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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 179 98 it is the complementary color RGB 194 76 157. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 179 98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61 179 98 shade: RGB 66 179 93, RGB 83 197 112, RGB 100 215 131, RGB 117 233 150 and RGB 134 251 169

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 179 98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61 179 98 shade: RGB 61 179 98, RGB 44 161 79, RGB 27 143 60, RGB 10 125 41 and RGB 0 107 22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61 179 98 shade: RGB 61 179 98, RGB 61 179 66, RGB 88 179 61, RGB 119 179 61 and RGB 151 179 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61 179 98 shade: RGB 61 179 98, RGB 61 179 130, RGB 61 179 161, RGB 61 164 179 and RGB 61 133 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61 179 98 shade matches the following richer shades: RGB 61 179 98, RGB 42 198 91, RGB 22 217 83 and RGB 3 237 76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61 179 98 shade: RGB 61 179 98, RGB 81 159 105, RGB 100 140 112, RGB 119 120 120 and RGB 139 101 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61 179 98 shade: RGB 89 179 61, RGB 61 179 65, RGB 61 179 96, RGB 61 179 128 and RGB 61 179 159

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61 179 98 shade: RGB 40 117 64, RGB 51 148 81, RGB 61 179 98, RGB 84 197 120 and RGB 115 207 144

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61 179 98 shade: RGB 61 179 98, RGB 61 120 179 and RGB 179 61 73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61 179 98 shade: RGB 61 179 98, RGB 96 61 179 and RGB 179 96 61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61 179 98 shade: RGB 61 179 98, RGB 61 120 179, RGB 179 61 143 and RGB 179 120 61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61 179 98 shade: RGB 61 179 98, RGB 61 85 179, RGB 179 61 143 and RGB 179 155 61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 45 / 30

HEX #3DB362

RGB 61 179 98

HSL 138.81, 0.49%, 0.47%

LAB 65.05, -50.74, 31.9

 

Complementary color

CMYK 0 / 61 / 19 / 24

HEX #C24C9D

RGB 194 76 157

HSL 318.81, 0.49%, 0.53%

LAB 50.77, 56.06, -20.5

 

CMYK 63 / 0 / 48 / 30

HEX #42B35D

RGB 66 179 93

HSL 134.34, 0.46%, 0.48%

LAB 65.11, -50.54, 34.57

 

CMYK 58 / 0 / 43 / 23

HEX #53C570

RGB 83 197 112

HSL 135.26, 0.5%, 0.55%

LAB 71.52, -50.75, 33.13

 

CMYK 53 / 0 / 39 / 16

HEX #64D783

RGB 100 215 131

HSL 136.17, 0.59%, 0.62%

LAB 77.84, -50.78, 31.78

 

CMYK 50 / 0 / 36 / 9

HEX #75E996

RGB 117 233 150

HSL 137.07, 0.73%, 0.69%

LAB 84.1, -50.7, 30.5

 

CMYK 47 / 0 / 33 / 2

HEX #86FBA9

RGB 134 251 169

HSL 137.95, 0.94%, 0.75%

LAB 90.29, -50.54, 29.29

 

CMYK 66 / 0 / 45 / 30

HEX #3DB362

RGB 61 179 98

HSL 138.81, 0.49%, 0.47%

LAB 65.05, -50.74, 31.9

 

CMYK 73 / 0 / 51 / 37

HEX #2CA14F

RGB 44 161 79

HSL 137.95, 0.57%, 0.4%

LAB 58.59, -50.15, 33.45

 

CMYK 81 / 0 / 58 / 44

HEX #1B8F3C

RGB 27 143 60

HSL 137.07, 0.68%, 0.33%

LAB 52.07, -49.07, 35.05

 

CMYK 92 / 0 / 67 / 51

HEX #0A7D29

RGB 10 125 41

HSL 136.17, 0.85%, 0.26%

LAB 45.49, -47.2, 36.57

 

CMYK 100 / 0 / 79 / 58

HEX #006B16

RGB 0 107 22

HSL 132.34, 1%, 0.21%

LAB 38.85, -44.19, 37.61

 

CMYK 66 / 0 / 45 / 30

HEX #3DB362

RGB 61 179 98

HSL 138.81, 0.49%, 0.47%

LAB 65.05, -50.74, 31.9

 

