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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 30 151 121 it is the complementary color RGB 225 104 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 30 151 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 30 151 121: RGB 35 151 116, RGB 52 169 135, RGB 69 187 154, RGB 86 205 173 and RGB 103 223 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 30 151 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 30 151 121: RGB 30 151 121, RGB 13 133 102, RGB 0 115 83, RGB 0 97 64 and RGB 0 79 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 20 / 41

HEX #1E9779

RGB 30 151 121

HSL 165.12, 0.67%, 0.35%

LAB 55.88, -39.29, 6.77

 

Complementary color

CMYK 0 / 54 / 40 / 12

HEX #E16886

RGB 225 104 134

HSL 345.12, 0.67%, 0.65%

LAB 59.55, 49.99, 6.56

 

CMYK 77 / 0 / 23 / 41

HEX #239774

RGB 35 151 116

HSL 161.9, 0.62%, 0.36%

LAB 55.84, -39.97, 9.56

 

CMYK 69 / 0 / 20 / 34

HEX #34A987

RGB 52 169 135

HSL 162.56, 0.53%, 0.43%

LAB 62.39, -40.58, 8.23

 

CMYK 63 / 0 / 18 / 27

HEX #45BB9A

RGB 69 187 154

HSL 163.22, 0.46%, 0.5%

LAB 68.85, -40.93, 7.04

 

CMYK 58 / 0 / 16 / 20

HEX #56CDAD

RGB 86 205 173

HSL 163.87, 0.54%, 0.57%

LAB 75.24, -41.1, 5.97

 

CMYK 54 / 0 / 14 / 13

HEX #67DFC0

RGB 103 223 192

HSL 164.5, 0.65%, 0.64%

LAB 81.55, -41.15, 4.98

 

CMYK 80 / 0 / 20 / 41

HEX #1E9779

RGB 30 151 121

HSL 165.12, 0.67%, 0.35%

LAB 55.88, -39.29, 6.77

 

CMYK 90 / 0 / 23 / 48

HEX #0D8566

RGB 13 133 102

HSL 164.5, 0.82%, 0.29%

LAB 49.28, -38.06, 8.27

 

CMYK 100 / 0 / 28 / 55

HEX #007353

RGB 0 115 83

HSL 163.3, 1%, 0.23%

LAB 42.59, -36.27, 9.99

 

CMYK 100 / 0 / 34 / 62

HEX #006140

RGB 0 97 64

HSL 159.59, 1%, 0.19%

LAB 35.83, -33.59, 12.01

 

CMYK 100 / 0 / 43 / 69

HEX #004F2D

RGB 0 79 45

HSL 154.18, 1%, 0.15%

LAB 28.85, -30.72, 14.19

 

CMYK 80 / 0 / 20 / 41

HEX #1E9779

RGB 30 151 121

HSL 165.12, 0.67%, 0.35%

LAB 55.88, -39.29, 6.77

 

CMYK 81 / 0 / 7 / 42

HEX #1D958B

RGB 29 149 139

HSL 175, 0.67%, 0.35%

LAB 55.71, -33.49, -3.77

 

CMYK 81 / 7 / 0 / 42

HEX #1D8B95

RGB 29 139 149

HSL 185, 0.67%, 0.35%

LAB 52.84, -25.52, -13.83

 

CMYK 81 / 20 / 0 / 42

HEX #1D7795

RGB 29 119 149

HSL 195, 0.67%, 0.35%

LAB 46.48, -14.84, -23.55

 

CMYK 81 / 34 / 0 / 42

HEX #1D6395

RGB 29 99 149

HSL 205, 0.67%, 0.35%

LAB 40.17, -3.02, -33.41

 

CMYK 80 / 0 / 20 / 41

HEX #1E9779

RGB 30 151 121

HSL 165.12, 0.67%, 0.35%

LAB 55.88, -39.29, 6.77

 

CMYK 80 / 0 / 20 / 21

HEX #28CAA2

RGB 40 202 162

HSL 165.19, 0.67%, 0.47%

LAB 73.09, -49.28, 8.68

 

CMYK 80 / 0 / 20 / 1

HEX #32FDCB

RGB 50 253 203

HSL 165.22, 0.98%, 0.59%

LAB 89.51, -58.76, 10.51

 

CMYK 80 / 0 / 20 / 81

HEX #0A3127

RGB 10 49 39

HSL 164.62, 0.66%, 0.12%

LAB 17.5, -16.51, 2.46

 

CMYK 80 / 0 / 20 / 61

HEX #146450

RGB 20 100 80

HSL 165, 0.67%, 0.24%

LAB 37.56, -28.57, 4.71

 

CMYK 80 / 0 / 20 / 41

HEX #1E9779

RGB 30 151 121

HSL 165.12, 0.67%, 0.35%

LAB 55.88, -39.29, 6.77

 

CMYK 81 / 77 / 0 / 42

HEX #1D2395

RGB 29 35 149

HSL 237, 0.67%, 0.35%

LAB 22.42, 39.21, -62.13

 

CMYK 0 / 52 / 81 / 42

HEX #95471D

RGB 149 71 29

HSL 21, 0.67%, 0.35%

LAB 39.55, 29.95, 38.95

 

CMYK 80 / 0 / 20 / 41

HEX #1E9779

RGB 30 151 121

HSL 165.12, 0.67%, 0.35%

LAB 55.88, -39.29, 6.77

 

CMYK 20 / 81 / 0 / 42

HEX #771D95

RGB 119 29 149

HSL 285, 0.67%, 0.35%

LAB 31.74, 54.92, -46.47

 

CMYK 0 / 20 / 81 / 42

HEX #95771D

RGB 149 119 29

HSL 45, 0.67%, 0.35%

LAB 51.46, 2.65, 50.13

 

CMYK 80 / 0 / 20 / 41

HEX #1E9779

RGB 30 151 121

HSL 165.12, 0.67%, 0.35%

LAB 55.88, -39.29, 6.77

 

CMYK 81 / 77 / 0 / 42

HEX #1D2395

RGB 29 35 149

HSL 237, 0.67%, 0.35%

LAB 22.42, 39.21, -62.13

 

CMYK 0 / 81 / 60 / 42

HEX #951D3B

RGB 149 29 59

HSL 345, 0.67%, 0.35%

LAB 33.1, 50.02, 13.6

 

CMYK 0 / 4 / 81 / 42

HEX #958F1D

RGB 149 143 29

HSL 57, 0.67%, 0.35%

LAB 58.15, -10.61, 56.13

 

CMYK 80 / 0 / 20 / 41

HEX #1E9779

RGB 30 151 121

HSL 165.12, 0.67%, 0.35%

LAB 55.88, -39.29, 6.77

 

CMYK 60 / 81 / 0 / 42

HEX #3B1D95

RGB 59 29 149

HSL 255, 0.67%, 0.35%

LAB 23.6, 45.36, -60.1

 

CMYK 0 / 81 / 60 / 42

HEX #951D3B

RGB 149 29 59

HSL 345, 0.67%, 0.35%

LAB 33.1, 50.02, 13.6

 

CMYK 20 / 0 / 81 / 42

HEX #77951D

RGB 119 149 29

HSL 75, 0.67%, 0.35%

LAB 57.56, -26.92, 54.71

 

Description

Color code: RGB 30 151 121 | qconv.com Color code: RGB 30 151 121 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 151 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 151 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 20 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 20% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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