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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1D958B it is the complementary color #E26A74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1D958B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1D958B shade: #229586, #33A799, #44B9AC, #55CBBF and #66DDD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1D958B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1D958B shade: #1D958B, #0C8378, #007165, #005F52 and #004D3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1D958B shade: #1D958B, #1D956A, #1D954A, #1D952A and #30951D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1D958B shade: #1D958B, #1D7E95, #1D5E95, #1D3E95 and #1D1E95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1D958B shade matches the following richer shades: #1D958B, #0FA397 and #00B1A3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1D958B shade: #1D958B, #2B867F, #3A7873, #486966 and #575B5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1D958B shade: #1D954B, #1D956B, #1D958B, #1D7F95 and #1D5F95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1D958B shade: #0F504A, #16726A, #1D958B, #24B7AB and #2FD5C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1D958B shade: #1D958B, #2B1D95 and #955B1D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1D958B shade: #1D958B, #8B1D95 and #958B1D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1D958B shade: #1D958B, #2B1D95, #951D27 and #87951D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1D958B shade: #1D958B, #4F1D95, #951D27 and #63951D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 7 / 42

HEX #1D958B

RGB 29 149 139

HSL 175, 0.67%, 0.35%

LAB 55.71, -33.49, -3.77

 

Complementary color

CMYK 0 / 53 / 49 / 11

HEX #E26A74

RGB 226 106 116

HSL 355, 0.67%, 0.65%

LAB 59.65, 47.58, 17.15

 

CMYK 77 / 0 / 10 / 42

HEX #229586

RGB 34 149 134

HSL 172.17, 0.63%, 0.36%

LAB 55.64, -34.4, -0.99

 

CMYK 69 / 0 / 8 / 35

HEX #33A799

RGB 51 167 153

HSL 172.76, 0.53%, 0.43%

LAB 62.2, -35.13, -2.1

 

CMYK 63 / 0 / 7 / 27

HEX #44B9AC

RGB 68 185 172

HSL 173.33, 0.46%, 0.5%

LAB 68.68, -35.6, -3.09

 

CMYK 58 / 0 / 6 / 20

HEX #55CBBF

RGB 85 203 191

HSL 173.9, 0.53%, 0.56%

LAB 75.08, -35.9, -3.98

 

CMYK 54 / 0 / 5 / 13

HEX #66DDD2

RGB 102 221 210

HSL 174.45, 0.64%, 0.63%

LAB 81.4, -36.07, -4.8

 

CMYK 81 / 0 / 7 / 42

HEX #1D958B

RGB 29 149 139

HSL 175, 0.67%, 0.35%

LAB 55.71, -33.49, -3.77

 

CMYK 91 / 0 / 8 / 49

HEX #0C8378

RGB 12 131 120

HSL 174.45, 0.83%, 0.28%

LAB 49.09, -32.13, -2.53

 

CMYK 100 / 0 / 11 / 56

HEX #007165

RGB 0 113 101

HSL 173.63, 1%, 0.22%

LAB 42.38, -30.24, -1.09

 

CMYK 100 / 0 / 14 / 63

HEX #005F52

RGB 0 95 82

HSL 171.79, 1%, 0.19%

LAB 35.58, -27.61, 0.59

 

CMYK 100 / 0 / 18 / 70

HEX #004D3F

RGB 0 77 63

HSL 169.09, 1%, 0.15%

LAB 28.56, -24.9, 2.4

 

CMYK 81 / 0 / 7 / 42

HEX #1D958B

RGB 29 149 139

HSL 175, 0.67%, 0.35%

LAB 55.71, -33.49, -3.77

 

CMYK 81 / 0 / 29 / 42

HEX #1D956A

RGB 29 149 106

HSL 158.5, 0.67%, 0.35%

LAB 54.86, -42.29, 13.84

 