CMYK 66 / 0 / 63 / 30

HEX #3DB342

RGB 61 179 66

HSL 122.54, 0.49%, 0.47%

LAB 64.66, -55.19, 46.95

 

CMYK 51 / 0 / 66 / 30

HEX #58B33D

RGB 88 179 61

HSL 106.27, 0.49%, 0.47%

LAB 65.48, -48.98, 50.25

 

CMYK 34 / 0 / 66 / 30

HEX #77B33D

RGB 119 179 61

HSL 90.51, 0.49%, 0.47%

LAB 66.9, -38.81, 52.2

 

CMYK 16 / 0 / 66 / 30

HEX #97B33D

RGB 151 179 61

HSL 74.24, 0.49%, 0.47%

LAB 68.86, -26.41, 54.88

 

CMYK 66 / 0 / 45 / 30

HEX #3DB362

RGB 61 179 98

HSL 138.81, 0.49%, 0.47%

LAB 65.05, -50.74, 31.9

 

CMYK 66 / 0 / 27 / 30

HEX #3DB382

RGB 61 179 130

HSL 155.08, 0.49%, 0.47%

LAB 65.63, -44.5, 15.58

 

CMYK 66 / 0 / 10 / 30

HEX #3DB3A1

RGB 61 179 161

HSL 170.85, 0.49%, 0.47%

LAB 66.37, -36.94, -0.43

 

CMYK 66 / 8 / 0 / 30

HEX #3DA4B3

RGB 61 164 179

HSL 187.63, 0.49%, 0.47%

LAB 62.34, -24.57, -16.47

 

CMYK 66 / 26 / 0 / 30

HEX #3D85B3

RGB 61 133 179

HSL 203.39, 0.49%, 0.47%

LAB 52.97, -7.8, -30.86

 

CMYK 66 / 0 / 45 / 30

HEX #3DB362

RGB 61 179 98

HSL 138.81, 0.49%, 0.47%

LAB 65.05, -50.74, 31.9

 

CMYK 79 / 0 / 54 / 22

HEX #2AC65B

RGB 42 198 91

HSL 138.85, 0.65%, 0.47%

LAB 70.62, -61.61, 42.24

 

CMYK 90 / 0 / 62 / 15

HEX #16D953

RGB 22 217 83

HSL 138.77, 0.82%, 0.47%

LAB 76.33, -70.48, 52.54

 

CMYK 99 / 0 / 68 / 7

HEX #03ED4C

RGB 3 237 76

HSL 138.72, 0.98%, 0.47%

LAB 82.44, -77.82, 62.1

 

CMYK 66 / 0 / 45 / 30

HEX #3DB362

RGB 61 179 98

HSL 138.81, 0.49%, 0.47%

LAB 65.05, -50.74, 31.9

 

CMYK 49 / 0 / 34 / 38

HEX #519F69

RGB 81 159 105

HSL 138.46, 0.33%, 0.47%

LAB 59.49, -36.47, 20.97

 

CMYK 29 / 0 / 20 / 45

HEX #648C70

RGB 100 140 112

HSL 138, 0.17%, 0.47%

LAB 54.69, -19.96, 10.57

 

CMYK 1 / 0 / 0 / 53

HEX #777878

RGB 119 120 120

HSL 180, 0%, 0.47%

LAB 50.35, -0.37, -0.14

 

CMYK 0 / 27 / 9 / 45

HEX #8B657F

RGB 139 101 127

HSL 318.95, 0.16%, 0.47%

LAB 47.4, 19.74, -8.44

 

CMYK 50 / 0 / 66 / 30

HEX #59B33D

RGB 89 179 61

HSL 105.76, 0.49%, 0.47%

LAB 65.52, -48.69, 50.3

 

CMYK 66 / 0 / 64 / 30

HEX #3DB341

RGB 61 179 65

HSL 122.03, 0.49%, 0.47%

LAB 64.65, -55.3, 47.38

 

CMYK 66 / 0 / 46 / 30

HEX #3DB360

RGB 61 179 96

HSL 137.8, 0.49%, 0.47%

LAB 65.02, -51.07, 32.89

 

