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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 89 215 it is the complementary color RGB 224 166 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 89 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 31 89 215: RGB 36 89 210, RGB 53 107 229, RGB 70 125 248, RGB 87 143 255 and RGB 104 161 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 89 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 31 89 215: RGB 31 89 215, RGB 14 71 196, RGB 0 53 177, RGB 0 35 158 and RGB 0 17 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 59 / 0 / 16

HEX #1F59D7

RGB 31 89 215

HSL 221.09, 0.75%, 0.48%

LAB 41.76, 29.43, -69.52

 

Complementary color

CMYK 0 / 26 / 82 / 12

HEX #E0A628

RGB 224 166 40

HSL 41.09, 0.75%, 0.52%

LAB 71.74, 10.81, 67.51

 

CMYK 83 / 58 / 0 / 18

HEX #2459D2

RGB 36 89 210

HSL 221.72, 0.71%, 0.48%

LAB 41.49, 27.89, -67.08

 

CMYK 77 / 53 / 0 / 10

HEX #356BE5

RGB 53 107 229

HSL 221.59, 0.77%, 0.55%

LAB 48.17, 25.04, -67

 

CMYK 72 / 50 / 0 / 3

HEX #467DF8

RGB 70 125 248

HSL 221.46, 0.93%, 0.62%

LAB 54.81, 22.66, -66.84

 

CMYK 66 / 44 / 0 / 0

HEX #578FFF

RGB 87 143 255

HSL 220, 1%, 0.67%

LAB 60.69, 16.58, -61.22

 

CMYK 59 / 37 / 0 / 0

HEX #68A1FF

RGB 104 161 255

HSL 217.35, 1%, 0.7%

LAB 66.25, 8.9, -52.31

 

CMYK 86 / 59 / 0 / 16

HEX #1F59D7

RGB 31 89 215

HSL 221.09, 0.75%, 0.48%

LAB 41.76, 29.43, -69.52

 

CMYK 93 / 64 / 0 / 23

HEX #0E47C4

RGB 14 71 196

HSL 221.21, 0.87%, 0.41%

LAB 35.17, 33, -69.32

 

CMYK 100 / 70 / 0 / 31

HEX #0035B1

RGB 0 53 177

HSL 222.03, 1%, 0.35%

LAB 28.7, 36.99, -68.77

 

CMYK 100 / 78 / 0 / 38

HEX #00239E

RGB 0 35 158

HSL 226.71, 1%, 0.31%

LAB 22.55, 41.12, -67.47

 

CMYK 100 / 88 / 0 / 45

HEX #00118B

RGB 0 17 139

HSL 232.66, 1%, 0.27%

LAB 16.82, 44.12, -65.24

 

CMYK 86 / 59 / 0 / 16

HEX #1F59D7

RGB 31 89 215

HSL 221.09, 0.75%, 0.48%

LAB 41.76, 29.43, -69.52

 

CMYK 86 / 73 / 0 / 16

HEX #1E3AD6

RGB 30 58 214

HSL 230.87, 0.75%, 0.48%

LAB 34.31, 48.38, -81.18

 

CMYK 85 / 86 / 0 / 16

HEX #211ED6

RGB 33 30 214

HSL 240.98, 0.75%, 0.48%

LAB 29.68, 62.22, -88.86

 

CMYK 70 / 86 / 0 / 16

HEX #401ED6

RGB 64 30 214

HSL 251.09, 0.75%, 0.48%

LAB 31.52, 63.67, -85.76

 

CMYK 56 / 86 / 0 / 16

HEX #5E1ED6

RGB 94 30 214

HSL 260.87, 0.75%, 0.48%

LAB 34.32, 66.01, -81.02

 

CMYK 86 / 59 / 0 / 16

HEX #1F59D7

RGB 31 89 215

HSL 221.09, 0.75%, 0.48%

LAB 41.76, 29.43, -69.52

 

CMYK 82 / 55 / 0 / 96

HEX #02050B

RGB 2 5 11

HSL 220, 0.69%, 0.03%

LAB 1.32, 0.05, -2.56

 

CMYK 85 / 58 / 0 / 76

HEX #091A3E

RGB 9 26 62

HSL 220.75, 0.75%, 0.14%

LAB 10.14, 8.45, -25.12

 

CMYK 86 / 58 / 0 / 56

HEX #102F71

RGB 16 47 113

HSL 220.82, 0.75%, 0.25%

LAB 21.34, 15.97, -41.26

 

CMYK 85 / 59 / 0 / 36

HEX #1844A4

RGB 24 68 164

HSL 221.14, 0.74%, 0.37%

LAB 31.83, 22.96, -55.83

 

CMYK 86 / 59 / 0 / 16

HEX #1F59D7

RGB 31 89 215

HSL 221.09, 0.75%, 0.48%

LAB 41.76, 29.43, -69.52

 

CMYK 10 / 86 / 0 / 16

HEX #C01ED6

RGB 192 30 214

HSL 292.83, 0.75%, 0.48%

LAB 48.25, 79.19, -57.71

 

CMYK 24 / 0 / 86 / 16

HEX #A2D61E

RGB 162 214 30

HSL 76.96, 0.75%, 0.48%

LAB 79.54, -39.68, 74.65

 

CMYK 86 / 59 / 0 / 16

HEX #1F59D7

RGB 31 89 215

HSL 221.09, 0.75%, 0.48%

LAB 41.76, 29.43, -69.52

 

CMYK 0 / 86 / 59 / 16

HEX #D61E58

RGB 214 30 88

HSL 341.09, 0.75%, 0.48%

LAB 46.88, 69.23, 16.04

 

CMYK 59 / 0 / 86 / 16

HEX #58D61E

RGB 88 214 30

HSL 101.09, 0.75%, 0.48%

LAB 76.23, -63.64, 70.5

 

CMYK 86 / 59 / 0 / 16

HEX #1F59D7

RGB 31 89 215

HSL 221.09, 0.75%, 0.48%

LAB 41.76, 29.43, -69.52

 

CMYK 10 / 86 / 0 / 16

HEX #C01ED6

RGB 192 30 214

HSL 292.83, 0.75%, 0.48%

LAB 48.25, 79.19, -57.71

 

CMYK 0 / 27 / 86 / 16

HEX #D69C1E

RGB 214 156 30

HSL 41.09, 0.75%, 0.48%

LAB 68.14, 11.55, 66.93

 

CMYK 76 / 0 / 86 / 16

HEX #34D61E

RGB 52 214 30

HSL 112.83, 0.75%, 0.48%

LAB 75.4, -70.65, 69.46

 

CMYK 86 / 59 / 0 / 16

HEX #1F59D7

RGB 31 89 215

HSL 221.09, 0.75%, 0.48%

LAB 41.76, 29.43, -69.52

 

CMYK 0 / 86 / 16 / 16

HEX #D61EB4

RGB 214 30 180

HSL 311.09, 0.75%, 0.48%

LAB 50.12, 78.21, -34.79

 

CMYK 0 / 27 / 86 / 16

HEX #D69C1E

RGB 214 156 30

HSL 41.09, 0.75%, 0.48%

LAB 68.14, 11.55, 66.93

 

CMYK 86 / 0 / 70 / 16

HEX #1ED640

RGB 30 214 64

HSL 131.09, 0.75%, 0.48%

LAB 75.29, -70.97, 59.13

 

Description

Color code: RGB 31 89 215 | qconv.com Color code: RGB 31 89 215 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 89 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 89 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 59 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 59% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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