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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 45 / 27 / 0 / 44 it is the complementary color CMYK 0 / 14 / 36 / 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 45 / 27 / 0 / 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 45 / 27 / 0 / 44: CMYK 39 / 25 / 0 / 46, CMYK 36 / 22 / 0 / 38, CMYK 33 / 20 / 0 / 31, CMYK 31 / 19 / 0 / 24 and CMYK 29 / 18 / 0 / 16

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 45 / 27 / 0 / 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 45 / 27 / 0 / 44: CMYK 45 / 27 / 0 / 44, CMYK 50 / 31 / 0 / 51, CMYK 57 / 35 / 0 / 59, CMYK 67 / 42 / 0 / 66 and CMYK 84 / 52 / 0 / 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 27 / 0 / 44

HEX #4F688F

RGB 79 104 143

HSL 216.56, 0.29%, 0.44%

LAB 43.57, 1.7, -24.33

 

Complementary color

CMYK 0 / 14 / 36 / 31

HEX #B09770

RGB 176 151 112

HSL 36.56, 0.29%, 0.56%

LAB 63.78, 3.57, 24

 

CMYK 39 / 25 / 0 / 46

HEX #54688A

RGB 84 104 138

HSL 217.78, 0.24%, 0.44%

LAB 43.68, 1.63, -21.14

 

CMYK 36 / 22 / 0 / 38

HEX #657A9D

RGB 101 122 157

HSL 217.5, 0.22%, 0.51%

LAB 50.83, 1.26, -21.28

 

CMYK 33 / 20 / 0 / 31

HEX #768CB0

RGB 118 140 176

HSL 217.24, 0.27%, 0.58%

LAB 57.79, 0.94, -21.46

 

CMYK 31 / 19 / 0 / 24

HEX #879EC3

RGB 135 158 195

HSL 217, 0.33%, 0.65%

LAB 64.6, 0.67, -21.67

 

CMYK 29 / 18 / 0 / 16

HEX #98B0D6

RGB 152 176 214

HSL 216.77, 0.43%, 0.72%

LAB 71.27, 0.43, -21.9

 

CMYK 45 / 27 / 0 / 44

HEX #4F688F

RGB 79 104 143

HSL 216.56, 0.29%, 0.44%

LAB 43.57, 1.7, -24.33

 

CMYK 50 / 31 / 0 / 51

HEX #3E567C

RGB 62 86 124

HSL 216.77, 0.33%, 0.36%

LAB 36.24, 2.31, -24.29

 

CMYK 57 / 35 / 0 / 59

HEX #2D4469

RGB 45 68 105

HSL 217, 0.4%, 0.29%

LAB 28.67, 3.14, -24.32

 

CMYK 67 / 42 / 0 / 66

HEX #1C3256

RGB 28 50 86

HSL 217.24, 0.51%, 0.22%

LAB 20.83, 4.36, -24.42

 

CMYK 84 / 52 / 0 / 74

HEX #0B2043

RGB 11 32 67

HSL 217.5, 0.72%, 0.15%

LAB 12.67, 6.36, -24.57

 

CMYK 45 / 27 / 0 / 44

HEX #4F688F

RGB 79 104 143

HSL 216.56, 0.29%, 0.44%

LAB 43.57, 1.7, -24.33

 

CMYK 45 / 35 / 0 / 44

HEX #4F5E90

RGB 79 94 144

HSL 226.15, 0.29%, 0.44%

LAB 40.71, 8.22, -29.41

 

CMYK 45 / 42 / 0 / 44

HEX #4F5490

RGB 79 84 144

HSL 235.38, 0.29%, 0.44%

LAB 37.87, 14.58, -33.87

 

CMYK 40 / 45 / 0 / 44

HEX #564F90

RGB 86 79 144

HSL 246.46, 0.29%, 0.44%

LAB 37.09, 19.68, -35.08

 

CMYK 33 / 45 / 0 / 44

HEX #614F90

RGB 97 79 144

HSL 256.62, 0.29%, 0.44%

LAB 38.1, 22.81, -33.4

 

