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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 84 / 2 / 0 / 32 it is the complementary color CMYK 0 / 63 / 64 / 11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 84 / 2 / 0 / 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 84 / 2 / 0 / 32: CMYK 81 / 0 / 1 / 33, CMYK 73 / 0 / 1 / 26, CMYK 67 / 0 / 0 / 19, CMYK 63 / 0 / 0 / 12 and CMYK 59 / 1 / 0 / 4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 84 / 2 / 0 / 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 84 / 2 / 0 / 32: CMYK 84 / 2 / 0 / 32, CMYK 93 / 1 / 0 / 40, CMYK 100 / 1 / 0 / 47, CMYK 100 / 0 / 0 / 55 and CMYK 100 / 0 / 1 / 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 2 / 0 / 32

HEX #1CAAAD

RGB 28 170 173

HSL 181.24, 0.72%, 0.39%

LAB 63.35, -33.21, -11.64

 

Complementary color

CMYK 0 / 63 / 64 / 11

HEX #E35552

RGB 227 85 82

HSL 1.24, 0.72%, 0.61%

LAB 55.52, 54.99, 31.35

 

CMYK 81 / 0 / 1 / 33

HEX #21AAA8

RGB 33 170 168

HSL 179.12, 0.67%, 0.4%

LAB 63.26, -34.32, -8.98

 

CMYK 73 / 0 / 1 / 26

HEX #32BCBB

RGB 50 188 187

HSL 179.57, 0.58%, 0.47%

LAB 69.63, -35.36, -9.97

 

CMYK 67 / 0 / 0 / 19

HEX #43CECE

RGB 67 206 206

HSL 180, 0.59%, 0.54%

LAB 75.94, -36.13, -10.85

 

CMYK 63 / 0 / 0 / 12

HEX #54E0E1

RGB 84 224 225

HSL 180.43, 0.7%, 0.61%

LAB 82.18, -36.69, -11.66

 

CMYK 59 / 1 / 0 / 4

HEX #65F2F4

RGB 101 242 244

HSL 180.84, 0.87%, 0.68%

LAB 88.35, -37.1, -12.41

 

CMYK 84 / 2 / 0 / 32

HEX #1CAAAD

RGB 28 170 173

HSL 181.24, 0.72%, 0.39%

LAB 63.35, -33.21, -11.64

 

CMYK 93 / 1 / 0 / 40

HEX #0B989A

RGB 11 152 154

HSL 180.84, 0.87%, 0.32%

LAB 56.94, -31.59, -10.54

 

CMYK 100 / 1 / 0 / 47

HEX #008687

RGB 0 134 135

HSL 180.44, 1%, 0.26%

LAB 50.45, -29.49, -9.3

 

CMYK 100 / 0 / 0 / 55

HEX #007474

RGB 0 116 116

HSL 180, 1%, 0.23%

LAB 43.87, -26.87, -7.9

 

CMYK 100 / 0 / 1 / 62

HEX #006261

RGB 0 98 97

HSL 179.39, 1%, 0.19%

LAB 37.11, -24.2, -6.45

 

CMYK 84 / 2 / 0 / 32

HEX #1CAAAD

RGB 28 170 173

HSL 181.24, 0.72%, 0.39%

LAB 63.35, -33.21, -11.64

 

CMYK 84 / 16 / 0 / 33

HEX #1B90AB

RGB 27 144 171

HSL 191.25, 0.73%, 0.39%

LAB 55.2, -20.94, -22.9

 

CMYK 84 / 30 / 0 / 33

HEX #1B78AB

RGB 27 120 171

HSL 201.25, 0.73%, 0.39%

LAB 47.76, -7.54, -34.46

 

CMYK 84 / 43 / 0 / 33

HEX #1B61AB

RGB 27 97 171

HSL 210.83, 0.73%, 0.39%

LAB 40.77, 6.66, -45.54

 

CMYK 84 / 57 / 0 / 33

HEX #1B49AB

RGB 27 73 171

HSL 220.83, 0.73%, 0.39%

LAB 33.85, 22.6, -56.71

 

