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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 63 208 254 it is the complementary color RGB 192 47 1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 63 208 254. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 63 208 254: RGB 68 208 249, RGB 85 226 255, RGB 102 244 255, RGB 119 255 255 and RGB 136 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 63 208 254. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 63 208 254: RGB 63 208 254, RGB 46 190 235, RGB 29 172 216, RGB 12 154 197 and RGB 0 136 178

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 18 / 0 / 0

HEX #3FD0FE

RGB 63 208 254

HSL 194.45, 0.99%, 0.62%

LAB 78.07, -23.13, -33.39

 

Complementary color

CMYK 0 / 76 / 99 / 25

HEX #C02F01

RGB 192 47 1

HSL 14.45, 0.99%, 0.38%

LAB 43.13, 55.64, 55.25

 

CMYK 73 / 16 / 0 / 2

HEX #44D0F9

RGB 68 208 249

HSL 193.59, 0.94%, 0.62%

LAB 77.98, -24.14, -30.85

 

CMYK 67 / 11 / 0 / 0

HEX #55E2FF

RGB 85 226 255

HSL 190.24, 1%, 0.67%

LAB 83.73, -28.96, -25.2

 

CMYK 60 / 4 / 0 / 0

HEX #66F4FF

RGB 102 244 255

HSL 184.31, 1%, 0.7%

LAB 89.27, -34.9, -16.77

 

CMYK 53 / 0 / 0 / 0

HEX #77FFFF

RGB 119 255 255

HSL 180, 1%, 0.73%

LAB 92.87, -36.98, -11.34

 

CMYK 47 / 0 / 0 / 0

HEX #88FFFF

RGB 136 255 255

HSL 180, 1%, 0.77%

LAB 93.44, -33.56, -10.43

 

CMYK 75 / 18 / 0 / 0

HEX #3FD0FE

RGB 63 208 254

HSL 194.45, 0.99%, 0.62%

LAB 78.07, -23.13, -33.39

 

CMYK 80 / 19 / 0 / 8

HEX #2EBEEB

RGB 46 190 235

HSL 194.29, 0.83%, 0.55%

LAB 71.83, -21.79, -32.84

 

CMYK 87 / 20 / 0 / 15

HEX #1DACD8

RGB 29 172 216

HSL 194.12, 0.76%, 0.48%

LAB 65.53, -20.12, -32.21

 

CMYK 94 / 22 / 0 / 23

HEX #0C9AC5

RGB 12 154 197

HSL 193.95, 0.89%, 0.41%

LAB 59.18, -18.05, -31.5

 

CMYK 100 / 24 / 0 / 30

HEX #0088B2

RGB 0 136 178

HSL 194.16, 1%, 0.35%

LAB 52.75, -15.53, -30.71

 

CMYK 75 / 18 / 0 / 0

HEX #3FD0FE

RGB 63 208 254

HSL 194.45, 0.99%, 0.62%

LAB 78.07, -23.13, -33.39

 

CMYK 76 / 30 / 0 / 0

HEX #3EB1FE

RGB 62 177 254

HSL 204.06, 0.99%, 0.62%

LAB 69.2, -6.83, -47.21

 

CMYK 76 / 43 / 0 / 0

HEX #3E91FE

RGB 62 145 254

HSL 214.06, 0.99%, 0.62%

LAB 60.28, 11.66, -61.38

 

CMYK 76 / 56 / 0 / 0

HEX #3E71FE

RGB 62 113 254

HSL 224.06, 0.99%, 0.62%

LAB 51.83, 31.31, -75.01

 

CMYK 76 / 68 / 0 / 0

HEX #3E51FE

RGB 62 81 254

HSL 234.06, 0.99%, 0.62%

LAB 44.33, 50.73, -87.29

 

CMYK 75 / 18 / 0 / 0

HEX #3FD0FE

RGB 63 208 254

HSL 194.45, 0.99%, 0.62%

LAB 78.07, -23.13, -33.39

 