CMYK 81 / 0 / 50 / 42

HEX #1D954A

RGB 29 149 74

HSL 142.5, 0.67%, 0.35%

LAB 54.29, -48.78, 30.61

 

CMYK 81 / 0 / 72 / 42

HEX #1D952A

RGB 29 149 42

HSL 126.5, 0.67%, 0.35%

LAB 53.95, -52.96, 45.31

 

CMYK 68 / 0 / 81 / 42

HEX #30951D

RGB 48 149 29

HSL 110.5, 0.67%, 0.35%

LAB 54.25, -50.67, 50.43

 

CMYK 81 / 0 / 7 / 42

HEX #1D958B

RGB 29 149 139

HSL 175, 0.67%, 0.35%

LAB 55.71, -33.49, -3.77

 

CMYK 81 / 15 / 0 / 42

HEX #1D7E95

RGB 29 126 149

HSL 191.5, 0.67%, 0.35%

LAB 48.7, -18.7, -20.13

 

CMYK 81 / 37 / 0 / 42

HEX #1D5E95

RGB 29 94 149

HSL 207.5, 0.67%, 0.35%

LAB 38.61, 0.12, -35.87

 

CMYK 81 / 58 / 0 / 42

HEX #1D3E95

RGB 29 62 149

HSL 223.5, 0.67%, 0.35%

LAB 29.1, 21.53, -51.17

 

CMYK 81 / 80 / 0 / 42

HEX #1D1E95

RGB 29 30 149

HSL 239.5, 0.67%, 0.35%

LAB 21.43, 42.03, -63.77

 

CMYK 81 / 0 / 7 / 42

HEX #1D958B

RGB 29 149 139

HSL 175, 0.67%, 0.35%

LAB 55.71, -33.49, -3.77

 

CMYK 91 / 0 / 7 / 36

HEX #0FA397

RGB 15 163 151

HSL 175.14, 0.83%, 0.35%

LAB 60.36, -37.42, -3.74

 

CMYK 100 / 0 / 8 / 31

HEX #00B1A3

RGB 0 177 163

HSL 175.25, 1%, 0.35%

LAB 65.03, -40.74, -3.59

 

CMYK 81 / 0 / 7 / 42

HEX #1D958B

RGB 29 149 139

HSL 175, 0.67%, 0.35%

LAB 55.71, -33.49, -3.77

 

CMYK 68 / 0 / 5 / 47

HEX #2B867F

RGB 43 134 127

HSL 175.38, 0.51%, 0.35%

LAB 50.8, -28.01, -4.04

 

CMYK 52 / 0 / 4 / 53

HEX #3A7873

RGB 58 120 115

HSL 175.16, 0.35%, 0.35%

LAB 46.41, -21.29, -3.41

 

CMYK 31 / 0 / 3 / 59

HEX #486966

RGB 72 105 102

HSL 174.55, 0.19%, 0.35%

LAB 41.91, -12.6, -2.15

 

CMYK 4 / 0 / 1 / 64

HEX #575B5A

RGB 87 91 90

HSL 165, 0.02%, 0.35%

LAB 38.28, -1.79, 0.02

 

CMYK 81 / 0 / 50 / 42

HEX #1D954B

RGB 29 149 75

HSL 143, 0.67%, 0.35%

LAB 54.31, -48.61, 30.11

 

CMYK 81 / 0 / 28 / 42

HEX #1D956B

RGB 29 149 107

HSL 159, 0.67%, 0.35%

LAB 54.88, -42.06, 13.31

 

CMYK 81 / 0 / 7 / 42

HEX #1D958B

RGB 29 149 139

HSL 175, 0.67%, 0.35%

LAB 55.71, -33.49, -3.77

 

CMYK 81 / 15 / 0 / 42

HEX #1D7F95

RGB 29 127 149

HSL 191, 0.67%, 0.35%

LAB 49.02, -19.25, -19.64

 

