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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 91 / 32 / 9 it is the complementary color CMYK 90 / 0 / 59 / 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 91 / 32 / 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 91 / 32 / 9: CMYK 0 / 91 / 35 / 7, CMYK 0 / 85 / 32 / 0, CMYK 0 / 78 / 25 / 0, CMYK 0 / 71 / 18 / 0 and CMYK 0 / 64 / 10 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 91 / 32 / 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 91 / 32 / 9: CMYK 0 / 91 / 32 / 9, CMYK 0 / 99 / 35 / 16, CMYK 0 / 100 / 39 / 22, CMYK 0 / 100 / 44 / 29 and CMYK 0 / 100 / 50 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 32 / 9

HEX #E8159E

RGB 232 21 158

HSL 321.04, 0.83%, 0.5%

LAB 52.02, 80.63, -18.61

 

Complementary color

CMYK 90 / 0 / 59 / 8

HEX #17EA61

RGB 23 234 97

HSL 141.04, 0.83%, 0.5%

LAB 81.78, -73.86, 52.69

 

CMYK 0 / 91 / 35 / 7

HEX #ED1599

RGB 237 21 153

HSL 323.33, 0.86%, 0.51%

LAB 52.77, 81.17, -14.4

 

CMYK 0 / 85 / 32 / 0

HEX #FE27AC

RGB 254 39 172

HSL 322.88, 0.99%, 0.57%

LAB 57.56, 83.97, -18.03

 

CMYK 0 / 78 / 25 / 0

HEX #FF39BF

RGB 255 57 191

HSL 319.39, 1%, 0.61%

LAB 59.84, 82.32, -25.51

 

CMYK 0 / 71 / 18 / 0

HEX #FF4BD2

RGB 255 75 210

HSL 315, 1%, 0.65%

LAB 62.46, 79.44, -32.28

 

CMYK 0 / 64 / 10 / 0

HEX #FF5DE5

RGB 255 93 229

HSL 309.63, 1%, 0.68%

LAB 65.55, 75.73, -38.13

 

CMYK 0 / 91 / 32 / 9

HEX #E8159E

RGB 232 21 158

HSL 321.04, 0.83%, 0.5%

LAB 52.02, 80.63, -18.61

 

CMYK 0 / 99 / 35 / 16

HEX #D7038B

RGB 215 3 139

HSL 321.51, 0.97%, 0.43%

LAB 47.46, 76.86, -14.44

 

CMYK 0 / 100 / 39 / 22

HEX #C60078

RGB 198 0 120

HSL 323.64, 1%, 0.39%

LAB 43.3, 71.76, -9.4

 

CMYK 0 / 100 / 44 / 29

HEX #B50065

RGB 181 0 101

HSL 326.52, 1%, 0.35%

LAB 39.18, 66.36, -4

 

CMYK 0 / 100 / 50 / 36

HEX #A40052

RGB 164 0 82

HSL 330, 1%, 0.32%

LAB 35.01, 60.93, 1.68

 

CMYK 0 / 91 / 32 / 9

HEX #E8159E

RGB 232 21 158

HSL 321.04, 0.83%, 0.5%

LAB 52.02, 80.63, -18.61

 

CMYK 0 / 91 / 47 / 9

HEX #E9157B

RGB 233 21 123

HSL 331.13, 0.83%, 0.5%

LAB 51.02, 77.65, 0.95

 

CMYK 0 / 91 / 62 / 9

HEX #E91558

RGB 233 21 88

HSL 341.04, 0.83%, 0.5%

LAB 50.17, 75.3, 21.12

 

CMYK 0 / 91 / 77 / 9

HEX #E91535

RGB 233 21 53

HSL 350.94, 0.83%, 0.5%

LAB 49.64, 73.8, 41.33

 

CMYK 0 / 89 / 91 / 9

HEX #E91915

RGB 233 25 21

HSL 1.13, 0.83%, 0.5%

LAB 49.58, 72.55, 56.99

 