CMYK 45 / 27 / 0 / 44

HEX #4F688F

RGB 79 104 143

HSL 216.56, 0.29%, 0.44%

LAB 43.57, 1.7, -24.33

 

CMYK 45 / 27 / 0 / 24

HEX #6B8DC2

RGB 107 141 194

HSL 216.55, 0.42%, 0.59%

LAB 58.1, 2.33, -31.26

 

CMYK 45 / 27 / 0 / 4

HEX #87B2F5

RGB 135 178 245

HSL 216.55, 0.85%, 0.75%

LAB 71.95, 2.93, -37.83

 

CMYK 44 / 27 / 0 / 84

HEX #171E29

RGB 23 30 41

HSL 216.67, 0.28%, 0.13%

LAB 11.07, 0.32, -8.45

 

CMYK 45 / 27 / 0 / 64

HEX #33435C

RGB 51 67 92

HSL 216.59, 0.29%, 0.28%

LAB 28.09, 1.03, -16.86

 

CMYK 45 / 27 / 0 / 44

HEX #4F688F

RGB 79 104 143

HSL 216.56, 0.29%, 0.44%

LAB 43.57, 1.7, -24.33

 

CMYK 9 / 45 / 0 / 44

HEX #834F90

RGB 131 79 144

HSL 288, 0.29%, 0.44%

LAB 41.89, 33.22, -27.18

 

CMYK 9 / 0 / 45 / 44

HEX #83904F

RGB 131 144 79

HSL 72, 0.29%, 0.44%

LAB 57.4, -15.35, 32.86

 

CMYK 45 / 27 / 0 / 44

HEX #4F688F

RGB 79 104 143

HSL 216.56, 0.29%, 0.44%

LAB 43.57, 1.7, -24.33

 

CMYK 0 / 45 / 27 / 44

HEX #904F69

RGB 144 79 105

HSL 336, 0.29%, 0.44%

LAB 42.06, 30.59, -2.95

 

CMYK 27 / 0 / 45 / 44

HEX #69904F

RGB 105 144 79

HSL 96, 0.29%, 0.44%

LAB 55.6, -25.74, 30.22

 

CMYK 45 / 27 / 0 / 44

HEX #4F688F

RGB 79 104 143

HSL 216.56, 0.29%, 0.44%

LAB 43.57, 1.7, -24.33

 

CMYK 9 / 45 / 0 / 44

HEX #834F90

RGB 131 79 144

HSL 288, 0.29%, 0.44%

LAB 41.89, 33.22, -27.18

 

CMYK 0 / 18 / 45 / 44

HEX #90764F

RGB 144 118 79

HSL 36, 0.29%, 0.44%

LAB 51.21, 4.65, 25.26

 

CMYK 36 / 0 / 45 / 44

HEX #5C904F

RGB 92 144 79

HSL 108, 0.29%, 0.44%

LAB 54.85, -30.48, 29.12

 

CMYK 45 / 27 / 0 / 44

HEX #4F688F

RGB 79 104 143

HSL 216.56, 0.29%, 0.44%

LAB 43.57, 1.7, -24.33

 

CMYK 0 / 45 / 4 / 44

HEX #904F8A

RGB 144 79 138

HSL 305.54, 0.29%, 0.44%

LAB 43.3, 36.18, -21.25

 

CMYK 0 / 18 / 45 / 44

HEX #90764F

RGB 144 118 79

HSL 36, 0.29%, 0.44%

LAB 51.21, 4.65, 25.26

 

CMYK 45 / 0 / 40 / 44

HEX #4F9056

RGB 79 144 86

HSL 126.46, 0.29%, 0.44%

LAB 54.32, -33.66, 24.51

 

Description

Color code: CMYK 45 / 27 / 0 / 44 | qconv.com Color code: CMYK 45 / 27 / 0 / 44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 104 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 104 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 27 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 27% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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