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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BAF29 it is the complementary color #A450D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BAF29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #5BAF29: #60AF24, #71C137, #82D34A, #93E55D and #A4F770

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BAF29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #5BAF29: #5BAF29, #4A9D16, #398B03, #287900 and #176700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 77 / 31

HEX #5BAF29

RGB 91 175 41

HSL 97.61, 0.62%, 0.42%

LAB 64.2, -48.06, 56.58

 

Complementary color

CMYK 23 / 63 / 0 / 16

HEX #A450D6

RGB 164 80 214

HSL 277.61, 0.62%, 0.58%

LAB 50.08, 56.8, -54.98

 

CMYK 45 / 0 / 79 / 31

HEX #60AF24

RGB 96 175 36

HSL 94.1, 0.66%, 0.41%

LAB 64.38, -46.76, 58.42

 

CMYK 41 / 0 / 72 / 24

HEX #71C137

RGB 113 193 55

HSL 94.78, 0.56%, 0.49%

LAB 70.82, -47.3, 58.54

 

CMYK 38 / 0 / 65 / 17

HEX #82D34A

RGB 130 211 74

HSL 95.47, 0.61%, 0.56%

LAB 77.18, -47.61, 58.04

 

CMYK 36 / 0 / 59 / 10

HEX #93E55D

RGB 147 229 93

HSL 96.18, 0.72%, 0.63%

LAB 83.46, -47.78, 57.21

 

CMYK 34 / 0 / 55 / 3

HEX #A4F770

RGB 164 247 112

HSL 96.89, 0.89%, 0.7%

LAB 89.67, -47.84, 56.22

 

CMYK 48 / 0 / 77 / 31

HEX #5BAF29

RGB 91 175 41

HSL 97.61, 0.62%, 0.42%

LAB 64.2, -48.06, 56.58

 

CMYK 53 / 0 / 86 / 38

HEX #4A9D16

RGB 74 157 22

HSL 96.89, 0.75%, 0.35%

LAB 57.68, -47.24, 55.83

 

CMYK 59 / 0 / 98 / 45

HEX #398B03

RGB 57 139 3

HSL 96.18, 0.96%, 0.28%

LAB 51.08, -45.97, 53.67

 

CMYK 67 / 0 / 100 / 53

HEX #287900

RGB 40 121 0

HSL 100.17, 1%, 0.24%

LAB 44.41, -43.94, 48.71

 

CMYK 78 / 0 / 100 / 60

HEX #176700

RGB 23 103 0

HSL 106.6, 1%, 0.2%

LAB 37.63, -41.31, 43.14

 

CMYK 48 / 0 / 77 / 31

HEX #5BAF29

RGB 91 175 41

HSL 97.61, 0.62%, 0.42%

LAB 64.2, -48.06, 56.58

 

CMYK 60 / 0 / 77 / 32

HEX #45AD28

RGB 69 173 40

HSL 106.92, 0.62%, 0.42%

LAB 62.76, -53.54, 55.25

 

CMYK 73 / 0 / 77 / 32

HEX #2FAD28

RGB 47 173 40

HSL 116.84, 0.62%, 0.42%

LAB 62.21, -58.18, 54.52

 

CMYK 77 / 0 / 68 / 32

HEX #28AD38

RGB 40 173 56

HSL 127.22, 0.62%, 0.42%

LAB 62.19, -57.91, 48.4

 

CMYK 77 / 0 / 55 / 32

HEX #28AD4E

RGB 40 173 78

HSL 137.14, 0.62%, 0.42%

LAB 62.41, -55.21, 38.61

 

CMYK 48 / 0 / 77 / 31

HEX #5BAF29

RGB 91 175 41

HSL 97.61, 0.62%, 0.42%

LAB 64.2, -48.06, 56.58

 

CMYK 48 / 0 / 77 / 11

HEX #76E235

RGB 118 226 53

HSL 97.46, 0.75%, 0.55%

LAB 81.02, -58.74, 69.3

 

CMYK 50 / 0 / 77 / 91

HEX #0B1605

RGB 11 22 5

HSL 98.82, 0.63%, 0.05%

LAB 5.92, -7.01, 6.69

 

CMYK 48 / 0 / 77 / 71

HEX #264911

RGB 38 73 17

HSL 97.5, 0.62%, 0.18%

LAB 27.35, -24, 28.28

 

CMYK 48 / 0 / 77 / 51

HEX #407C1D

RGB 64 124 29

HSL 97.89, 0.62%, 0.3%

LAB 46.44, -36.73, 43.05

 

CMYK 48 / 0 / 77 / 31

HEX #5BAF29

RGB 91 175 41

HSL 97.61, 0.62%, 0.42%

LAB 64.2, -48.06, 56.58

 

CMYK 77 / 0 / 14 / 32

HEX #28AD95

RGB 40 173 149

HSL 169.17, 0.62%, 0.42%

LAB 63.76, -40.36, 2.38

 

CMYK 0 / 77 / 17 / 32

HEX #AD2890

RGB 173 40 144

HSL 313.08, 0.62%, 0.42%

LAB 41.87, 62.26, -26.75

 

CMYK 48 / 0 / 77 / 31

HEX #5BAF29

RGB 91 175 41

HSL 97.61, 0.62%, 0.42%

LAB 64.2, -48.06, 56.58

 

CMYK 77 / 47 / 0 / 32

HEX #285BAD

RGB 40 91 173

HSL 216.99, 0.62%, 0.42%

LAB 39.5, 12.73, -48.75

 

CMYK 0 / 77 / 47 / 32

HEX #AD285B

RGB 173 40 91

HSL 336.99, 0.62%, 0.42%

LAB 39.84, 56.1, 3.13

 

CMYK 48 / 0 / 77 / 31

HEX #5BAF29

RGB 91 175 41

HSL 97.61, 0.62%, 0.42%

LAB 64.2, -48.06, 56.58

 

CMYK 77 / 0 / 14 / 32

HEX #28AD95

RGB 40 173 149

HSL 169.17, 0.62%, 0.42%

LAB 63.76, -40.36, 2.38

 

CMYK 29 / 77 / 0 / 32

HEX #7A28AD

RGB 122 40 173

HSL 276.99, 0.62%, 0.42%

LAB 35.35, 56.63, -55.13

 

CMYK 0 / 77 / 62 / 32

HEX #AD2841

RGB 173 40 65

HSL 348.72, 0.62%, 0.42%

LAB 39.21, 54.09, 18.74

 

CMYK 48 / 0 / 77 / 31

HEX #5BAF29

RGB 91 175 41

HSL 97.61, 0.62%, 0.42%

LAB 64.2, -48.06, 56.58

 

CMYK 77 / 9 / 0 / 32

HEX #289EAD

RGB 40 158 173

HSL 186.77, 0.62%, 0.42%

LAB 59.82, -26.25, -16.96

 

CMYK 29 / 77 / 0 / 32

HEX #7A28AD

RGB 122 40 173

HSL 276.99, 0.62%, 0.42%

LAB 35.35, 56.63, -55.13

 

CMYK 0 / 68 / 77 / 32

HEX #AD3828

RGB 173 56 40

HSL 7.22, 0.62%, 0.42%

LAB 41, 46.81, 35.96

 

Description

Color code: HEX #5BAF29 | qconv.com Color code: HEX #5BAF29 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 175 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 175 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 77 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 77% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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