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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 87 143 255 it is the complementary color RGB 168 112 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 87 143 255. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 87 143 255: RGB 92 143 250, RGB 109 161 255, RGB 126 179 255, RGB 143 197 255 and RGB 160 215 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 87 143 255. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 87 143 255: RGB 87 143 255, RGB 70 125 236, RGB 53 107 217, RGB 36 89 198 and RGB 19 71 179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 44 / 0 / 0

HEX #578FFF

RGB 87 143 255

HSL 220, 1%, 0.67%

LAB 60.69, 16.58, -61.22

 

Complementary color

CMYK 0 / 33 / 100 / 34

HEX #A87000

RGB 168 112 0

HSL 40, 1%, 0.33%

LAB 51.74, 14.75, 58.56

 

CMYK 63 / 43 / 0 / 2

HEX #5C8FFA

RGB 92 143 250

HSL 220.63, 0.94%, 0.67%

LAB 60.62, 15.7, -58.56

 

CMYK 57 / 37 / 0 / 0

HEX #6DA1FF

RGB 109 161 255

HSL 218.63, 1%, 0.71%

LAB 66.49, 9.86, -51.92

 

CMYK 51 / 30 / 0 / 0

HEX #7EB3FF

RGB 126 179 255

HSL 215.35, 1%, 0.75%

LAB 72.16, 3.17, -42.94

 

CMYK 44 / 23 / 0 / 0

HEX #8FC5FF

RGB 143 197 255

HSL 211.07, 1%, 0.78%

LAB 77.87, -2.76, -34

 

CMYK 37 / 16 / 0 / 0

HEX #A0D7FF

RGB 160 215 255

HSL 205.26, 1%, 0.81%

LAB 83.6, -8.03, -25.14

 

CMYK 66 / 44 / 0 / 0

HEX #578FFF

RGB 87 143 255

HSL 220, 1%, 0.67%

LAB 60.69, 16.58, -61.22

 

CMYK 70 / 47 / 0 / 7

HEX #467DEC

RGB 70 125 236

HSL 220.12, 0.81%, 0.6%

LAB 54.05, 18.4, -61.39

 

CMYK 76 / 51 / 0 / 15

HEX #356BD9

RGB 53 107 217

HSL 220.24, 0.68%, 0.53%

LAB 47.34, 20.6, -61.55

 

CMYK 82 / 55 / 0 / 22

HEX #2459C6

RGB 36 89 198

HSL 220.37, 0.69%, 0.46%

LAB 40.57, 23.29, -61.65

 

CMYK 89 / 60 / 0 / 30

HEX #1347B3

RGB 19 71 179

HSL 220.5, 0.81%, 0.39%

LAB 33.77, 26.58, -61.61

 

CMYK 66 / 44 / 0 / 0

HEX #578FFF

RGB 87 143 255

HSL 220, 1%, 0.67%

LAB 60.69, 16.58, -61.22

 

CMYK 66 / 55 / 0 / 0

HEX #5672FF

RGB 86 114 255

HSL 230.06, 1%, 0.67%

LAB 53.2, 34.02, -73.28

 

CMYK 66 / 66 / 0 / 0

HEX #5656FF

RGB 86 86 255

HSL 240, 1%, 0.67%

LAB 46.78, 50.66, -83.76

 

CMYK 55 / 66 / 0 / 0

HEX #7256FF

RGB 114 86 255

HSL 249.94, 1%, 0.67%

LAB 48.83, 54.52, -80.33

 

CMYK 44 / 66 / 0 / 0

HEX #8E56FF

RGB 142 86 255

HSL 259.88, 1%, 0.67%

LAB 51.41, 59.19, -76

 

CMYK 66 / 44 / 0 / 0

HEX #578FFF

RGB 87 143 255

HSL 220, 1%, 0.67%

LAB 60.69, 16.58, -61.22

 

CMYK 67 / 43 / 0 / 80

HEX #111D33

RGB 17 29 51

HSL 218.82, 0.5%, 0.13%

LAB 10.83, 2.95, -16.13

 

CMYK 66 / 44 / 0 / 60

HEX #233966

RGB 35 57 102

HSL 220.3, 0.49%, 0.27%

LAB 24.46, 7.22, -29.1

 

CMYK 66 / 44 / 0 / 40

HEX #345699

RGB 52 86 153

HSL 219.8, 0.49%, 0.4%

LAB 37.27, 10.24, -40.36

 

CMYK 66 / 44 / 0 / 20

HEX #4672CC

RGB 70 114 204

HSL 220.3, 0.57%, 0.54%

LAB 49.13, 13.89, -51.24

 

CMYK 66 / 44 / 0 / 0

HEX #578FFF

RGB 87 143 255

HSL 220, 1%, 0.67%

LAB 60.69, 16.58, -61.22

 

CMYK 9 / 66 / 0 / 0

HEX #E856FF

RGB 232 86 255

HSL 291.83, 1%, 0.67%

LAB 62.53, 77.28, -57.51

 

CMYK 18 / 0 / 66 / 0

HEX #D2FF56

RGB 210 255 86

HSL 75.98, 1%, 0.67%

LAB 94.27, -37, 72.74

 

CMYK 66 / 44 / 0 / 0

HEX #578FFF

RGB 87 143 255

HSL 220, 1%, 0.67%

LAB 60.69, 16.58, -61.22

 

CMYK 0 / 66 / 44 / 0

HEX #FF568E

RGB 255 86 142

HSL 340.12, 1%, 0.67%

LAB 61.54, 67.92, 5.38

 

CMYK 44 / 0 / 66 / 0

HEX #8EFF56

RGB 142 255 86

HSL 100.12, 1%, 0.67%

LAB 90.75, -60.33, 67.98

 

CMYK 66 / 44 / 0 / 0

HEX #578FFF

RGB 87 143 255

HSL 220, 1%, 0.67%

LAB 60.69, 16.58, -61.22

 

CMYK 9 / 66 / 0 / 0

HEX #E856FF

RGB 232 86 255

HSL 291.83, 1%, 0.67%

LAB 62.53, 77.28, -57.51

 

CMYK 0 / 22 / 66 / 0

HEX #FFC656

RGB 255 198 86

HSL 39.76, 1%, 0.67%

LAB 83.08, 9.13, 62.08

 

CMYK 57 / 0 / 66 / 0

HEX #6DFF56

RGB 109 255 86

HSL 111.83, 1%, 0.67%

LAB 89.6, -69.13, 66.41

 

CMYK 66 / 44 / 0 / 0

HEX #578FFF

RGB 87 143 255

HSL 220, 1%, 0.67%

LAB 60.69, 16.58, -61.22

 

CMYK 0 / 66 / 11 / 0

HEX #FF56E2

RGB 255 86 226

HSL 310.3, 1%, 0.67%

LAB 64.49, 77.88, -38.11

 

CMYK 0 / 22 / 66 / 0

HEX #FFC656

RGB 255 198 86

HSL 39.76, 1%, 0.67%

LAB 83.08, 9.13, 62.08

 

CMYK 66 / 0 / 55 / 0

HEX #56FF72

RGB 86 255 114

HSL 129.94, 1%, 0.67%

LAB 89.26, -70.95, 54.16

 

Description

Color code: RGB 87 143 255 | qconv.com Color code: RGB 87 143 255 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 143 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 143 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 44 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 44% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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