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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADAB1E it is the complementary color #5254E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADAB1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADAB1E shade: #B2AB19, #C3BD2C, #D4CF3F, #E5E152 and #F6F365

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADAB1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADAB1E shade: #ADAB1E, #9C990B, #8B8700, #7A7500 and #696300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADAB1E shade: #ADAB1E, #AD841E, #AD5E1E, #AD371E and #AD1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADAB1E shade: #ADAB1E, #88AD1E, #62AD1E, #3BAD1E and #1EAD27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADAB1E shade matches the following richer shades: #ADAB1E and #BDBB0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADAB1E shade: #ADAB1E, #9C9B2F, #8C8B3F, #7B7B50 and #6B6B60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADAB1E shade: #AD5E1E, #AD841E, #ADAB1E, #89AD1E and #63AD1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADAB1E shade: #676612, #8A8818, #ADAB1E, #D0CE24 and #DDDB41

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADAB1E shade: #ADAB1E, #1EAD38 and #711EAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADAB1E shade: #ADAB1E, #1EADAB and #AB1EAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADAB1E shade: #ADAB1E, #1EAD38, #1E20AD and #AD1E93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADAB1E shade: #ADAB1E, #1EAD63, #1E20AD and #AD1E68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 83 / 32

HEX #ADAB1E

RGB 173 171 30

HSL 59.16, 0.7%, 0.4%

LAB 68.1, -14.54, 65.28

 

Complementary color

CMYK 64 / 63 / 0 / 12

HEX #5254E1

RGB 82 84 225

HSL 239.16, 0.7%, 0.6%

LAB 43.61, 41.64, -72.1

 

CMYK 0 / 4 / 86 / 30

HEX #B2AB19

RGB 178 171 25

HSL 57.25, 0.75%, 0.4%

LAB 68.5, -12.47, 66.99

 

CMYK 0 / 3 / 77 / 24

HEX #C3BD2C

RGB 195 189 44

HSL 57.62, 0.63%, 0.47%

LAB 74.94, -13.7, 68.04

 

CMYK 0 / 2 / 70 / 17

HEX #D4CF3F

RGB 212 207 63

HSL 57.99, 0.63%, 0.54%

LAB 81.28, -14.72, 68.16

 

CMYK 0 / 2 / 64 / 10

HEX #E5E152

RGB 229 225 82

HSL 58.37, 0.74%, 0.61%

LAB 87.54, -15.58, 67.73

 

CMYK 0 / 1 / 59 / 4

HEX #F6F365

RGB 246 243 101

HSL 58.76, 0.89%, 0.68%

LAB 93.73, -16.3, 66.99

 

CMYK 0 / 1 / 83 / 32

HEX #ADAB1E

RGB 173 171 30

HSL 59.16, 0.7%, 0.4%

LAB 68.1, -14.54, 65.28

 

CMYK 0 / 2 / 93 / 39

HEX #9C990B

RGB 156 153 11

HSL 58.76, 0.87%, 0.33%

LAB 61.55, -13.2, 63.26

 

CMYK 0 / 3 / 100 / 45

HEX #8B8700

RGB 139 135 0

HSL 58.27, 1%, 0.27%

LAB 54.88, -11.59, 59.32

 

CMYK 0 / 4 / 100 / 52

HEX #7A7500

RGB 122 117 0

HSL 57.54, 1%, 0.24%

LAB 48.08, -9.75, 53.67

 

CMYK 0 / 6 / 100 / 59

HEX #696300

RGB 105 99 0

HSL 56.57, 1%, 0.21%

LAB 41.1, -7.84, 47.88

 

CMYK 0 / 1 / 83 / 32

HEX #ADAB1E

RGB 173 171 30

HSL 59.16, 0.7%, 0.4%

LAB 68.1, -14.54, 65.28

 

CMYK 0 / 24 / 83 / 32

HEX #AD841E

RGB 173 132 30

HSL 42.8, 0.7%, 0.4%

LAB 57.54, 6.42, 56.19

 

