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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EFA24 it is the complementary color #A105DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EFA24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EFA24 shade: #63FA1F, #74FF32, #85FF45, #96FF58 and #A7FF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EFA24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EFA24 shade: #5EFA24, #4DE811, #3CD600, #2BC400 and #1AB200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EFA24 shade: #5DFB23, #98FB23, #D2FB23, #FBE923 and #FBAF23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EFA24 shade: #5DFB23, #23FB23, #23FB5D, #23FB97 and #23FBD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EFA24 shade matches the following richer shades: #5DFB23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EFA24 shade: #5DFB23, #66E835, #6ED647, #76C45A and #7FB26C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EFA24 shade: #D3FB23, #9AFB23, #60FB23, #27FB23 and #23FB59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EFA24 shade: #39C704, #44EF05, #5DFB23, #7BFB4C and #99FC74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EFA24 shade: #5EFA24, #23FBE9 and #FB23B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EFA24 shade: #5EFA24, #2360FB and #FB2360

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EFA24 shade: #5EFA24, #23FBE9, #BD23FB and #FB2335

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EFA24 shade: #5EFA24, #23CCFB, #BD23FB and #FB5223

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 86 / 2

HEX #5EFA24

RGB 94 250 36

HSL 103.74, 0.96%, 0.56%

LAB 87.43, -73.87, 79.12

 

Complementary color

CMYK 26 / 98 / 0 / 14

HEX #A105DB

RGB 161 5 219

HSL 283.74, 0.96%, 0.44%

LAB 42.46, 78.87, -70.19

 

CMYK 60 / 0 / 88 / 2

HEX #63FA1F

RGB 99 250 31

HSL 101.37, 0.96%, 0.55%

LAB 87.54, -72.94, 80.2

 

CMYK 55 / 0 / 80 / 0

HEX #74FF32

RGB 116 255 50

HSL 100.68, 1%, 0.6%

LAB 89.61, -69.78, 78.13

 

CMYK 48 / 0 / 73 / 0

HEX #85FF45

RGB 133 255 69

HSL 99.35, 1%, 0.64%

LAB 90.29, -64.16, 73.44

 

CMYK 41 / 0 / 65 / 0

HEX #96FF58

RGB 150 255 88

HSL 97.72, 1%, 0.67%

LAB 91.1, -57.75, 67.68

 

CMYK 35 / 0 / 58 / 0

HEX #A7FF6B

RGB 167 255 107

HSL 95.68, 1%, 0.71%

LAB 92.04, -50.69, 61.19

 

CMYK 62 / 0 / 86 / 2

HEX #5EFA24

RGB 94 250 36

HSL 103.74, 0.96%, 0.56%

LAB 87.43, -73.87, 79.12

 

CMYK 67 / 0 / 93 / 9

HEX #4DE811

RGB 77 232 17

HSL 103.26, 0.86%, 0.49%

LAB 81.47, -72.24, 76.94

 

CMYK 72 / 0 / 100 / 16

HEX #3CD600

RGB 60 214 0

HSL 103.18, 1%, 0.42%

LAB 75.48, -70.13, 73.61

 

CMYK 78 / 0 / 100 / 23

HEX #2BC400

RGB 43 196 0

HSL 106.84, 1%, 0.38%

LAB 69.46, -67.38, 68.68

 

CMYK 85 / 0 / 100 / 30

HEX #1AB200

RGB 26 178 0

HSL 111.24, 1%, 0.35%

LAB 63.39, -64.15, 63.74

 

CMYK 63 / 0 / 86 / 2

HEX #5DFB23

RGB 93 251 35

HSL 103.89, 0.96%, 0.56%

LAB 87.7, -74.44, 79.54

 

CMYK 39 / 0 / 86 / 2

HEX #98FB23

RGB 152 251 35

HSL 87.5, 0.96%, 0.56%

LAB 89.76, -58.39, 82.12

 

CMYK 16 / 0 / 86 / 2

HEX #D2FB23

RGB 210 251 35

HSL 71.39, 0.96%, 0.56%

LAB 92.93, -37.37, 86.06

 

CMYK 0 / 7 / 86 / 2

HEX #FBE923

RGB 251 233 35

HSL 55, 0.96%, 0.56%

LAB 91.19, -12.18, 85.9

 

CMYK 0 / 30 / 86 / 2

HEX #FBAF23

RGB 251 175 35

HSL 38.89, 0.96%, 0.56%

LAB 76.85, 17.47, 74.39

 

CMYK 63 / 0 / 86 / 2

HEX #5DFB23

RGB 93 251 35

HSL 103.89, 0.96%, 0.56%

LAB 87.7, -74.44, 79.54

 

CMYK 86 / 0 / 86 / 2

HEX #23FB23

RGB 35 251 35

HSL 120, 0.96%, 0.56%

LAB 86.74, -82.78, 78.33

 

CMYK 86 / 0 / 63 / 2

HEX #23FB5D

RGB 35 251 93

HSL 136.11, 0.96%, 0.56%

LAB 87.07, -78.62, 60.46

 

CMYK 86 / 0 / 40 / 2

HEX #23FB97

RGB 35 251 151

HSL 152.22, 0.96%, 0.56%

LAB 87.77, -70.18, 34.55

 

CMYK 86 / 0 / 17 / 2

HEX #23FBD1

RGB 35 251 209

HSL 168.33, 0.96%, 0.56%

LAB 88.9, -57.62, 6.51

 

CMYK 63 / 0 / 86 / 2

HEX #5DFB23

RGB 93 251 35

HSL 103.89, 0.96%, 0.56%

LAB 87.7, -74.44, 79.54

 