CMYK 81 / 36 / 0 / 42

HEX #1D5F95

RGB 29 95 149

HSL 207, 0.67%, 0.35%

LAB 38.93, -0.52, -35.38

 

CMYK 81 / 0 / 7 / 69

HEX #0F504A

RGB 15 80 74

HSL 174.46, 0.68%, 0.19%

LAB 30.24, -21.12, -2.17

 

CMYK 81 / 0 / 7 / 55

HEX #16726A

RGB 22 114 106

HSL 174.78, 0.68%, 0.27%

LAB 43.13, -27.4, -2.97

 

CMYK 81 / 0 / 7 / 42

HEX #1D958B

RGB 29 149 139

HSL 175, 0.67%, 0.35%

LAB 55.71, -33.49, -3.77

 

CMYK 80 / 0 / 7 / 28

HEX #24B7AB

RGB 36 183 171

HSL 175.1, 0.67%, 0.43%

LAB 67.41, -39.13, -4.48

 

CMYK 78 / 0 / 6 / 16

HEX #2FD5C8

RGB 47 213 200

HSL 175.3, 0.66%, 0.51%

LAB 77.5, -43.29, -5.35

 

CMYK 81 / 0 / 7 / 42

HEX #1D958B

RGB 29 149 139

HSL 175, 0.67%, 0.35%

LAB 55.71, -33.49, -3.77

 

CMYK 71 / 81 / 0 / 42

HEX #2B1D95

RGB 43 29 149

HSL 247, 0.67%, 0.35%

LAB 22.17, 43.66, -62.52

 

CMYK 0 / 39 / 81 / 42

HEX #955B1D

RGB 149 91 29

HSL 31, 0.67%, 0.35%

LAB 44.18, 18.74, 43.38

 

CMYK 81 / 0 / 7 / 42

HEX #1D958B

RGB 29 149 139

HSL 175, 0.67%, 0.35%

LAB 55.71, -33.49, -3.77

 

CMYK 7 / 81 / 0 / 42

HEX #8B1D95

RGB 139 29 149

HSL 295, 0.67%, 0.35%

LAB 35.08, 58.82, -40.93

 

CMYK 0 / 7 / 81 / 42

HEX #958B1D

RGB 149 139 29

HSL 55, 0.67%, 0.35%

LAB 57.02, -8.45, 55.12

 

CMYK 81 / 0 / 7 / 42

HEX #1D958B

RGB 29 149 139

HSL 175, 0.67%, 0.35%

LAB 55.71, -33.49, -3.77

 

CMYK 71 / 81 / 0 / 42

HEX #2B1D95

RGB 43 29 149

HSL 247, 0.67%, 0.35%

LAB 22.17, 43.66, -62.52

 

CMYK 0 / 81 / 74 / 42

HEX #951D27

RGB 149 29 39

HSL 355, 0.67%, 0.35%

LAB 32.73, 48.87, 26.03

 

CMYK 9 / 0 / 81 / 42

HEX #87951D

RGB 135 149 29

HSL 67, 0.67%, 0.35%

LAB 58.73, -20.02, 56.2

 

CMYK 81 / 0 / 7 / 42

HEX #1D958B

RGB 29 149 139

HSL 175, 0.67%, 0.35%

LAB 55.71, -33.49, -3.77

 

CMYK 47 / 81 / 0 / 42

HEX #4F1D95

RGB 79 29 149

HSL 265, 0.67%, 0.35%

LAB 25.89, 48.06, -56.25

 

CMYK 0 / 81 / 74 / 42

HEX #951D27

RGB 149 29 39

HSL 355, 0.67%, 0.35%

LAB 32.73, 48.87, 26.03

 

CMYK 34 / 0 / 81 / 42

HEX #63951D

RGB 99 149 29

HSL 85, 0.67%, 0.35%

LAB 56.32, -35, 53.12

 

Description

Color code: HEX #1D958B | qconv.com Color code: HEX #1D958B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 149 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 149 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 7 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 7% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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