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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CA14F it is the complementary color #D35EB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CA14F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CA14F shade: #31A14A, #42B35D, #53C570, #64D783 and #75E996

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CA14F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CA14F shade: #2CA14F, #1B8F3C, #0A7D29, #006B16 and #005903

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CA14F shade: #2CA04F, #2CA02F, #48A02C, #67A02C and #87A02C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CA14F shade: #2CA04F, #2CA06E, #2CA08D, #2C94A0 and #2C74A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CA14F shade matches the following richer shades: #2CA04F, #1BB148 and #0BC141

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CA14F shade: #2CA04F, #3C9055, #4D7F5C, #5D6F63 and #6E5E69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CA14F shade: #49A02C, #2CA02E, #2CA04D, #2CA06C and #2CA08B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CA14F shade: #1A5F2F, #23803F, #2CA04F, #35C15F and #50CF76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CA14F shade: #2CA14F, #2C68A0 and #A02C39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CA14F shade: #2CA14F, #4D2CA0 and #A04D2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CA14F shade: #2CA14F, #2C68A0, #A02C7F and #A0642C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CA14F shade: #2CA14F, #2C45A0, #A02C7F and #A0872C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 51 / 37

HEX #2CA14F

RGB 44 161 79

HSL 137.95, 0.57%, 0.4%

LAB 58.59, -50.15, 33.45

 

Complementary color

CMYK 0 / 55 / 17 / 17

HEX #D35EB0

RGB 211 94 176

HSL 317.95, 0.57%, 0.6%

LAB 57.06, 55.67, -21.73

 

CMYK 70 / 0 / 54 / 37

HEX #31A14A

RGB 49 161 74

HSL 133.39, 0.53%, 0.41%

LAB 58.64, -50.03, 36.06

 

CMYK 63 / 0 / 48 / 30

HEX #42B35D

RGB 66 179 93

HSL 134.34, 0.46%, 0.48%

LAB 65.11, -50.54, 34.57

 

CMYK 58 / 0 / 43 / 23

HEX #53C570

RGB 83 197 112

HSL 135.26, 0.5%, 0.55%

LAB 71.52, -50.75, 33.13

 

CMYK 53 / 0 / 39 / 16

HEX #64D783

RGB 100 215 131

HSL 136.17, 0.59%, 0.62%

LAB 77.84, -50.78, 31.78

 

CMYK 50 / 0 / 36 / 9

HEX #75E996

RGB 117 233 150

HSL 137.07, 0.73%, 0.69%

LAB 84.1, -50.7, 30.5

 

CMYK 73 / 0 / 51 / 37

HEX #2CA14F

RGB 44 161 79

HSL 137.95, 0.57%, 0.4%

LAB 58.59, -50.15, 33.45

 

CMYK 81 / 0 / 58 / 44

HEX #1B8F3C

RGB 27 143 60

HSL 137.07, 0.68%, 0.33%

LAB 52.07, -49.07, 35.05

 

CMYK 92 / 0 / 67 / 51

HEX #0A7D29

RGB 10 125 41

HSL 136.17, 0.85%, 0.26%

LAB 45.49, -47.2, 36.57

 

CMYK 100 / 0 / 79 / 58

HEX #006B16

RGB 0 107 22

HSL 132.34, 1%, 0.21%

LAB 38.85, -44.19, 37.61

 

CMYK 100 / 0 / 97 / 65

HEX #005903

RGB 0 89 3

HSL 122.02, 1%, 0.17%

LAB 32.15, -39.8, 37.57

 

CMYK 73 / 0 / 51 / 37

HEX #2CA04F

RGB 44 160 79

HSL 138.1, 0.57%, 0.4%

LAB 58.27, -49.78, 33.04

 

CMYK 73 / 0 / 71 / 37

HEX #2CA02F

RGB 44 160 47

HSL 121.55, 0.57%, 0.4%

LAB 57.93, -53.82, 47.56

 