CMYK 66 / 0 / 28 / 30

HEX #3DB380

RGB 61 179 128

HSL 154.07, 0.49%, 0.47%

LAB 65.59, -44.94, 16.62

 

CMYK 66 / 0 / 11 / 30

HEX #3DB39F

RGB 61 179 159

HSL 169.83, 0.49%, 0.47%

LAB 66.32, -37.46, 0.6

 

CMYK 66 / 0 / 45 / 54

HEX #287540

RGB 40 117 64

HSL 138.7, 0.49%, 0.31%

LAB 43.57, -36.18, 22.46

 

CMYK 66 / 0 / 45 / 42

HEX #339451

RGB 51 148 81

HSL 138.56, 0.49%, 0.39%

LAB 54.53, -43.52, 27.3

 

CMYK 66 / 0 / 45 / 30

HEX #3DB362

RGB 61 179 98

HSL 138.81, 0.49%, 0.47%

LAB 65.05, -50.74, 31.9

 

CMYK 57 / 0 / 39 / 23

HEX #54C578

RGB 84 197 120

HSL 139.12, 0.49%, 0.55%

LAB 71.67, -49.16, 29.22

 

CMYK 44 / 0 / 30 / 19

HEX #73CF90

RGB 115 207 144

HSL 138.91, 0.49%, 0.63%

LAB 76.24, -41.22, 22.99

 

CMYK 66 / 0 / 45 / 30

HEX #3DB362

RGB 61 179 98

HSL 138.81, 0.49%, 0.47%

LAB 65.05, -50.74, 31.9

 

CMYK 66 / 33 / 0 / 30

HEX #3D78B3

RGB 61 120 179

HSL 210, 0.49%, 0.47%

LAB 49.11, -0.15, -36.92

 

CMYK 0 / 66 / 59 / 30

HEX #B33D49

RGB 179 61 73

HSL 353.9, 0.49%, 0.47%

LAB 43.36, 48.6, 19.43

 

CMYK 66 / 0 / 45 / 30

HEX #3DB362

RGB 61 179 98

HSL 138.81, 0.49%, 0.47%

LAB 65.05, -50.74, 31.9

 

CMYK 46 / 66 / 0 / 30

HEX #603DB3

RGB 96 61 179

HSL 257.8, 0.49%, 0.47%

LAB 36.14, 43.23, -57.56

 

CMYK 0 / 46 / 66 / 30

HEX #B3603D

RGB 179 96 61

HSL 17.8, 0.49%, 0.47%

LAB 49.84, 30.53, 34.56

 

CMYK 66 / 0 / 45 / 30

HEX #3DB362

RGB 61 179 98

HSL 138.81, 0.49%, 0.47%

LAB 65.05, -50.74, 31.9

 

CMYK 66 / 33 / 0 / 30

HEX #3D78B3

RGB 61 120 179

HSL 210, 0.49%, 0.47%

LAB 49.11, -0.15, -36.92

 

CMYK 0 / 66 / 20 / 30

HEX #B33D8F

RGB 179 61 143

HSL 318.31, 0.49%, 0.47%

LAB 45.5, 56.18, -20.43

 

CMYK 0 / 33 / 66 / 30

HEX #B3783D

RGB 179 120 61

HSL 30, 0.49%, 0.47%

LAB 55.43, 17.29, 41.02

 

CMYK 66 / 0 / 45 / 30

HEX #3DB362

RGB 61 179 98

HSL 138.81, 0.49%, 0.47%

LAB 65.05, -50.74, 31.9

 

CMYK 66 / 53 / 0 / 30

HEX #3D55B3

RGB 61 85 179

HSL 227.8, 0.49%, 0.47%

LAB 39.15, 21.95, -52.81

 

CMYK 0 / 66 / 20 / 30

HEX #B33D8F

RGB 179 61 143

HSL 318.31, 0.49%, 0.47%

LAB 45.5, 56.18, -20.43

 

CMYK 0 / 13 / 66 / 30

HEX #B39B3D

RGB 179 155 61

HSL 47.8, 0.49%, 0.47%

LAB 64.45, -2.04, 50.91

 

Description

Color code: RGB 61 179 98 | qconv.com Color code: RGB 61 179 98 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 179 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 179 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 45 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 45% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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