CMYK 76 / 18 / 0 / 80

HEX #0C2932

RGB 12 41 50

HSL 194.21, 0.61%, 0.12%

LAB 14.92, -7.31, -9.06

 

CMYK 75 / 18 / 0 / 60

HEX #195365

RGB 25 83 101

HSL 194.21, 0.6%, 0.25%

LAB 32.55, -11.94, -15.82

 

CMYK 75 / 18 / 0 / 40

HEX #267C98

RGB 38 124 152

HSL 194.74, 0.6%, 0.37%

LAB 48.38, -15.5, -22.37

 

CMYK 75 / 18 / 0 / 20

HEX #32A6CB

RGB 50 166 203

HSL 194.51, 0.6%, 0.5%

LAB 63.56, -19.48, -28.04

 

CMYK 75 / 18 / 0 / 0

HEX #3FD0FE

RGB 63 208 254

HSL 194.45, 0.99%, 0.62%

LAB 78.07, -23.13, -33.39

 

CMYK 43 / 76 / 0 / 0

HEX #913EFE

RGB 145 62 254

HSL 265.94, 0.99%, 0.62%

LAB 47.78, 70.33, -81.37

 

CMYK 0 / 13 / 76 / 0

HEX #FEDE3E

RGB 254 222 62

HSL 50, 0.99%, 0.62%

LAB 88.76, -4.67, 76.88

 

CMYK 75 / 18 / 0 / 0

HEX #3FD0FE

RGB 63 208 254

HSL 194.45, 0.99%, 0.62%

LAB 78.07, -23.13, -33.39

 

CMYK 0 / 76 / 18 / 0

HEX #FE3ED1

RGB 254 62 209

HSL 314.06, 0.99%, 0.62%

LAB 60.89, 82.97, -34.17

 

CMYK 18 / 0 / 76 / 0

HEX #D1FE3E

RGB 209 254 62

HSL 74.06, 0.99%, 0.62%

LAB 93.79, -38.2, 80.3

 

CMYK 75 / 18 / 0 / 0

HEX #3FD0FE

RGB 63 208 254

HSL 194.45, 0.99%, 0.62%

LAB 78.07, -23.13, -33.39

 

CMYK 43 / 76 / 0 / 0

HEX #913EFE

RGB 145 62 254

HSL 265.94, 0.99%, 0.62%

LAB 47.78, 70.33, -81.37

 

CMYK 0 / 58 / 76 / 0

HEX #FE6A3E

RGB 254 106 62

HSL 13.75, 0.99%, 0.62%

LAB 63.12, 54.08, 51.92

 

CMYK 33 / 0 / 76 / 0

HEX #AAFE3E

RGB 170 254 62

HSL 86.25, 0.99%, 0.62%

LAB 91.58, -52.47, 77.44

 

CMYK 75 / 18 / 0 / 0

HEX #3FD0FE

RGB 63 208 254

HSL 194.45, 0.99%, 0.62%

LAB 78.07, -23.13, -33.39

 

CMYK 20 / 76 / 0 / 0

HEX #CA3EFE

RGB 202 62 254

HSL 283.75, 0.99%, 0.62%

LAB 55.23, 79.65, -68.91

 

CMYK 0 / 58 / 76 / 0

HEX #FE6A3E

RGB 254 106 62

HSL 13.75, 0.99%, 0.62%

LAB 63.12, 54.08, 51.92

 

CMYK 56 / 0 / 76 / 0

HEX #71FE3E

RGB 113 254 62

HSL 104.06, 0.99%, 0.62%

LAB 89.27, -69.56, 74.42

 

Description

Color code: RGB 63 208 254 | qconv.com Color code: RGB 63 208 254 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 208 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 208 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 18 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 18% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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PANTONE® to HKS®

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Sherwin Williams® to HKS®

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