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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 39 59 101 it is the complementary color RGB 216 196 154. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 39 59 101. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 39 59 101: RGB 44 59 96, RGB 61 77 115, RGB 78 95 134, RGB 95 113 153 and RGB 112 131 172

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 39 59 101. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 39 59 101: RGB 39 59 101, RGB 22 41 82, RGB 5 23 63, RGB 0 5 44 and RGB 0 0 25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 42 / 0 / 60

HEX #273B65

RGB 39 59 101

HSL 220.65, 0.44%, 0.27%

LAB 25.26, 6.34, -27.17

 

Complementary color

CMYK 0 / 9 / 29 / 15

HEX #D8C49A

RGB 216 196 154

HSL 40.65, 0.44%, 0.73%

LAB 79.85, 0.7, 23.68

 

CMYK 54 / 39 / 0 / 62

HEX #2C3B60

RGB 44 59 96

HSL 222.69, 0.37%, 0.27%

LAB 25.28, 5.76, -23.87

 

CMYK 47 / 33 / 0 / 55

HEX #3D4D73

RGB 61 77 115

HSL 222.22, 0.31%, 0.35%

LAB 33, 4.88, -23.78

 

CMYK 42 / 29 / 0 / 47

HEX #4E5F86

RGB 78 95 134

HSL 221.79, 0.26%, 0.42%

LAB 40.45, 4.24, -23.77

 

CMYK 38 / 26 / 0 / 40

HEX #5F7199

RGB 95 113 153

HSL 221.38, 0.23%, 0.49%

LAB 47.68, 3.73, -23.82

 

CMYK 35 / 24 / 0 / 33

HEX #7083AC

RGB 112 131 172

HSL 221, 0.27%, 0.56%

LAB 54.72, 3.32, -23.93

 

CMYK 61 / 42 / 0 / 60

HEX #273B65

RGB 39 59 101

HSL 220.65, 0.44%, 0.27%

LAB 25.26, 6.34, -27.17

 

CMYK 73 / 50 / 0 / 68

HEX #162952

RGB 22 41 82

HSL 221, 0.58%, 0.2%

LAB 17.3, 8.02, -27.39

 

CMYK 92 / 63 / 0 / 75

HEX #05173F

RGB 5 23 63

HSL 221.38, 0.85%, 0.13%

LAB 9.02, 10.67, -27.65

 

CMYK 100 / 89 / 0 / 83

HEX #00052C

RGB 0 5 44

HSL 233.18, 1%, 0.09%

LAB 2.62, 9.54, -24.06

 

CMYK 100 / 100 / 0 / 90

HEX #000019

RGB 0 0 25

HSL 240, 1%, 0.05%

LAB 0.63, 4.46, -12.12

 

CMYK 61 / 42 / 0 / 60

HEX #273B65

RGB 39 59 101

HSL 220.65, 0.44%, 0.27%

LAB 25.26, 6.34, -27.17

 

CMYK 62 / 52 / 0 / 61

HEX #263063

RGB 38 48 99

HSL 230.16, 0.45%, 0.27%

LAB 21.68, 13.07, -31.59

 

CMYK 62 / 62 / 0 / 61

HEX #262663

RGB 38 38 99

HSL 240, 0.45%, 0.27%

LAB 18.8, 20.15, -36.24

 

CMYK 52 / 62 / 0 / 61

HEX #302663

RGB 48 38 99

HSL 249.84, 0.45%, 0.27%

LAB 19.7, 22.38, -34.73

 

CMYK 41 / 62 / 0 / 61

HEX #3A2663

RGB 58 38 99

HSL 259.67, 0.45%, 0.27%

LAB 20.78, 24.88, -32.94

 

CMYK 61 / 42 / 0 / 60

HEX #273B65

RGB 39 59 101

HSL 220.65, 0.44%, 0.27%

LAB 25.26, 6.34, -27.17

 

CMYK 61 / 41 / 0 / 40

HEX #3B5998

RGB 59 89 152

HSL 220.65, 0.44%, 0.41%

LAB 38.45, 9.29, -37.86

 

CMYK 62 / 41 / 0 / 20

HEX #4E77CB

RGB 78 119 203

HSL 220.32, 0.55%, 0.55%

LAB 50.83, 11.87, -47.92

 

CMYK 61 / 42 / 0 / 0

HEX #6294FE

RGB 98 148 254

HSL 220.77, 0.99%, 0.69%

LAB 62.45, 15.1, -57.82

 

CMYK 62 / 42 / 0 / 80

HEX #131D32

RGB 19 29 50

HSL 220.65, 0.45%, 0.14%

LAB 10.9, 3.11, -15.28

 

CMYK 61 / 42 / 0 / 60

HEX #273B65

RGB 39 59 101

HSL 220.65, 0.44%, 0.27%

LAB 25.26, 6.34, -27.17

 

CMYK 8 / 62 / 0 / 61

HEX #5B2663

RGB 91 38 99

HSL 292.13, 0.45%, 0.27%

LAB 25.29, 34.15, -25.47

 

CMYK 17 / 0 / 62 / 61

HEX #526326

RGB 82 99 38

HSL 76.72, 0.45%, 0.27%

LAB 39.34, -16.78, 31.87

 

CMYK 61 / 42 / 0 / 60

HEX #273B65

RGB 39 59 101

HSL 220.65, 0.44%, 0.27%

LAB 25.26, 6.34, -27.17

 

CMYK 0 / 62 / 41 / 61

HEX #63263A

RGB 99 38 58

HSL 340.33, 0.45%, 0.27%

LAB 24.78, 29.77, 1.19

 

CMYK 41 / 0 / 62 / 61

HEX #3A6326

RGB 58 99 38

HSL 100.33, 0.45%, 0.27%

LAB 37.78, -26.73, 29.67

 

CMYK 61 / 42 / 0 / 60

HEX #273B65

RGB 39 59 101

HSL 220.65, 0.44%, 0.27%

LAB 25.26, 6.34, -27.17

 

CMYK 8 / 62 / 0 / 61

HEX #5B2663

RGB 91 38 99

HSL 292.13, 0.45%, 0.27%

LAB 25.29, 34.15, -25.47

 

CMYK 0 / 21 / 62 / 61

HEX #634E26

RGB 99 78 38

HSL 39.34, 0.45%, 0.27%

LAB 34.48, 3.52, 26.69

 

CMYK 54 / 0 / 62 / 61

HEX #2E6326

RGB 46 99 38

HSL 112.13, 0.45%, 0.27%

LAB 37.2, -30.89, 28.85

 

CMYK 61 / 42 / 0 / 60

HEX #273B65

RGB 39 59 101

HSL 220.65, 0.44%, 0.27%

LAB 25.26, 6.34, -27.17

 

CMYK 0 / 62 / 10 / 61

HEX #632659

RGB 99 38 89

HSL 309.84, 0.45%, 0.27%

LAB 26.04, 34.6, -17.65

 

CMYK 0 / 21 / 62 / 61

HEX #634E26

RGB 99 78 38

HSL 39.34, 0.45%, 0.27%

LAB 34.48, 3.52, 26.69

 

CMYK 62 / 0 / 52 / 61

HEX #266330

RGB 38 99 48

HSL 129.84, 0.45%, 0.27%

LAB 37.02, -31.75, 23.13

 

Description

Color code: RGB 39 59 101 | qconv.com Color code: RGB 39 59 101 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 59 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 59 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 42 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 42% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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