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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 19 29 50 it is the complementary color RGB 236 226 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 19 29 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 19 29 50: RGB 24 29 45, RGB 41 47 64, RGB 58 65 83, RGB 75 83 102 and RGB 92 101 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 19 29 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 19 29 50: RGB 19 29 50, RGB 2 11 31, RGB 0 0 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 42 / 0 / 80

HEX #131D32

RGB 19 29 50

HSL 220.65, 0.45%, 0.14%

LAB 10.9, 3.11, -15.28

 

Complementary color

CMYK 0 / 4 / 13 / 7

HEX #ECE2CD

RGB 236 226 205

HSL 40.65, 0.45%, 0.86%

LAB 90.15, -0.06, 11.47

 

CMYK 47 / 36 / 0 / 82

HEX #181D2D

RGB 24 29 45

HSL 225.71, 0.3%, 0.14%

LAB 11.01, 2.84, -11.45

 

CMYK 36 / 27 / 0 / 75

HEX #292F40

RGB 41 47 64

HSL 224.35, 0.22%, 0.21%

LAB 19.53, 2.29, -11.55

 

CMYK 30 / 22 / 0 / 67

HEX #3A4153

RGB 58 65 83

HSL 223.2, 0.18%, 0.28%

LAB 27.59, 1.9, -11.76

 

CMYK 26 / 19 / 0 / 60

HEX #4B5366

RGB 75 83 102

HSL 222.22, 0.15%, 0.35%

LAB 35.29, 1.6, -12.03

 

CMYK 24 / 17 / 0 / 53

HEX #5C6579

RGB 92 101 121

HSL 221.38, 0.14%, 0.42%

LAB 42.71, 1.34, -12.34

 

CMYK 62 / 42 / 0 / 80

HEX #131D32

RGB 19 29 50

HSL 220.65, 0.45%, 0.14%

LAB 10.9, 3.11, -15.28

 

CMYK 94 / 65 / 0 / 88

HEX #020B1F

RGB 2 11 31

HSL 221.38, 0.88%, 0.06%

LAB 3.17, 2.39, -13.16

 

CMYK 100 / 100 / 0 / 95

HEX #00000C

RGB 0 0 12

HSL 240, 1%, 0.02%

LAB 0.24, 1.68, -4.58

 

CMYK 62 / 42 / 0 / 80

HEX #131D32

RGB 19 29 50

HSL 220.65, 0.45%, 0.14%

LAB 10.9, 3.11, -15.28

 

CMYK 63 / 53 / 0 / 80

HEX #131833

RGB 19 24 51

HSL 230.63, 0.46%, 0.14%

LAB 9.24, 7.38, -18.63

 

CMYK 63 / 63 / 0 / 80

HEX #131333

RGB 19 19 51

HSL 240, 0.46%, 0.14%

LAB 7.62, 11.27, -21.24

 

CMYK 53 / 63 / 0 / 80

HEX #181333

RGB 24 19 51

HSL 249.38, 0.46%, 0.14%

LAB 8.12, 12.69, -20.4

 

CMYK 41 / 63 / 0 / 80

HEX #1E1333

RGB 30 19 51

HSL 260.63, 0.46%, 0.14%

LAB 8.83, 14.53, -19.22

 

CMYK 62 / 42 / 0 / 80

HEX #131D32

RGB 19 29 50

HSL 220.65, 0.45%, 0.14%

LAB 10.9, 3.11, -15.28

 

CMYK 62 / 42 / 0 / 60

HEX #263B65

RGB 38 59 101

HSL 220, 0.45%, 0.27%

LAB 25.2, 6.11, -27.27

 

CMYK 62 / 42 / 0 / 40

HEX #3A5898

RGB 58 88 152

HSL 220.85, 0.45%, 0.41%

LAB 38.1, 9.73, -38.42

 

CMYK 62 / 42 / 0 / 20

HEX #4D76CB

RGB 77 118 203

HSL 220.48, 0.55%, 0.55%

LAB 50.51, 12.3, -48.45

 

CMYK 62 / 42 / 0 / 0

HEX #6193FE

RGB 97 147 254

HSL 220.89, 0.99%, 0.69%

LAB 62.14, 15.51, -58.32

 

CMYK 62 / 42 / 0 / 80

HEX #131D32

RGB 19 29 50

HSL 220.65, 0.45%, 0.14%

LAB 10.9, 3.11, -15.28

 

CMYK 8 / 63 / 0 / 80

HEX #2F1333

RGB 47 19 51

HSL 292.5, 0.46%, 0.14%

LAB 11.34, 20.26, -15.09

 

CMYK 16 / 0 / 63 / 80

HEX #2B3313

RGB 43 51 19

HSL 75, 0.46%, 0.14%

LAB 19.75, -9.54, 18.94

 

CMYK 62 / 42 / 0 / 80

HEX #131D32

RGB 19 29 50

HSL 220.65, 0.45%, 0.14%

LAB 10.9, 3.11, -15.28

 

CMYK 0 / 63 / 41 / 80

HEX #33131E

RGB 51 19 30

HSL 339.38, 0.46%, 0.14%

LAB 11.02, 17.62, -0

 

CMYK 41 / 0 / 63 / 80

HEX #1E3313

RGB 30 51 19

HSL 99.38, 0.46%, 0.14%

LAB 18.76, -15.65, 17.51

 

CMYK 62 / 42 / 0 / 80

HEX #131D32

RGB 19 29 50

HSL 220.65, 0.45%, 0.14%

LAB 10.9, 3.11, -15.28

 

CMYK 8 / 63 / 0 / 80

HEX #2F1333

RGB 47 19 51

HSL 292.5, 0.46%, 0.14%

LAB 11.34, 20.26, -15.09

 

CMYK 0 / 20 / 63 / 80

HEX #332913

RGB 51 41 19

HSL 41.25, 0.46%, 0.14%

LAB 17.16, 1.17, 16.04

 

CMYK 55 / 0 / 63 / 80

HEX #173313

RGB 23 51 19

HSL 112.5, 0.46%, 0.14%

LAB 18.35, -18.48, 16.93

 

CMYK 62 / 42 / 0 / 80

HEX #131D32

RGB 19 29 50

HSL 220.65, 0.45%, 0.14%

LAB 10.9, 3.11, -15.28

 

CMYK 0 / 63 / 10 / 80

HEX #33132E

RGB 51 19 46

HSL 309.38, 0.46%, 0.14%

LAB 11.73, 20.56, -10.78

 

CMYK 0 / 20 / 63 / 80

HEX #332913

RGB 51 41 19

HSL 41.25, 0.46%, 0.14%

LAB 17.16, 1.17, 16.04

 

CMYK 63 / 0 / 53 / 80

HEX #133318

RGB 19 51 24

HSL 129.38, 0.46%, 0.14%

LAB 18.24, -18.99, 13.62

 

Description

Color code: RGB 19 29 50 | qconv.com Color code: RGB 19 29 50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 29 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 29 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 42 magenta, none yellow and 80 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 42% 0% 80% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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