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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 119 174 it is the complementary color RGB 224 136 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 119 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 31 119 174: RGB 36 119 169, RGB 53 137 188, RGB 70 155 207, RGB 87 173 226 and RGB 104 191 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 119 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 31 119 174: RGB 31 119 174, RGB 14 101 155, RGB 0 83 136, RGB 0 65 117 and RGB 0 47 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 32 / 0 / 32

HEX #1F77AE

RGB 31 119 174

HSL 203.08, 0.7%, 0.4%

LAB 47.68, -5.46, -36.33

 

Complementary color

CMYK 0 / 39 / 64 / 12

HEX #E08851

RGB 224 136 81

HSL 23.08, 0.7%, 0.6%

LAB 65, 28.74, 43.25

 

CMYK 79 / 30 / 0 / 34

HEX #2477A9

RGB 36 119 169

HSL 202.56, 0.65%, 0.4%

LAB 47.54, -6.79, -33.63

 

CMYK 72 / 27 / 0 / 26

HEX #3589BC

RGB 53 137 188

HSL 202.67, 0.56%, 0.47%

LAB 54.32, -8.26, -33.93

 

CMYK 66 / 25 / 0 / 19

HEX #469BCF

RGB 70 155 207

HSL 202.77, 0.59%, 0.54%

LAB 61, -9.38, -34.19

 

CMYK 62 / 23 / 0 / 11

HEX #57ADE2

RGB 87 173 226

HSL 202.88, 0.71%, 0.61%

LAB 67.58, -10.25, -34.43

 

CMYK 58 / 22 / 0 / 4

HEX #68BFF5

RGB 104 191 245

HSL 202.98, 0.88%, 0.68%

LAB 74.06, -10.95, -34.67

 

CMYK 82 / 32 / 0 / 32

HEX #1F77AE

RGB 31 119 174

HSL 203.08, 0.7%, 0.4%

LAB 47.68, -5.46, -36.33

 

CMYK 91 / 35 / 0 / 39

HEX #0E659B

RGB 14 101 155

HSL 202.98, 0.83%, 0.33%

LAB 40.84, -3.21, -35.95

 

CMYK 100 / 39 / 0 / 47

HEX #005388

RGB 0 83 136

HSL 203.38, 1%, 0.27%

LAB 33.91, -0.31, -35.49

 

CMYK 100 / 44 / 0 / 54

HEX #004175

RGB 0 65 117

HSL 206.67, 1%, 0.23%

LAB 26.92, 3.61, -34.82

 

CMYK 100 / 52 / 0 / 62

HEX #002F62

RGB 0 47 98

HSL 211.22, 1%, 0.19%

LAB 19.7, 7.93, -34.2

 

CMYK 82 / 32 / 0 / 32

HEX #1F77AE

RGB 31 119 174

HSL 203.08, 0.7%, 0.4%

LAB 47.68, -5.46, -36.33

 

CMYK 83 / 46 / 0 / 32

HEX #1E5EAD

RGB 30 94 173

HSL 213.15, 0.7%, 0.4%

LAB 40.08, 9.68, -47.83

 

CMYK 83 / 59 / 0 / 32

HEX #1E47AD

RGB 30 71 173

HSL 222.8, 0.7%, 0.4%

LAB 33.56, 24.99, -58.38

 

CMYK 83 / 73 / 0 / 32

HEX #1E2FAD

RGB 30 47 173

HSL 232.87, 0.7%, 0.4%

LAB 27.64, 40.57, -68.09

 

CMYK 79 / 83 / 0 / 32

HEX #251EAD

RGB 37 30 173

HSL 242.94, 0.7%, 0.4%

LAB 24.76, 50.24, -72.85

 

CMYK 82 / 32 / 0 / 32

HEX #1F77AE

RGB 31 119 174

HSL 203.08, 0.7%, 0.4%

LAB 47.68, -5.46, -36.33

 

CMYK 82 / 32 / 0 / 12

HEX #289AE1

RGB 40 154 225

HSL 203.03, 0.76%, 0.52%

LAB 60.78, -6.29, -44.61

 

CMYK 81 / 33 / 0 / 92

HEX #040E15

RGB 4 14 21

HSL 204.71, 0.68%, 0.05%

LAB 3.56, -1.31, -4.84

 

CMYK 82 / 32 / 0 / 72

HEX #0D3148

RGB 13 49 72

HSL 203.39, 0.69%, 0.17%

LAB 19.01, -3.54, -17.93

 

CMYK 82 / 32 / 0 / 52

HEX #16547B

RGB 22 84 123

HSL 203.17, 0.7%, 0.28%

LAB 33.86, -4.57, -27.53

 

CMYK 82 / 32 / 0 / 32

HEX #1F77AE

RGB 31 119 174

HSL 203.08, 0.7%, 0.4%

LAB 47.68, -5.46, -36.33

 

CMYK 35 / 83 / 0 / 32

HEX #711EAD

RGB 113 30 173

HSL 274.83, 0.7%, 0.4%

LAB 32.82, 58.65, -59.29

 

CMYK 0 / 1 / 83 / 32

HEX #ADAB1E

RGB 173 171 30

HSL 59.16, 0.7%, 0.4%

LAB 68.1, -14.54, 65.28

 

CMYK 82 / 32 / 0 / 32

HEX #1F77AE

RGB 31 119 174

HSL 203.08, 0.7%, 0.4%

LAB 47.68, -5.46, -36.33

 

CMYK 0 / 83 / 32 / 32

HEX #AD1E76

RGB 173 30 118

HSL 323.08, 0.7%, 0.4%

LAB 39.78, 61.67, -13.95

 

CMYK 32 / 0 / 83 / 32

HEX #76AD1E

RGB 118 173 30

HSL 83.08, 0.7%, 0.4%

LAB 64.83, -38.42, 60.94

 

CMYK 82 / 32 / 0 / 32

HEX #1F77AE

RGB 31 119 174

HSL 203.08, 0.7%, 0.4%

LAB 47.68, -5.46, -36.33

 

CMYK 35 / 83 / 0 / 32

HEX #711EAD

RGB 113 30 173

HSL 274.83, 0.7%, 0.4%

LAB 32.82, 58.65, -59.29

 

CMYK 0 / 51 / 83 / 32

HEX #AD551E

RGB 173 85 30

HSL 23.08, 0.7%, 0.4%

LAB 46.28, 32.46, 46.15

 

CMYK 48 / 0 / 83 / 32

HEX #5AAD1E

RGB 90 173 30

HSL 94.83, 0.7%, 0.4%

LAB 63.47, -48.18, 59.2

 

CMYK 82 / 32 / 0 / 32

HEX #1F77AE

RGB 31 119 174

HSL 203.08, 0.7%, 0.4%

LAB 47.68, -5.46, -36.33

 

CMYK 10 / 83 / 0 / 32

HEX #9C1EAD

RGB 156 30 173

HSL 292.87, 0.7%, 0.4%

LAB 39.6, 66.01, -47.99

 

CMYK 0 / 51 / 83 / 32

HEX #AD551E

RGB 173 85 30

HSL 23.08, 0.7%, 0.4%

LAB 46.28, 32.46, 46.15

 

CMYK 73 / 0 / 83 / 32

HEX #2FAD1E

RGB 47 173 30

HSL 112.87, 0.7%, 0.4%

LAB 62.16, -58.8, 57.52

 

Description

Color code: RGB 31 119 174 | qconv.com Color code: RGB 31 119 174 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 119 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 119 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 32 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 32% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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