CMYK 0 / 46 / 83 / 32

HEX #AD5E1E

RGB 173 94 30

HSL 26.85, 0.7%, 0.4%

LAB 48.24, 27.62, 47.93

 

CMYK 0 / 68 / 83 / 32

HEX #AD371E

RGB 173 55 30

HSL 10.49, 0.7%, 0.4%

LAB 40.75, 46.88, 41.03

 

CMYK 0 / 83 / 83 / 32

HEX #AD1E1E

RGB 173 30 30

HSL 0, 0.7%, 0.4%

LAB 37.67, 55.42, 38.11

 

CMYK 0 / 1 / 83 / 32

HEX #ADAB1E

RGB 173 171 30

HSL 59.16, 0.7%, 0.4%

LAB 68.1, -14.54, 65.28

 

CMYK 21 / 0 / 83 / 32

HEX #88AD1E

RGB 136 173 30

HSL 75.52, 0.7%, 0.4%

LAB 65.92, -31.32, 62.31

 

CMYK 43 / 0 / 83 / 32

HEX #62AD1E

RGB 98 173 30

HSL 91.47, 0.7%, 0.4%

LAB 63.82, -45.58, 59.65

 

CMYK 66 / 0 / 83 / 32

HEX #3BAD1E

RGB 59 173 30

HSL 107.83, 0.7%, 0.4%

LAB 62.43, -56.46, 57.87

 

CMYK 83 / 0 / 77 / 32

HEX #1EAD27

RGB 30 173 39

HSL 123.78, 0.7%, 0.4%

LAB 61.92, -60.68, 54.48

 

CMYK 0 / 1 / 83 / 32

HEX #ADAB1E

RGB 173 171 30

HSL 59.16, 0.7%, 0.4%

LAB 68.1, -14.54, 65.28

 

CMYK 0 / 1 / 93 / 26

HEX #BDBB0E

RGB 189 187 14

HSL 59.31, 0.86%, 0.4%

LAB 73.8, -16.04, 73.49

 

CMYK 0 / 1 / 83 / 32

HEX #ADAB1E

RGB 173 171 30

HSL 59.16, 0.7%, 0.4%

LAB 68.1, -14.54, 65.28

 

CMYK 0 / 1 / 70 / 39

HEX #9C9B2F

RGB 156 155 47

HSL 59.45, 0.54%, 0.4%

LAB 62.27, -13.01, 53.88

 

CMYK 0 / 1 / 55 / 45

HEX #8C8B3F

RGB 140 139 63

HSL 59.22, 0.38%, 0.4%

LAB 56.49, -10.43, 40.15

 

CMYK 0 / 0 / 35 / 52

HEX #7B7B50

RGB 123 123 80

HSL 60, 0.21%, 0.4%

LAB 50.64, -7.18, 23.56

 

CMYK 0 / 0 / 10 / 58

HEX #6B6B60

RGB 107 107 96

HSL 60, 0.05%, 0.4%

LAB 44.92, -2.15, 6.17

 

CMYK 0 / 46 / 83 / 32

HEX #AD5E1E

RGB 173 94 30

HSL 26.85, 0.7%, 0.4%

LAB 48.24, 27.62, 47.93

 

CMYK 0 / 24 / 83 / 32

HEX #AD841E

RGB 173 132 30

HSL 42.8, 0.7%, 0.4%

LAB 57.54, 6.42, 56.19

 

CMYK 0 / 1 / 83 / 32

HEX #ADAB1E

RGB 173 171 30

HSL 59.16, 0.7%, 0.4%

LAB 68.1, -14.54, 65.28

 

CMYK 21 / 0 / 83 / 32

HEX #89AD1E

RGB 137 173 30

HSL 75.1, 0.7%, 0.4%

LAB 65.98, -30.91, 62.4

 

CMYK 43 / 0 / 83 / 32

HEX #63AD1E

RGB 99 173 30

HSL 91.05, 0.7%, 0.4%

LAB 63.86, -45.25, 59.71

 

