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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 62 206 212 it is the complementary color RGB 193 49 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 62 206 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 62 206 212: RGB 67 206 207, RGB 84 224 226, RGB 101 242 245, RGB 118 255 255 and RGB 135 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 62 206 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 62 206 212: RGB 62 206 212, RGB 45 188 193, RGB 28 170 174, RGB 11 152 155 and RGB 0 134 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 3 / 0 / 17

HEX #3ECED4

RGB 62 206 212

HSL 182.4, 0.64%, 0.54%

LAB 76.02, -35.07, -13.98

 

Complementary color

CMYK 0 / 75 / 78 / 24

HEX #C1312B

RGB 193 49 43

HSL 2.4, 0.64%, 0.46%

LAB 43.81, 56.13, 38.39

 

CMYK 68 / 0 / 0 / 19

HEX #43CECF

RGB 67 206 207

HSL 180.43, 0.59%, 0.54%

LAB 75.97, -35.85, -11.35

 

CMYK 63 / 1 / 0 / 11

HEX #54E0E2

RGB 84 224 226

HSL 180.85, 0.71%, 0.61%

LAB 82.21, -36.42, -12.15

 

CMYK 59 / 1 / 0 / 4

HEX #65F2F5

RGB 101 242 245

HSL 181.25, 0.88%, 0.68%

LAB 88.38, -36.83, -12.88

 

CMYK 54 / 0 / 0 / 0

HEX #76FFFF

RGB 118 255 255

HSL 180, 1%, 0.73%

LAB 92.84, -37.17, -11.39

 

CMYK 47 / 0 / 0 / 0

HEX #87FFFF

RGB 135 255 255

HSL 180, 1%, 0.76%

LAB 93.4, -33.77, -10.49

 

CMYK 71 / 3 / 0 / 17

HEX #3ECED4

RGB 62 206 212

HSL 182.4, 0.64%, 0.54%

LAB 76.02, -35.07, -13.98

 

CMYK 77 / 3 / 0 / 24

HEX #2DBCC1

RGB 45 188 193

HSL 182.03, 0.62%, 0.47%

LAB 69.74, -34.14, -13.12

 

CMYK 84 / 2 / 0 / 32

HEX #1CAAAE

RGB 28 170 174

HSL 181.64, 0.72%, 0.4%

LAB 63.39, -32.91, -12.15

 

CMYK 93 / 2 / 0 / 39

HEX #0B989B

RGB 11 152 155

HSL 181.25, 0.87%, 0.33%

LAB 56.97, -31.27, -11.07

 

CMYK 100 / 1 / 0 / 47

HEX #008688

RGB 0 134 136

HSL 180.88, 1%, 0.27%

LAB 50.49, -29.16, -9.84

 

CMYK 71 / 3 / 0 / 17

HEX #3ECED4

RGB 62 206 212

HSL 182.4, 0.64%, 0.54%

LAB 76.02, -35.07, -13.98

 

CMYK 71 / 14 / 0 / 17

HEX #3EB6D4

RGB 62 182 212

HSL 192, 0.64%, 0.54%

LAB 68.92, -23.35, -24.75

 

CMYK 71 / 26 / 0 / 17

HEX #3E9DD4

RGB 62 157 212

HSL 202, 0.64%, 0.54%

LAB 61.56, -10.04, -36.12

 

CMYK 71 / 38 / 0 / 17

HEX #3E84D4

RGB 62 132 212

HSL 212, 0.64%, 0.54%

LAB 54.32, 4.44, -47.52

 

CMYK 71 / 50 / 0 / 17

HEX #3E6BD4

RGB 62 107 212

HSL 222, 0.64%, 0.54%

LAB 47.36, 19.92, -58.67

 

CMYK 71 / 3 / 0 / 17

HEX #3ECED4

RGB 62 206 212

HSL 182.4, 0.64%, 0.54%

LAB 76.02, -35.07, -13.98

 

CMYK 75 / 0 / 0 / 97

HEX #020808

RGB 2 8 8

HSL 180, 0.6%, 0.02%

LAB 1.84, -1.57, -0.55

 

CMYK 71 / 3 / 0 / 77

HEX #11393B

RGB 17 57 59

HSL 182.86, 0.55%, 0.15%

LAB 21.44, -12.99, -5.39

 

CMYK 71 / 3 / 0 / 57

HEX #206B6E

RGB 32 107 110

HSL 182.31, 0.55%, 0.28%

LAB 41.13, -21.21, -8.34

 

CMYK 71 / 3 / 0 / 37

HEX #2F9CA1

RGB 47 156 161

HSL 182.63, 0.55%, 0.41%

LAB 58.93, -28.12, -11.49

 

CMYK 71 / 3 / 0 / 17

HEX #3ECED4

RGB 62 206 212

HSL 182.4, 0.64%, 0.54%

LAB 76.02, -35.07, -13.98

 

CMYK 54 / 71 / 0 / 17

HEX #613ED4

RGB 97 62 212

HSL 254, 0.64%, 0.54%

LAB 39.14, 52.29, -71.93

 

CMYK 0 / 26 / 71 / 17

HEX #D49D3E

RGB 212 157 62

HSL 38, 0.64%, 0.54%

LAB 68.36, 11.33, 55.61

 

CMYK 71 / 3 / 0 / 17

HEX #3ECED4

RGB 62 206 212

HSL 182.4, 0.64%, 0.54%

LAB 76.02, -35.07, -13.98

 

CMYK 0 / 71 / 2 / 17

HEX #D43ECF

RGB 212 62 207

HSL 302, 0.64%, 0.54%

LAB 53.97, 73.52, -44.37

 

CMYK 2 / 0 / 71 / 17

HEX #CFD43E

RGB 207 212 62

HSL 62, 0.64%, 0.54%

LAB 82.22, -19.33, 69.29

 

CMYK 71 / 3 / 0 / 17

HEX #3ECED4

RGB 62 206 212

HSL 182.4, 0.64%, 0.54%

LAB 76.02, -35.07, -13.98

 

CMYK 54 / 71 / 0 / 17

HEX #613ED4

RGB 97 62 212

HSL 254, 0.64%, 0.54%

LAB 39.14, 52.29, -71.93

 

CMYK 0 / 68 / 71 / 17

HEX #D4433E

RGB 212 67 62

HSL 2, 0.64%, 0.54%

LAB 49.93, 56.36, 35.43

 

CMYK 17 / 0 / 71 / 17

HEX #B1D43E

RGB 177 212 62

HSL 74, 0.64%, 0.54%

LAB 80.06, -31.56, 66.44

 

CMYK 71 / 3 / 0 / 17

HEX #3ECED4

RGB 62 206 212

HSL 182.4, 0.64%, 0.54%

LAB 76.02, -35.07, -13.98

 

CMYK 33 / 71 / 0 / 17

HEX #8E3ED4

RGB 142 62 212

HSL 272, 0.64%, 0.54%

LAB 44.16, 60.03, -63.53

 

CMYK 0 / 68 / 71 / 17

HEX #D4433E

RGB 212 67 62

HSL 2, 0.64%, 0.54%

LAB 49.93, 56.36, 35.43

 

CMYK 38 / 0 / 71 / 17

HEX #84D43E

RGB 132 212 62

HSL 92, 0.64%, 0.54%

LAB 77.48, -48.26, 63.02

 

Description

Color code: RGB 62 206 212 | qconv.com Color code: RGB 62 206 212 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 206 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 206 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 3 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 3% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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