CMYK 0 / 91 / 32 / 9

HEX #E8159E

RGB 232 21 158

HSL 321.04, 0.83%, 0.5%

LAB 52.02, 80.63, -18.61

 

CMYK 0 / 89 / 32 / 89

HEX #1C0313

RGB 28 3 19

HSL 321.6, 0.81%, 0.06%

LAB 3.24, 11.79, -3.74

 

CMYK 0 / 91 / 32 / 69

HEX #4F0736

RGB 79 7 54

HSL 320.83, 0.84%, 0.17%

LAB 15.9, 35.91, -9.67

 

CMYK 0 / 91 / 32 / 49

HEX #820C59

RGB 130 12 89

HSL 320.85, 0.83%, 0.28%

LAB 28.72, 51.93, -13.04

 

CMYK 0 / 91 / 32 / 29

HEX #B5107B

RGB 181 16 123

HSL 321.09, 0.84%, 0.39%

LAB 40.61, 66.73, -15.66

 

CMYK 0 / 91 / 32 / 9

HEX #E8159E

RGB 232 21 158

HSL 321.04, 0.83%, 0.5%

LAB 52.02, 80.63, -18.61

 

CMYK 0 / 41 / 91 / 9

HEX #E98A15

RGB 233 138 21

HSL 33.11, 0.83%, 0.5%

LAB 66.18, 29.11, 68.59

 

CMYK 91 / 0 / 5 / 9

HEX #15E9DE

RGB 21 233 222

HSL 176.89, 0.83%, 0.5%

LAB 83.82, -47.5, -7.74

 

CMYK 0 / 91 / 32 / 9

HEX #E8159E

RGB 232 21 158

HSL 321.04, 0.83%, 0.5%

LAB 52.02, 80.63, -18.61

 

CMYK 32 / 0 / 91 / 9

HEX #9FE915

RGB 159 233 21

HSL 80.94, 0.83%, 0.5%

LAB 84.84, -49.14, 80.45

 

CMYK 91 / 32 / 0 / 9

HEX #159FE9

RGB 21 159 233

HSL 200.94, 0.83%, 0.5%

LAB 62.37, -7.45, -46.54

 

CMYK 0 / 91 / 32 / 9

HEX #E8159E

RGB 232 21 158

HSL 321.04, 0.83%, 0.5%

LAB 52.02, 80.63, -18.61

 

CMYK 0 / 41 / 91 / 9

HEX #E98A15

RGB 233 138 21

HSL 33.11, 0.83%, 0.5%

LAB 66.18, 29.11, 68.59

 

CMYK 91 / 0 / 59 / 9

HEX #15E95F

RGB 21 233 95

HSL 140.94, 0.83%, 0.5%

LAB 81.44, -73.92, 53.17

 

CMYK 91 / 50 / 0 / 9

HEX #1574E9

RGB 21 116 233

HSL 213.11, 0.83%, 0.5%

LAB 50.14, 18.45, -66.1

 

CMYK 0 / 91 / 32 / 9

HEX #E8159E

RGB 232 21 158

HSL 321.04, 0.83%, 0.5%

LAB 52.02, 80.63, -18.61

 

CMYK 0 / 14 / 91 / 9

HEX #E9C915

RGB 233 201 21

HSL 50.94, 0.83%, 0.5%

LAB 81.37, -4.01, 79.97

 

CMYK 91 / 0 / 59 / 9

HEX #15E95F

RGB 21 233 95

HSL 140.94, 0.83%, 0.5%

LAB 81.44, -73.92, 53.17

 

CMYK 91 / 77 / 0 / 9

HEX #1535E9

RGB 21 53 233

HSL 230.94, 0.83%, 0.5%

LAB 35.18, 57.13, -90.63

 

Description

Color code: CMYK 0 / 91 / 32 / 9 | qconv.com Color code: CMYK 0 / 91 / 32 / 9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 21 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 21 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 32 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 32% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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