CMYK 63 / 0 / 86 / 2

HEX #5DFB23

RGB 93 251 35

HSL 103.89, 0.96%, 0.56%

LAB 87.7, -74.44, 79.54

 

CMYK 56 / 0 / 77 / 9

HEX #66E835

RGB 102 232 53

HSL 103.58, 0.8%, 0.56%

LAB 82.27, -65.26, 70.3

 

CMYK 49 / 0 / 67 / 16

HEX #6ED647

RGB 110 214 71

HSL 103.64, 0.64%, 0.56%

LAB 77.2, -55.29, 59.01

 

CMYK 40 / 0 / 54 / 23

HEX #76C45A

RGB 118 196 90

HSL 104.15, 0.47%, 0.56%

LAB 72.27, -43.67, 45.25

 

CMYK 29 / 0 / 39 / 30

HEX #7FB26C

RGB 127 178 108

HSL 103.71, 0.31%, 0.56%

LAB 67.6, -30.14, 30.51

 

CMYK 16 / 0 / 86 / 2

HEX #D3FB23

RGB 211 251 35

HSL 71.11, 0.96%, 0.56%

LAB 93, -36.97, 86.14

 

CMYK 39 / 0 / 86 / 2

HEX #9AFB23

RGB 154 251 35

HSL 86.94, 0.96%, 0.56%

LAB 89.85, -57.74, 82.24

 

CMYK 62 / 0 / 86 / 2

HEX #60FB23

RGB 96 251 35

HSL 103.06, 0.96%, 0.56%

LAB 87.78, -73.8, 79.64

 

CMYK 84 / 0 / 86 / 2

HEX #27FB23

RGB 39 251 35

HSL 118.89, 0.96%, 0.56%

LAB 86.77, -82.45, 78.37

 

CMYK 86 / 0 / 65 / 2

HEX #23FB59

RGB 35 251 89

HSL 135, 0.96%, 0.56%

LAB 87.03, -79.05, 62.04

 

CMYK 71 / 0 / 98 / 22

HEX #39C704

RGB 57 199 4

HSL 103.69, 0.96%, 0.4%

LAB 70.68, -66.01, 69.32

 

CMYK 72 / 0 / 98 / 6

HEX #44EF05

RGB 68 239 5

HSL 103.85, 0.96%, 0.48%

LAB 83.43, -76.16, 79.58

 

CMYK 63 / 0 / 86 / 2

HEX #5DFB23

RGB 93 251 35

HSL 103.89, 0.96%, 0.56%

LAB 87.7, -74.44, 79.54

 

CMYK 51 / 0 / 70 / 2

HEX #7BFB4C

RGB 123 251 76

HSL 103.89, 0.96%, 0.64%

LAB 88.79, -64.99, 69.41

 

CMYK 39 / 0 / 54 / 1

HEX #99FC74

RGB 153 252 116

HSL 103.68, 0.96%, 0.72%

LAB 90.62, -53.01, 55.42

 

CMYK 62 / 0 / 86 / 2

HEX #5EFA24

RGB 94 250 36

HSL 103.74, 0.96%, 0.56%

LAB 87.43, -73.87, 79.12

 

CMYK 86 / 0 / 7 / 2

HEX #23FBE9

RGB 35 251 233

HSL 175, 0.96%, 0.56%

LAB 89.5, -51.4, -5.09

 

CMYK 0 / 86 / 27 / 2

HEX #FB23B6

RGB 251 35 182

HSL 319.17, 0.96%, 0.56%

LAB 57.16, 85.1, -24.5

 

CMYK 62 / 0 / 86 / 2

HEX #5EFA24

RGB 94 250 36

HSL 103.74, 0.96%, 0.56%

LAB 87.43, -73.87, 79.12

 

CMYK 86 / 62 / 0 / 2

HEX #2360FB

RGB 35 96 251

HSL 223.06, 0.96%, 0.56%

LAB 46.56, 38.67, -81.97

 

CMYK 0 / 86 / 62 / 2

HEX #FB2360

RGB 251 35 96

HSL 343.06, 0.96%, 0.56%

LAB 54.61, 77.97, 22.81

 

CMYK 62 / 0 / 86 / 2

HEX #5EFA24

RGB 94 250 36

HSL 103.74, 0.96%, 0.56%

LAB 87.43, -73.87, 79.12

 

CMYK 86 / 0 / 7 / 2

HEX #23FBE9

RGB 35 251 233

HSL 175, 0.96%, 0.56%

LAB 89.5, -51.4, -5.09

 

CMYK 25 / 86 / 0 / 2

HEX #BD23FB

RGB 189 35 251

HSL 282.78, 0.96%, 0.56%

LAB 50.67, 84.17, -74.73

 

CMYK 0 / 86 / 79 / 2

HEX #FB2335

RGB 251 35 53

HSL 355, 0.96%, 0.56%

LAB 53.99, 76.18, 46.99

 

CMYK 62 / 0 / 86 / 2

HEX #5EFA24

RGB 94 250 36

HSL 103.74, 0.96%, 0.56%

LAB 87.43, -73.87, 79.12

 

CMYK 86 / 19 / 0 / 2

HEX #23CCFB

RGB 35 204 251

HSL 193.06, 0.96%, 0.56%

LAB 76.38, -24.44, -34.43

 

CMYK 25 / 86 / 0 / 2

HEX #BD23FB

RGB 189 35 251

HSL 282.78, 0.96%, 0.56%

LAB 50.67, 84.17, -74.73

 

CMYK 0 / 67 / 86 / 2

HEX #FB5223

RGB 251 82 35

HSL 13.06, 0.96%, 0.56%

LAB 58.66, 62.32, 59.76

 

Description

Color code: HEX #5EFA24 | qconv.com Color code: HEX #5EFA24 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 250 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 250 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 86 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 86% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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