CMYK 0 / 1 / 83 / 60

HEX #676612

RGB 103 102 18

HSL 59.29, 0.7%, 0.24%

LAB 41.89, -9.97, 43.58

 

CMYK 0 / 1 / 83 / 46

HEX #8A8818

RGB 138 136 24

HSL 58.95, 0.7%, 0.32%

LAB 55.15, -12.05, 54.6

 

CMYK 0 / 1 / 83 / 32

HEX #ADAB1E

RGB 173 171 30

HSL 59.16, 0.7%, 0.4%

LAB 68.1, -14.54, 65.28

 

CMYK 0 / 1 / 83 / 18

HEX #D0CE24

RGB 208 206 36

HSL 59.3, 0.7%, 0.48%

LAB 80.56, -16.93, 75.5

 

CMYK 0 / 1 / 71 / 13

HEX #DDDB41

RGB 221 219 65

HSL 59.23, 0.7%, 0.56%

LAB 85.21, -16.82, 71.52

 

CMYK 0 / 1 / 83 / 32

HEX #ADAB1E

RGB 173 171 30

HSL 59.16, 0.7%, 0.4%

LAB 68.1, -14.54, 65.28

 

CMYK 83 / 0 / 68 / 32

HEX #1EAD38

RGB 30 173 56

HSL 130.91, 0.7%, 0.4%

LAB 62.04, -59.2, 48.19

 

CMYK 35 / 83 / 0 / 32

HEX #711EAD

RGB 113 30 173

HSL 274.83, 0.7%, 0.4%

LAB 32.82, 58.65, -59.29

 

CMYK 0 / 1 / 83 / 32

HEX #ADAB1E

RGB 173 171 30

HSL 59.16, 0.7%, 0.4%

LAB 68.1, -14.54, 65.28

 

CMYK 83 / 0 / 1 / 32

HEX #1EADAB

RGB 30 173 171

HSL 179.16, 0.7%, 0.4%

LAB 64.24, -35.08, -9.19

 

CMYK 1 / 83 / 0 / 32

HEX #AB1EAD

RGB 171 30 173

HSL 299.16, 0.7%, 0.4%

LAB 42.16, 68.82, -43.75

 

CMYK 0 / 1 / 83 / 32

HEX #ADAB1E

RGB 173 171 30

HSL 59.16, 0.7%, 0.4%

LAB 68.1, -14.54, 65.28

 

CMYK 83 / 0 / 68 / 32

HEX #1EAD38

RGB 30 173 56

HSL 130.91, 0.7%, 0.4%

LAB 62.04, -59.2, 48.19

 

CMYK 83 / 82 / 0 / 32

HEX #1E20AD

RGB 30 32 173

HSL 239.16, 0.7%, 0.4%

LAB 24.72, 48.9, -72.93

 

CMYK 0 / 83 / 15 / 32

HEX #AD1E93

RGB 173 30 147

HSL 310.91, 0.7%, 0.4%

LAB 41.09, 65.35, -29.8

 

CMYK 0 / 1 / 83 / 32

HEX #ADAB1E

RGB 173 171 30

HSL 59.16, 0.7%, 0.4%

LAB 68.1, -14.54, 65.28

 

CMYK 83 / 0 / 43 / 32

HEX #1EAD63

RGB 30 173 99

HSL 148.95, 0.7%, 0.4%

LAB 62.56, -52.93, 28.04

 

CMYK 83 / 82 / 0 / 32

HEX #1E20AD

RGB 30 32 173

HSL 239.16, 0.7%, 0.4%

LAB 24.72, 48.9, -72.93

 

CMYK 0 / 83 / 40 / 32

HEX #AD1E68

RGB 173 30 104

HSL 328.95, 0.7%, 0.4%

LAB 39.26, 60.17, -5.95

 

Description

Color code: HEX #ADAB1E | qconv.com Color code: HEX #ADAB1E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 171 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 171 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 83 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 83% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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