CMYK 84 / 2 / 0 / 32

HEX #1CAAAD

RGB 28 170 173

HSL 181.24, 0.72%, 0.39%

LAB 63.35, -33.21, -11.64

 

CMYK 84 / 2 / 0 / 12

HEX #24DCE0

RGB 36 220 224

HSL 181.28, 0.75%, 0.51%

LAB 80.15, -40.44, -14.26

 

CMYK 85 / 0 / 0 / 92

HEX #031414

RGB 3 20 20

HSL 180, 0.74%, 0.05%

LAB 5.15, -5.24, -1.85

 

CMYK 85 / 1 / 0 / 72

HEX #0B4647

RGB 11 70 71

HSL 181, 0.73%, 0.16%

LAB 26.47, -17.25, -5.84

 

CMYK 84 / 2 / 0 / 52

HEX #14787A

RGB 20 120 122

HSL 181.18, 0.72%, 0.28%

LAB 45.62, -25.54, -8.86

 

CMYK 84 / 2 / 0 / 32

HEX #1CAAAD

RGB 28 170 173

HSL 181.24, 0.72%, 0.39%

LAB 63.35, -33.21, -11.64

 

CMYK 66 / 84 / 0 / 33

HEX #3A1BAB

RGB 58 27 171

HSL 252.92, 0.73%, 0.39%

LAB 25.63, 52.48, -70.16

 

CMYK 0 / 32 / 84 / 33

HEX #AB741B

RGB 171 116 27

HSL 37.08, 0.73%, 0.39%

LAB 53.2, 14.38, 53.33

 

CMYK 84 / 2 / 0 / 32

HEX #1CAAAD

RGB 28 170 173

HSL 181.24, 0.72%, 0.39%

LAB 63.35, -33.21, -11.64

 

CMYK 0 / 84 / 2 / 33

HEX #AB1BA8

RGB 171 27 168

HSL 301.25, 0.73%, 0.39%

LAB 41.64, 68.69, -41.6

 

CMYK 2 / 0 / 84 / 33

HEX #A8AB1B

RGB 168 171 27

HSL 61.25, 0.73%, 0.39%

LAB 67.67, -16.82, 65.49

 

CMYK 84 / 2 / 0 / 32

HEX #1CAAAD

RGB 28 170 173

HSL 181.24, 0.72%, 0.39%

LAB 63.35, -33.21, -11.64

 

CMYK 66 / 84 / 0 / 33

HEX #3A1BAB

RGB 58 27 171

HSL 252.92, 0.73%, 0.39%

LAB 25.63, 52.48, -70.16

 

CMYK 0 / 82 / 84 / 33

HEX #AB1E1B

RGB 171 30 27

HSL 1.25, 0.73%, 0.39%

LAB 37.24, 54.75, 39.17

 

CMYK 18 / 0 / 84 / 33

HEX #8CAB1B

RGB 140 171 27

HSL 72.92, 0.73%, 0.39%

LAB 65.58, -28.83, 62.88

 

CMYK 84 / 2 / 0 / 32

HEX #1CAAAD

RGB 28 170 173

HSL 181.24, 0.72%, 0.39%

LAB 63.35, -33.21, -11.64

 

CMYK 41 / 84 / 0 / 33

HEX #651BAB

RGB 101 27 171

HSL 270.83, 0.73%, 0.39%

LAB 30.62, 57.39, -61.77

 

CMYK 0 / 82 / 84 / 33

HEX #AB1E1B

RGB 171 30 27

HSL 1.25, 0.73%, 0.39%

LAB 37.24, 54.75, 39.17

 

CMYK 43 / 0 / 84 / 33

HEX #61AB1B

RGB 97 171 27

HSL 90.83, 0.73%, 0.39%

LAB 63.13, -45.24, 59.8

 

Description

Color code: CMYK 84 / 2 / 0 / 32 | qconv.com Color code: CMYK 84 / 2 / 0 / 32 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 170 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 170 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 2 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 2% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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