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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 192 47 1 it is the complementary color RGB 63 208 254. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 192 47 1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 192 47 1: RGB 197 47 0, RGB 214 65 15, RGB 231 83 34, RGB 248 101 53 and RGB 255 119 72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 192 47 1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 192 47 1: RGB 192 47 1, RGB 175 29 0, RGB 158 11 0, RGB 141 0 0 and RGB 124 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 99 / 25

HEX #C02F01

RGB 192 47 1

HSL 14.45, 0.99%, 0.38%

LAB 43.13, 55.64, 55.25

 

Complementary color

CMYK 75 / 18 / 0 / 0

HEX #3FD0FE

RGB 63 208 254

HSL 194.45, 0.99%, 0.62%

LAB 78.07, -23.13, -33.39

 

CMYK 0 / 76 / 100 / 23

HEX #C52F00

RGB 197 47 0

HSL 14.31, 1%, 0.39%

LAB 44.09, 57.19, 56.57

 

CMYK 0 / 70 / 93 / 16

HEX #D6410F

RGB 214 65 15

HSL 15.08, 0.87%, 0.45%

LAB 49.63, 56.43, 57.22

 

CMYK 0 / 64 / 85 / 9

HEX #E75322

RGB 231 83 34

HSL 14.92, 0.8%, 0.52%

LAB 55.37, 55.26, 56.05

 

CMYK 0 / 59 / 79 / 3

HEX #F86535

RGB 248 101 53

HSL 14.77, 0.93%, 0.59%

LAB 61.24, 53.89, 54.03

 

CMYK 0 / 53 / 72 / 0

HEX #FF7748

RGB 255 119 72

HSL 15.41, 1%, 0.64%

LAB 65.69, 48.83, 49.75

 

CMYK 0 / 76 / 99 / 25

HEX #C02F01

RGB 192 47 1

HSL 14.45, 0.99%, 0.38%

LAB 43.13, 55.64, 55.25

 

CMYK 0 / 83 / 100 / 31

HEX #AF1D00

RGB 175 29 0

HSL 9.94, 1%, 0.34%

LAB 37.83, 55.74, 51.29

 

CMYK 0 / 93 / 100 / 38

HEX #9E0B00

RGB 158 11 0

HSL 4.18, 1%, 0.31%

LAB 32.94, 54.5, 46.78

 

CMYK 0 / 100 / 100 / 45

HEX #8D0000

RGB 141 0 0

HSL 0, 1%, 0.28%

LAB 28.55, 51.54, 41.86

 

CMYK 0 / 100 / 100 / 51

HEX #7C0000

RGB 124 0 0

HSL 0, 1%, 0.24%

LAB 24.59, 46.97, 36.84

 

CMYK 0 / 76 / 99 / 25

HEX #C02F01

RGB 192 47 1

HSL 14.45, 0.99%, 0.38%

LAB 43.13, 55.64, 55.25

 

CMYK 0 / 60 / 100 / 25

HEX #C04D00

RGB 192 77 0

HSL 24.06, 1%, 0.38%

LAB 47.64, 43.42, 57.83

 

CMYK 0 / 43 / 100 / 25

HEX #C06D00

RGB 192 109 0

HSL 34.06, 1%, 0.38%

LAB 54.18, 27.02, 61.68

 

CMYK 0 / 27 / 100 / 25

HEX #C08D00

RGB 192 141 0

HSL 44.06, 1%, 0.38%

LAB 61.87, 9.48, 66.73

 

CMYK 0 / 10 / 100 / 25

HEX #C0AD00

RGB 192 173 0

HSL 54.06, 1%, 0.38%

LAB 70.24, -7.7, 72.59

 

CMYK 0 / 76 / 99 / 25

HEX #C02F01

RGB 192 47 1

HSL 14.45, 0.99%, 0.38%

LAB 43.13, 55.64, 55.25

 

CMYK 0 / 76 / 100 / 5

HEX #F33B01

RGB 243 59 1

HSL 14.38, 0.99%, 0.48%

LAB 54.22, 67.37, 65.95

 

CMYK 0 / 74 / 100 / 85

HEX #270A00

RGB 39 10 0

HSL 15.38, 1%, 0.08%

LAB 5.86, 13.31, 9.02

 

CMYK 0 / 76 / 100 / 65

HEX #5A1600

RGB 90 22 0

HSL 14.67, 1%, 0.18%

LAB 19, 30.05, 28.57

 

CMYK 0 / 75 / 99 / 45

HEX #8D2301

RGB 141 35 1

HSL 14.57, 0.99%, 0.28%

LAB 31.5, 43.2, 43.68

 

CMYK 0 / 76 / 99 / 25

HEX #C02F01

RGB 192 47 1

HSL 14.45, 0.99%, 0.38%

LAB 43.13, 55.64, 55.25

 

CMYK 43 / 0 / 100 / 25

HEX #6DC000

RGB 109 192 0

HSL 85.94, 1%, 0.38%

LAB 70.14, -50.27, 70.04

 

CMYK 100 / 83 / 0 / 25

HEX #0020C0

RGB 0 32 192

HSL 230, 1%, 0.38%

LAB 26.27, 54.09, -81.7

 

CMYK 0 / 76 / 99 / 25

HEX #C02F01

RGB 192 47 1

HSL 14.45, 0.99%, 0.38%

LAB 43.13, 55.64, 55.25

 

CMYK 100 / 0 / 77 / 25

HEX #00C02D

RGB 0 192 45

HSL 134.06, 1%, 0.38%

LAB 67.94, -67.8, 58.32

 

CMYK 77 / 100 / 0 / 25

HEX #2D00C0

RGB 45 0 192

HSL 254.06, 1%, 0.38%

LAB 24.84, 64.62, -84.05

 

CMYK 0 / 76 / 99 / 25

HEX #C02F01

RGB 192 47 1

HSL 14.45, 0.99%, 0.38%

LAB 43.13, 55.64, 55.25

 

CMYK 43 / 0 / 100 / 25

HEX #6DC000

RGB 109 192 0

HSL 85.94, 1%, 0.38%

LAB 70.14, -50.27, 70.04

 

CMYK 100 / 23 / 0 / 25

HEX #0094C0

RGB 0 148 192

HSL 193.75, 1%, 0.38%

LAB 57.06, -17.01, -31.98

 

CMYK 56 / 100 / 0 / 25

HEX #5400C0

RGB 84 0 192

HSL 266.25, 1%, 0.38%

LAB 28.62, 66.42, -77.65

 

CMYK 0 / 76 / 99 / 25

HEX #C02F01

RGB 192 47 1

HSL 14.45, 0.99%, 0.38%

LAB 43.13, 55.64, 55.25

 

CMYK 73 / 0 / 100 / 25

HEX #34C000

RGB 52 192 0

HSL 103.75, 1%, 0.38%

LAB 68.34, -64.81, 67.85

 

CMYK 100 / 23 / 0 / 25

HEX #0094C0

RGB 0 148 192

HSL 193.75, 1%, 0.38%

LAB 57.06, -17.01, -31.98

 

CMYK 27 / 100 / 0 / 25

HEX #8D00C0

RGB 141 0 192

HSL 284.06, 1%, 0.38%

LAB 36.87, 71.96, -63.77

 

Description

Color code: RGB 192 47 1 | qconv.com Color code: RGB 192 47 1 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 47 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 47 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 99 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 99% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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