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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DA4B3 it is the complementary color #C25B4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DA4B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3DA4B3: #42A4AE, #53B6C1, #64C8D4, #75DAE7 and #86ECFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DA4B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3DA4B3: #3DA4B3, #2C92A0, #1B808D, #0A6E7A and #005C67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 8 / 0 / 30

HEX #3DA4B3

RGB 61 164 179

HSL 187.63, 0.49%, 0.47%

LAB 62.34, -24.57, -16.47

 

Complementary color

CMYK 0 / 53 / 61 / 24

HEX #C25B4C

RGB 194 91 76

HSL 7.63, 0.49%, 0.53%

LAB 51.24, 40.06, 28.3

 

CMYK 62 / 6 / 0 / 32

HEX #42A4AE

RGB 66 164 174

HSL 185.56, 0.45%, 0.47%

LAB 62.31, -25.23, -13.7

 

CMYK 57 / 6 / 0 / 24

HEX #53B6C1

RGB 83 182 193

HSL 186, 0.47%, 0.54%

LAB 68.86, -25.63, -14.35

 

CMYK 53 / 6 / 0 / 17

HEX #64C8D4

RGB 100 200 212

HSL 186.43, 0.57%, 0.61%

LAB 75.31, -25.9, -14.95

 

CMYK 49 / 6 / 0 / 9

HEX #75DAE7

RGB 117 218 231

HSL 186.84, 0.7%, 0.68%

LAB 81.67, -26.08, -15.51

 

CMYK 46 / 6 / 0 / 2

HEX #86ECFA

RGB 134 236 250

HSL 187.24, 0.92%, 0.75%

LAB 87.95, -26.21, -16.04

 

CMYK 66 / 8 / 0 / 30

HEX #3DA4B3

RGB 61 164 179

HSL 187.63, 0.49%, 0.47%

LAB 62.34, -24.57, -16.47

 

CMYK 73 / 9 / 0 / 37

HEX #2C92A0

RGB 44 146 160

HSL 187.24, 0.57%, 0.4%

LAB 55.72, -23.8, -15.77

 

CMYK 81 / 9 / 0 / 45

HEX #1B808D

RGB 27 128 141

HSL 186.84, 0.68%, 0.33%

LAB 49, -22.7, -14.98

 

CMYK 92 / 10 / 0 / 52

HEX #0A6E7A

RGB 10 110 122

HSL 186.43, 0.85%, 0.26%

LAB 42.19, -21.12, -14.05

 

CMYK 100 / 11 / 0 / 60

HEX #005C67

RGB 0 92 103

HSL 186.41, 1%, 0.2%

LAB 35.27, -18.9, -12.95

 

CMYK 66 / 8 / 0 / 30

HEX #3DA4B3

RGB 61 164 179

HSL 187.63, 0.49%, 0.47%

LAB 62.34, -24.57, -16.47

 

CMYK 66 / 19 / 0 / 30

HEX #3D91B2

RGB 61 145 178

HSL 196.92, 0.49%, 0.47%

LAB 56.54, -14.86, -24.76

 

CMYK 66 / 30 / 0 / 30

HEX #3D7DB2

RGB 61 125 178

HSL 207.18, 0.49%, 0.47%

LAB 50.54, -3.48, -34.09

 

CMYK 66 / 40 / 0 / 30

HEX #3D6AB2

RGB 61 106 178

HSL 216.92, 0.49%, 0.47%

LAB 44.96, 8.12, -42.9

 

CMYK 66 / 52 / 0 / 30

HEX #3D56B2

RGB 61 86 178

HSL 227.18, 0.49%, 0.47%

LAB 39.35, 20.94, -51.89

 

CMYK 66 / 8 / 0 / 30

HEX #3DA4B3

RGB 61 164 179

HSL 187.63, 0.49%, 0.47%

LAB 62.34, -24.57, -16.47

 

CMYK 66 / 8 / 0 / 10

HEX #4ED3E6

RGB 78 211 230

HSL 187.5, 0.75%, 0.6%

LAB 78.42, -30.04, -20

 

CMYK 65 / 8 / 0 / 90

HEX #09181A

RGB 9 24 26

HSL 187.06, 0.49%, 0.07%

LAB 7.1, -4.97, -3.36

 

CMYK 66 / 8 / 0 / 70

HEX #1A474D

RGB 26 71 77

HSL 187.06, 0.5%, 0.2%

LAB 27.47, -13.17, -8.21

 

CMYK 66 / 9 / 0 / 50

HEX #2C7580

RGB 44 117 128

HSL 187.86, 0.49%, 0.34%

LAB 45.38, -18.75, -12.74

 

CMYK 66 / 8 / 0 / 30

HEX #3DA4B3

RGB 61 164 179

HSL 187.63, 0.49%, 0.47%

LAB 62.34, -24.57, -16.47

 

CMYK 45 / 66 / 0 / 30

HEX #623DB2

RGB 98 61 178

HSL 258.97, 0.49%, 0.47%

LAB 36.27, 43.35, -56.74

 

CMYK 0 / 19 / 66 / 30

HEX #B2913D

RGB 178 145 61

HSL 43.08, 0.49%, 0.47%

LAB 61.7, 2.96, 47.92

 

CMYK 66 / 8 / 0 / 30

HEX #3DA4B3

RGB 61 164 179

HSL 187.63, 0.49%, 0.47%

LAB 62.34, -24.57, -16.47

 

CMYK 0 / 66 / 8 / 30

HEX #B23DA4

RGB 178 61 164

HSL 307.18, 0.49%, 0.47%

LAB 46.29, 59.1, -31.8

 

CMYK 8 / 0 / 66 / 30

HEX #A4B23D

RGB 164 178 61

HSL 67.18, 0.49%, 0.47%

LAB 69.52, -20.52, 55.85

 

CMYK 66 / 8 / 0 / 30

HEX #3DA4B3

RGB 61 164 179

HSL 187.63, 0.49%, 0.47%

LAB 62.34, -24.57, -16.47

 

CMYK 45 / 66 / 0 / 30

HEX #623DB2

RGB 98 61 178

HSL 258.97, 0.49%, 0.47%

LAB 36.27, 43.35, -56.74

 

CMYK 0 / 58 / 66 / 30

HEX #B24A3D

RGB 178 74 61

HSL 6.67, 0.49%, 0.47%

LAB 45.22, 41.49, 28.98

 

CMYK 21 / 0 / 66 / 30

HEX #8DB23D

RGB 141 178 61

HSL 78.97, 0.49%, 0.47%

LAB 67.9, -29.96, 53.66

 

CMYK 66 / 8 / 0 / 30

HEX #3DA4B3

RGB 61 164 179

HSL 187.63, 0.49%, 0.47%

LAB 62.34, -24.57, -16.47

 

CMYK 25 / 66 / 0 / 30

HEX #853DB2

RGB 133 61 178

HSL 276.92, 0.49%, 0.47%

LAB 40.47, 50.86, -49.74

 

CMYK 0 / 58 / 66 / 30

HEX #B24A3D

RGB 178 74 61

HSL 6.67, 0.49%, 0.47%

LAB 45.22, 41.49, 28.98

 

CMYK 40 / 0 / 66 / 30

HEX #6AB23D

RGB 106 178 61

HSL 96.92, 0.49%, 0.47%

LAB 65.94, -42.93, 50.97

 

Description

Color code: HEX #3DA4B3 | qconv.com Color code: HEX #3DA4B3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 164 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 164 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 8 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 8% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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