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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 39 69 110 it is the complementary color RGB 216 186 145. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 39 69 110. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 39 69 110: RGB 44 69 105, RGB 61 87 124, RGB 78 105 143, RGB 95 123 162 and RGB 112 141 181

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 39 69 110. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 39 69 110: RGB 39 69 110, RGB 22 51 91, RGB 5 33 72, RGB 0 15 53 and RGB 0 0 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 37 / 0 / 57

HEX #27456E

RGB 39 69 110

HSL 214.65, 0.48%, 0.29%

LAB 28.94, 2.92, -27.11

 

Complementary color

CMYK 0 / 14 / 33 / 15

HEX #D8BA91

RGB 216 186 145

HSL 34.65, 0.48%, 0.71%

LAB 77.14, 4.81, 24.77

 

CMYK 58 / 34 / 0 / 59

HEX #2C4569

RGB 44 69 105

HSL 215.41, 0.41%, 0.29%

LAB 28.93, 2.23, -23.92

 

CMYK 51 / 30 / 0 / 51

HEX #3D577C

RGB 61 87 124

HSL 215.24, 0.34%, 0.36%

LAB 36.49, 1.41, -23.92

 

CMYK 45 / 27 / 0 / 44

HEX #4E698F

RGB 78 105 143

HSL 215.08, 0.29%, 0.43%

LAB 43.81, 0.82, -23.97

 

CMYK 41 / 24 / 0 / 36

HEX #5F7BA2

RGB 95 123 162

HSL 214.93, 0.26%, 0.5%

LAB 50.93, 0.36, -24.07

 

CMYK 38 / 22 / 0 / 29

HEX #708DB5

RGB 112 141 181

HSL 214.78, 0.32%, 0.57%

LAB 57.88, -0.02, -24.21

 

CMYK 65 / 37 / 0 / 57

HEX #27456E

RGB 39 69 110

HSL 214.65, 0.48%, 0.29%

LAB 28.94, 2.92, -27.11

 

CMYK 76 / 44 / 0 / 64

HEX #16335B

RGB 22 51 91

HSL 214.78, 0.61%, 0.22%

LAB 21.18, 4.52, -27.18

 

CMYK 93 / 54 / 0 / 72

HEX #052148

RGB 5 33 72

HSL 214.93, 0.87%, 0.15%

LAB 13.16, 7.01, -27.26

 

CMYK 100 / 72 / 0 / 79

HEX #000F35

RGB 0 15 53

HSL 223.02, 1%, 0.1%

LAB 5.41, 10.01, -26.32

 

CMYK 100 / 100 / 0 / 87

HEX #000022

RGB 0 0 34

HSL 240, 1%, 0.07%

LAB 1.04, 7.33, -18.78

 

CMYK 65 / 37 / 0 / 57

HEX #27456E

RGB 39 69 110

HSL 214.65, 0.48%, 0.29%

LAB 28.94, 2.92, -27.11

 

CMYK 65 / 48 / 0 / 57

HEX #26396D

RGB 38 57 109

HSL 223.94, 0.48%, 0.29%

LAB 25.08, 10.55, -32.6

 

CMYK 65 / 59 / 0 / 57

HEX #262D6D

RGB 38 45 109

HSL 234.08, 0.48%, 0.29%

LAB 21.55, 18.99, -38.28

 

CMYK 61 / 65 / 0 / 57

HEX #2B266D

RGB 43 38 109

HSL 244.23, 0.48%, 0.29%

LAB 20.06, 24.78, -40.69

 

CMYK 50 / 65 / 0 / 57

HEX #37266D

RGB 55 38 109

HSL 254.37, 0.48%, 0.29%

LAB 21.22, 27.29, -38.76

 

CMYK 65 / 37 / 0 / 57

HEX #27456E

RGB 39 69 110

HSL 214.65, 0.48%, 0.29%

LAB 28.94, 2.92, -27.11

 

CMYK 65 / 37 / 0 / 37

HEX #3965A1

RGB 57 101 161

HSL 214.62, 0.48%, 0.43%

LAB 42.38, 4.46, -37

 

CMYK 65 / 37 / 0 / 17

HEX #4B85D4

RGB 75 133 212

HSL 214.6, 0.61%, 0.56%

LAB 55.1, 5.9, -46.26

 

CMYK 63 / 37 / 0 / 97

HEX #030508

RGB 3 5 8

HSL 216, 0.45%, 0.02%

LAB 1.31, -0.11, -1.32

 

CMYK 64 / 37 / 0 / 77

HEX #15253B

RGB 21 37 59

HSL 214.74, 0.48%, 0.16%

LAB 14.39, 1.29, -16.19

 

CMYK 65 / 37 / 0 / 57

HEX #27456E

RGB 39 69 110

HSL 214.65, 0.48%, 0.29%

LAB 28.94, 2.92, -27.11

 

CMYK 16 / 65 / 0 / 57

HEX #5C266D

RGB 92 38 109

HSL 285.63, 0.48%, 0.29%

LAB 26.06, 36.62, -30.72

 

CMYK 11 / 0 / 65 / 57

HEX #616D26

RGB 97 109 38

HSL 70.14, 0.48%, 0.29%

LAB 43.68, -15.46, 36.99

 

CMYK 65 / 37 / 0 / 57

HEX #27456E

RGB 39 69 110

HSL 214.65, 0.48%, 0.29%

LAB 28.94, 2.92, -27.11

 

CMYK 0 / 65 / 37 / 57

HEX #6D2645

RGB 109 38 69

HSL 333.8, 0.48%, 0.29%

LAB 26.93, 34.77, -2.86

 

CMYK 37 / 0 / 65 / 57

HEX #456D26

RGB 69 109 38

HSL 93.8, 0.48%, 0.29%

LAB 41.76, -27.36, 34.33

 

CMYK 65 / 37 / 0 / 57

HEX #27456E

RGB 39 69 110

HSL 214.65, 0.48%, 0.29%

LAB 28.94, 2.92, -27.11

 

CMYK 16 / 65 / 0 / 57

HEX #5C266D

RGB 92 38 109

HSL 285.63, 0.48%, 0.29%

LAB 26.06, 36.62, -30.72

 

CMYK 0 / 28 / 65 / 57

HEX #6D4E26

RGB 109 78 38

HSL 33.8, 0.48%, 0.29%

LAB 35.67, 8.33, 28.38

 

CMYK 50 / 0 / 65 / 57

HEX #376D26

RGB 55 109 38

HSL 105.63, 0.48%, 0.29%

LAB 41.04, -32.42, 33.34

 

CMYK 65 / 37 / 0 / 57

HEX #27456E

RGB 39 69 110

HSL 214.65, 0.48%, 0.29%

LAB 28.94, 2.92, -27.11

 

CMYK 0 / 65 / 5 / 57

HEX #6D2668

RGB 109 38 104

HSL 304.23, 0.48%, 0.29%

LAB 28.48, 40.32, -23.5

 

CMYK 0 / 28 / 65 / 57

HEX #6D4E26

RGB 109 78 38

HSL 33.8, 0.48%, 0.29%

LAB 35.67, 8.33, 28.38

 

CMYK 65 / 0 / 61 / 57

HEX #266D2B

RGB 38 109 43

HSL 124.23, 0.48%, 0.29%

LAB 40.45, -36.73, 29.98

 

Description

Color code: RGB 39 69 110 | qconv.com Color code: RGB 39 69 110 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 69 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 69 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 37 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 37% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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