CMYK 55 / 0 / 73 / 37

HEX #48A02C

RGB 72 160 44

HSL 105.52, 0.57%, 0.4%

LAB 58.7, -47.64, 49.79

 

CMYK 36 / 0 / 73 / 37

HEX #67A02C

RGB 103 160 44

HSL 89.48, 0.57%, 0.4%

LAB 60.08, -37.52, 51.64

 

CMYK 16 / 0 / 73 / 37

HEX #87A02C

RGB 135 160 44

HSL 72.93, 0.57%, 0.4%

LAB 62.06, -24.82, 54.27

 

CMYK 73 / 0 / 51 / 37

HEX #2CA04F

RGB 44 160 79

HSL 138.1, 0.57%, 0.4%

LAB 58.27, -49.78, 33.04

 

CMYK 73 / 0 / 31 / 37

HEX #2CA06E

RGB 44 160 110

HSL 154.14, 0.57%, 0.4%

LAB 58.79, -43.88, 17.07

 

CMYK 73 / 0 / 12 / 37

HEX #2CA08D

RGB 44 160 141

HSL 170.17, 0.57%, 0.4%

LAB 59.53, -36.21, 0.72

 

CMYK 73 / 7 / 0 / 37

HEX #2C94A0

RGB 44 148 160

HSL 186.21, 0.57%, 0.4%

LAB 56.34, -24.82, -14.83

 

CMYK 73 / 28 / 0 / 37

HEX #2C74A0

RGB 44 116 160

HSL 202.76, 0.57%, 0.4%

LAB 46.4, -7.25, -30.13

 

CMYK 73 / 0 / 51 / 37

HEX #2CA04F

RGB 44 160 79

HSL 138.1, 0.57%, 0.4%

LAB 58.27, -49.78, 33.04

 

CMYK 85 / 0 / 59 / 31

HEX #1BB148

RGB 27 177 72

HSL 138, 0.74%, 0.4%

LAB 63.46, -58.91, 42.68

 

CMYK 94 / 0 / 66 / 24

HEX #0BC141

RGB 11 193 65

HSL 137.8, 0.89%, 0.4%

LAB 68.46, -65.83, 51.38

 

CMYK 73 / 0 / 51 / 37

HEX #2CA04F

RGB 44 160 79

HSL 138.1, 0.57%, 0.4%

LAB 58.27, -49.78, 33.04

 

CMYK 58 / 0 / 41 / 44

HEX #3C9055

RGB 60 144 85

HSL 137.86, 0.41%, 0.4%

LAB 53.56, -39.1, 23.92

 

CMYK 39 / 0 / 28 / 50

HEX #4D7F5C

RGB 77 127 92

HSL 138, 0.25%, 0.4%

LAB 48.92, -25.01, 13.84

 

CMYK 16 / 0 / 11 / 56

HEX #5D6F63

RGB 93 111 99

HSL 140, 0.09%, 0.4%

LAB 45.08, -9.33, 4.44

 

CMYK 0 / 15 / 5 / 57

HEX #6E5E69

RGB 110 94 105

HSL 318.75, 0.08%, 0.4%

LAB 41.75, 8.57, -3.86

 

CMYK 54 / 0 / 73 / 37

HEX #49A02C

RGB 73 160 44

HSL 105, 0.57%, 0.4%

LAB 58.73, -47.36, 49.84

 

CMYK 73 / 0 / 71 / 37

HEX #2CA02E

RGB 44 160 46

HSL 121.03, 0.57%, 0.4%

LAB 57.92, -53.91, 47.96

 

CMYK 73 / 0 / 52 / 37

HEX #2CA04D

RGB 44 160 77

HSL 137.07, 0.57%, 0.4%

LAB 58.24, -50.1, 34.03

 

CMYK 73 / 0 / 33 / 37

HEX #2CA06C

RGB 44 160 108

HSL 153.1, 0.57%, 0.4%

LAB 58.75, -44.32, 18.12

 

CMYK 73 / 0 / 13 / 37

HEX #2CA08B

RGB 44 160 139

HSL 169.14, 0.57%, 0.4%

LAB 59.47, -36.75, 1.77

 

