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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 139 8 it is the complementary color RGB 203 116 247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 139 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 52 139 8: RGB 57 139 3, RGB 74 157 22, RGB 91 175 41, RGB 108 193 60 and RGB 125 211 79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 139 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 52 139 8: RGB 52 139 8, RGB 35 121 0, RGB 18 103 0, RGB 1 85 0 and RGB 0 67 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 94 / 45

HEX #348B08

RGB 52 139 8

HSL 99.85, 0.89%, 0.29%

LAB 50.94, -47.14, 52.58

 

Complementary color

CMYK 18 / 53 / 0 / 3

HEX #CB74F7

RGB 203 116 247

HSL 279.85, 0.89%, 0.71%

LAB 63.26, 55.59, -52.17

 

CMYK 59 / 0 / 98 / 45

HEX #398B03

RGB 57 139 3

HSL 96.18, 0.96%, 0.28%

LAB 51.08, -45.97, 53.67

 

CMYK 53 / 0 / 86 / 38

HEX #4A9D16

RGB 74 157 22

HSL 96.89, 0.75%, 0.35%

LAB 57.68, -47.24, 55.83

 

CMYK 48 / 0 / 77 / 31

HEX #5BAF29

RGB 91 175 41

HSL 97.61, 0.62%, 0.42%

LAB 64.2, -48.06, 56.58

 

CMYK 44 / 0 / 69 / 24

HEX #6CC13C

RGB 108 193 60

HSL 98.35, 0.53%, 0.5%

LAB 70.63, -48.55, 56.38

 

CMYK 41 / 0 / 63 / 17

HEX #7DD34F

RGB 125 211 79

HSL 99.09, 0.6%, 0.57%

LAB 76.99, -48.81, 55.69

 

CMYK 63 / 0 / 94 / 45

HEX #348B08

RGB 52 139 8

HSL 99.85, 0.89%, 0.29%

LAB 50.94, -47.14, 52.58

 

CMYK 71 / 0 / 100 / 53

HEX #237900

RGB 35 121 0

HSL 102.64, 1%, 0.24%

LAB 44.28, -45.07, 48.55

 

CMYK 83 / 0 / 100 / 60

HEX #126700

RGB 18 103 0

HSL 109.51, 1%, 0.2%

LAB 37.53, -42.17, 43.02

 

CMYK 99 / 0 / 100 / 67

HEX #015500

RGB 1 85 0

HSL 119.29, 1%, 0.17%

LAB 30.65, -38.6, 37.41

 

CMYK 100 / 0 / 100 / 74

HEX #004300

RGB 0 67 0

HSL 120, 1%, 0.13%

LAB 23.72, -33, 31.32

 

CMYK 63 / 0 / 94 / 45

HEX #348B08

RGB 52 139 8

HSL 99.85, 0.89%, 0.29%

LAB 50.94, -47.14, 52.58

 

CMYK 77 / 0 / 94 / 45

HEX #208B08

RGB 32 139 8

HSL 109.01, 0.89%, 0.29%

LAB 50.44, -51.35, 51.97

 

CMYK 93 / 0 / 94 / 45

HEX #0A8B08

RGB 10 139 8

HSL 119.08, 0.89%, 0.29%

LAB 50.15, -53.91, 51.61

 

CMYK 94 / 0 / 81 / 45

HEX #088B1B

RGB 8 139 27

HSL 128.7, 0.89%, 0.29%

LAB 50.21, -53.1, 46.99

 

CMYK 94 / 0 / 65 / 45

HEX #088B31

RGB 8 139 49

HSL 138.78, 0.89%, 0.29%

LAB 50.38, -50.97, 38.33

 

CMYK 63 / 0 / 94 / 45

HEX #348B08

RGB 52 139 8

HSL 99.85, 0.89%, 0.29%

LAB 50.94, -47.14, 52.58

 

CMYK 63 / 0 / 94 / 25

HEX #47BE0B

RGB 71 190 11

HSL 99.89, 0.89%, 0.39%

LAB 68.16, -60.14, 66.63

 

CMYK 63 / 0 / 94 / 5

HEX #5AF10E

RGB 90 241 14

HSL 99.91, 0.89%, 0.5%

LAB 84.54, -72.45, 79.92

 

CMYK 62 / 0 / 95 / 85

HEX #0E2502

RGB 14 37 2

HSL 99.43, 0.9%, 0.08%

LAB 12.1, -17.17, 16.75

 

CMYK 63 / 0 / 94 / 65

HEX #215805

RGB 33 88 5

HSL 99.76, 0.89%, 0.18%

LAB 32.51, -33.11, 37.5

 

CMYK 63 / 0 / 94 / 45

HEX #348B08

RGB 52 139 8

HSL 99.85, 0.89%, 0.29%

LAB 50.94, -47.14, 52.58

 

CMYK 94 / 0 / 14 / 45

HEX #088B78

RGB 8 139 120

HSL 171.3, 0.89%, 0.29%

LAB 51.69, -36.01, 1.28

 

CMYK 0 / 94 / 24 / 45

HEX #8B086A

RGB 139 8 106

HSL 315.11, 0.89%, 0.29%

LAB 31.12, 56.7, -20.24

 

CMYK 63 / 0 / 94 / 45

HEX #348B08

RGB 52 139 8

HSL 99.85, 0.89%, 0.29%

LAB 50.94, -47.14, 52.58

 

CMYK 94 / 61 / 0 / 45

HEX #08368B

RGB 8 54 139

HSL 218.93, 0.89%, 0.29%

LAB 25.42, 21.41, -51.02

 

CMYK 0 / 94 / 61 / 45

HEX #8B0836

RGB 139 8 54

HSL 338.93, 0.89%, 0.29%

LAB 29.23, 51.61, 11.32

 

CMYK 63 / 0 / 94 / 45

HEX #348B08

RGB 52 139 8

HSL 99.85, 0.89%, 0.29%

LAB 50.94, -47.14, 52.58

 

CMYK 94 / 0 / 14 / 45

HEX #088B78

RGB 8 139 120

HSL 171.3, 0.89%, 0.29%

LAB 51.69, -36.01, 1.28

 

CMYK 33 / 94 / 0 / 45

HEX #5D088B

RGB 93 8 139

HSL 278.93, 0.89%, 0.29%

LAB 24.84, 54.03, -51.69

 

CMYK 0 / 94 / 81 / 45

HEX #8B081B

RGB 139 8 27

HSL 351.3, 0.89%, 0.29%

LAB 28.75, 50.27, 28.49

 

CMYK 63 / 0 / 94 / 45

HEX #348B08

RGB 52 139 8

HSL 99.85, 0.89%, 0.29%

LAB 50.94, -47.14, 52.58

 

CMYK 94 / 14 / 0 / 45

HEX #08788B

RGB 8 120 139

HSL 188.7, 0.89%, 0.29%

LAB 46.11, -20.57, -18.23

 

CMYK 33 / 94 / 0 / 45

HEX #5D088B

RGB 93 8 139

HSL 278.93, 0.89%, 0.29%

LAB 24.84, 54.03, -51.69

 

CMYK 0 / 81 / 94 / 45

HEX #8B1B08

RGB 139 27 8

HSL 8.7, 0.89%, 0.29%

LAB 30.13, 45.42, 39.66

 

Description

Color code: RGB 52 139 8 | qconv.com Color code: RGB 52 139 8 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 139 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 139 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 94 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 94% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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