CMYK 69 / 0 / 91 / 9

HEX #48E916

RGB 72 233 22

HSL 105.78, 0.83%, 0.5%

LAB 81.68, -73.37, 76.41

 

CMYK 91 / 0 / 88 / 9

HEX #16E91C

RGB 22 233 28

HSL 121.71, 0.83%, 0.5%

LAB 81.03, -79.03, 74.63

 

CMYK 91 / 0 / 64 / 9

HEX #16E955

RGB 22 233 85

HSL 137.91, 0.83%, 0.5%

LAB 81.35, -75.03, 57.34

 

CMYK 91 / 0 / 39 / 9

HEX #16E98E

RGB 22 233 142

HSL 154.12, 0.83%, 0.5%

LAB 82.06, -66.5, 31.49

 

CMYK 91 / 0 / 14 / 9

HEX #16E9C8

RGB 22 233 200

HSL 170.62, 0.83%, 0.5%

LAB 83.24, -53.4, 3.03

 

CMYK 69 / 0 / 91 / 9

HEX #48E916

RGB 72 233 22

HSL 105.78, 0.83%, 0.5%

LAB 81.68, -73.37, 76.41

 

CMYK 76 / 0 / 100 / 0

HEX #3DFE01

RGB 61 254 1

HSL 105.77, 0.99%, 0.5%

LAB 87.91, -81.59, 83.44

 

CMYK 69 / 0 / 91 / 9

HEX #48E916

RGB 72 233 22

HSL 105.78, 0.83%, 0.5%

LAB 81.68, -73.37, 76.41

 

CMYK 61 / 0 / 80 / 16

HEX #53D52A

RGB 83 213 42

HSL 105.61, 0.67%, 0.5%

LAB 75.82, -63.96, 67.18

 

CMYK 51 / 0 / 67 / 25

HEX #5EC03F

RGB 94 192 63

HSL 105.58, 0.51%, 0.5%

LAB 69.78, -52.13, 54.12

 

CMYK 39 / 0 / 51 / 33

HEX #68AB54

RGB 104 171 84

HSL 106.21, 0.34%, 0.5%

LAB 63.92, -38.1, 37.95

 

CMYK 24 / 0 / 31 / 41

HEX #739768

RGB 115 151 104

HSL 105.96, 0.18%, 0.5%

LAB 58.77, -21.76, 20.84

 

CMYK 20 / 0 / 91 / 9

HEX #BBE916

RGB 187 233 22

HSL 73.08, 0.83%, 0.5%

LAB 86.45, -38.59, 82.29

 

CMYK 44 / 0 / 91 / 9

HEX #83E916

RGB 131 233 22

HSL 89, 0.83%, 0.5%

LAB 83.53, -58.58, 78.69

 

CMYK 68 / 0 / 91 / 9

HEX #4BE916

RGB 75 233 22

HSL 104.93, 0.83%, 0.5%

LAB 81.75, -72.82, 76.49

 

CMYK 91 / 0 / 89 / 9

HEX #16E919

RGB 22 233 25

HSL 120.85, 0.83%, 0.5%

LAB 81.03, -79.13, 75.13

 

CMYK 91 / 0 / 65 / 9

HEX #16E952

RGB 22 233 82

HSL 137.06, 0.83%, 0.5%

LAB 81.32, -75.35, 58.55

 

CMYK 69 / 0 / 91 / 38

HEX #319E0F

RGB 49 158 15

HSL 105.73, 0.83%, 0.34%

LAB 57.21, -54.18, 56.63

 

CMYK 69 / 0 / 91 / 23

HEX #3CC412

RGB 60 196 18

HSL 105.84, 0.83%, 0.42%

LAB 69.81, -64.23, 66.92

 

CMYK 69 / 0 / 91 / 9

HEX #48E916

RGB 72 233 22

HSL 105.78, 0.83%, 0.5%

LAB 81.68, -73.37, 76.41

 

CMYK 57 / 0 / 75 / 7

HEX #66ED3B

RGB 102 237 59

HSL 105.51, 0.83%, 0.58%

LAB 83.81, -66.63, 69.94

 

CMYK 45 / 0 / 60 / 6

HEX #83F061

RGB 131 240 97

HSL 105.73, 0.83%, 0.66%

LAB 86.01, -56.83, 58.19

 

CMYK 69 / 0 / 91 / 9

HEX #48E816

RGB 72 232 22

HSL 105.71, 0.83%, 0.5%

LAB 81.37, -73.06, 76.15

 

CMYK 91 / 0 / 4 / 9

HEX #16E9DF

RGB 22 233 223

HSL 177.16, 0.83%, 0.5%

LAB 83.85, -47.18, -8.22

 

CMYK 0 / 91 / 32 / 9

HEX #E9169F

RGB 233 22 159

HSL 321.04, 0.83%, 0.5%

LAB 52.29, 80.82, -18.77

 

CMYK 69 / 0 / 91 / 9

HEX #48E816

RGB 72 232 22

HSL 105.71, 0.83%, 0.5%

LAB 81.37, -73.06, 76.15

 

CMYK 91 / 68 / 0 / 9

HEX #164BE9

RGB 22 75 233

HSL 224.93, 0.83%, 0.5%

LAB 39.72, 44.55, -83.11

 

CMYK 0 / 91 / 68 / 9

HEX #E9164B

RGB 233 22 75

HSL 344.93, 0.83%, 0.5%

LAB 49.98, 74.52, 28.77

 

CMYK 69 / 0 / 91 / 9

HEX #48E816

RGB 72 232 22

HSL 105.71, 0.83%, 0.5%

LAB 81.37, -73.06, 76.15

 

CMYK 91 / 0 / 4 / 9

HEX #16E9DF

RGB 22 233 223

HSL 177.16, 0.83%, 0.5%

LAB 83.85, -47.18, -8.22

 

CMYK 23 / 91 / 0 / 9

HEX #B416E9

RGB 180 22 233

HSL 284.93, 0.83%, 0.5%

LAB 47.18, 81.95, -70.34

 

CMYK 0 / 91 / 86 / 9

HEX #E91620

RGB 233 22 32

HSL 357.16, 0.83%, 0.5%

LAB 49.5, 73.14, 52.25

 

CMYK 69 / 0 / 91 / 9

HEX #48E816

RGB 72 232 22

HSL 105.71, 0.83%, 0.5%

LAB 81.37, -73.06, 76.15

 

CMYK 91 / 23 / 0 / 9

HEX #16B4E9

RGB 22 180 233

HSL 195.07, 0.83%, 0.5%

LAB 68.53, -18.86, -36.89

 

CMYK 23 / 91 / 0 / 9

HEX #B416E9

RGB 180 22 233

HSL 284.93, 0.83%, 0.5%

LAB 47.18, 81.95, -70.34

 

CMYK 0 / 68 / 91 / 9

HEX #E94B16

RGB 233 75 22

HSL 15.07, 0.83%, 0.5%

LAB 54.46, 58.93, 59.94

 

Description

Color code: RGB 72 232 22 | qconv.com Color code: RGB 72 232 22 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 232 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 232 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 91 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 91% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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