CMYK 73 / 0 / 51 / 63

HEX #1A5F2F

RGB 26 95 47

HSL 138.26, 0.57%, 0.24%

LAB 35.22, -33.04, 21.35

 

CMYK 73 / 0 / 51 / 50

HEX #23803F

RGB 35 128 63

HSL 138.06, 0.57%, 0.32%

LAB 47.18, -41.83, 27.56

 

CMYK 73 / 0 / 51 / 37

HEX #2CA04F

RGB 44 160 79

HSL 138.1, 0.57%, 0.4%

LAB 58.27, -49.78, 33.04

 

CMYK 73 / 0 / 51 / 24

HEX #35C15F

RGB 53 193 95

HSL 138, 0.57%, 0.48%

LAB 69.27, -57.77, 38.69

 

CMYK 61 / 0 / 43 / 19

HEX #50CF76

RGB 80 207 118

HSL 137.95, 0.57%, 0.56%

LAB 74.6, -54.32, 34.04

 

CMYK 73 / 0 / 51 / 37

HEX #2CA14F

RGB 44 161 79

HSL 137.95, 0.57%, 0.4%

LAB 58.59, -50.15, 33.45

 

CMYK 73 / 35 / 0 / 37

HEX #2C68A0

RGB 44 104 160

HSL 208.97, 0.57%, 0.4%

LAB 42.72, 0.02, -35.9

 

CMYK 0 / 73 / 64 / 37

HEX #A02C39

RGB 160 44 57

HSL 353.28, 0.57%, 0.4%

LAB 37.06, 48.15, 20.5

 

CMYK 73 / 0 / 51 / 37

HEX #2CA14F

RGB 44 161 79

HSL 137.95, 0.57%, 0.4%

LAB 58.59, -50.15, 33.45

 

CMYK 52 / 73 / 0 / 37

HEX #4D2CA0

RGB 77 44 160

HSL 257.07, 0.57%, 0.4%

LAB 29.2, 43.59, -57.56

 

CMYK 0 / 52 / 73 / 37

HEX #A04D2C

RGB 160 77 44

HSL 17.07, 0.57%, 0.4%

LAB 42.71, 31.97, 34.97

 

CMYK 73 / 0 / 51 / 37

HEX #2CA14F

RGB 44 161 79

HSL 137.95, 0.57%, 0.4%

LAB 58.59, -50.15, 33.45

 

CMYK 73 / 35 / 0 / 37

HEX #2C68A0

RGB 44 104 160

HSL 208.97, 0.57%, 0.4%

LAB 42.72, 0.02, -35.9

 

CMYK 0 / 73 / 21 / 37

HEX #A02C7F

RGB 160 44 127

HSL 317.07, 0.57%, 0.4%

LAB 39.25, 55.36, -20.56

 

CMYK 0 / 38 / 73 / 37

HEX #A0642C

RGB 160 100 44

HSL 28.97, 0.57%, 0.4%

LAB 47.97, 19.21, 40.68

 

CMYK 73 / 0 / 51 / 37

HEX #2CA14F

RGB 44 161 79

HSL 137.95, 0.57%, 0.4%

LAB 58.59, -50.15, 33.45

 

CMYK 73 / 57 / 0 / 37

HEX #2C45A0

RGB 44 69 160

HSL 227.07, 0.57%, 0.4%

LAB 32.55, 22.89, -52.21

 

CMYK 0 / 73 / 21 / 37

HEX #A02C7F

RGB 160 44 127

HSL 317.07, 0.57%, 0.4%

LAB 39.25, 55.36, -20.56

 

CMYK 0 / 16 / 73 / 37

HEX #A0872C

RGB 160 135 44

HSL 47.07, 0.57%, 0.4%

LAB 57.06, -0.58, 50.02

 

Description

Color code: HEX #2CA14F | qconv.com Color code: HEX #2CA14F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 161 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 161 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 51 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 51% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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