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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 114 24 it is the complementary color RGB 0 141 231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 114 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 255 114 24: RGB 255 114 19, RGB 255 132 38, RGB 255 150 57, RGB 255 168 76 and RGB 255 186 95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 114 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 255 114 24: RGB 255 114 24, RGB 238 96 5, RGB 221 78 0, RGB 204 60 0 and RGB 187 42 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 91 / 0

HEX #FF7218

RGB 255 114 24

HSL 23.38, 1%, 0.55%

LAB 64.45, 49.79, 68.04

 

Complementary color

CMYK 100 / 39 / 0 / 9

HEX #008DE7

RGB 0 141 231

HSL 203.38, 1%, 0.45%

LAB 56.9, 1.58, -54.13

 

CMYK 0 / 55 / 93 / 0

HEX #FF7213

RGB 255 114 19

HSL 24.15, 1%, 0.54%

LAB 64.44, 49.73, 69.26

 

CMYK 0 / 48 / 85 / 0

HEX #FF8426

RGB 255 132 38

HSL 25.99, 1%, 0.57%

LAB 67.95, 41.35, 66.48

 

CMYK 0 / 41 / 78 / 0

HEX #FF9639

RGB 255 150 57

HSL 28.18, 1%, 0.61%

LAB 71.8, 32.78, 62.82

 

CMYK 0 / 34 / 70 / 0

HEX #FFA84C

RGB 255 168 76

HSL 30.84, 1%, 0.65%

LAB 75.94, 24.24, 58.87

 

CMYK 0 / 27 / 63 / 0

HEX #FFBA5F

RGB 255 186 95

HSL 34.13, 1%, 0.69%

LAB 80.29, 15.91, 54.93

 

CMYK 0 / 55 / 91 / 0

HEX #FF7218

RGB 255 114 24

HSL 23.38, 1%, 0.55%

LAB 64.45, 49.79, 68.04

 

CMYK 0 / 60 / 98 / 7

HEX #EE6005

RGB 238 96 5

HSL 23.43, 0.96%, 0.48%

LAB 58.56, 51.66, 66.9

 

CMYK 0 / 65 / 100 / 13

HEX #DD4E00

RGB 221 78 0

HSL 21.18, 1%, 0.43%

LAB 52.75, 53.44, 63.22

 

CMYK 0 / 71 / 100 / 20

HEX #CC3C00

RGB 204 60 0

HSL 17.65, 1%, 0.4%

LAB 47.06, 54.88, 58.71

 

CMYK 0 / 78 / 100 / 27

HEX #BB2A00

RGB 187 42 0

HSL 13.48, 1%, 0.37%

LAB 41.56, 55.68, 54.31

 

CMYK 0 / 55 / 91 / 0

HEX #FF7218

RGB 255 114 24

HSL 23.38, 1%, 0.55%

LAB 64.45, 49.79, 68.04

 

CMYK 0 / 41 / 90 / 0

HEX #FF9719

RGB 255 151 25

HSL 32.87, 1%, 0.55%

LAB 71.87, 31.46, 73.16

 

CMYK 0 / 26 / 90 / 0

HEX #FFBD19

RGB 255 189 25

HSL 42.78, 1%, 0.55%

LAB 80.59, 11.68, 79.67

 

CMYK 0 / 11 / 90 / 0

HEX #FFE419

RGB 255 228 25

HSL 52.96, 1%, 0.55%

LAB 90.24, -8.2, 87.01

 

CMYK 5 / 0 / 90 / 0

HEX #F3FF19

RGB 243 255 25

HSL 63.13, 1%, 0.55%

LAB 96.26, -26.22, 91.25

 

CMYK 0 / 55 / 91 / 0

HEX #FF7218

RGB 255 114 24

HSL 23.38, 1%, 0.55%

LAB 64.45, 49.79, 68.04

 

CMYK 0 / 55 / 90 / 80

HEX #331705

RGB 51 23 5

HSL 23.48, 0.82%, 0.11%

LAB 11.47, 12.34, 15.33

 

CMYK 0 / 55 / 90 / 60

HEX #662E0A

RGB 102 46 10

HSL 23.48, 0.82%, 0.22%

LAB 26.16, 22.87, 32.65

 

CMYK 0 / 56 / 91 / 40

HEX #99440E

RGB 153 68 14

HSL 23.31, 0.83%, 0.33%

LAB 39.48, 32.77, 45.45

 

CMYK 0 / 55 / 91 / 20

HEX #CC5B13

RGB 204 91 19

HSL 23.35, 0.83%, 0.44%

LAB 52.25, 41.5, 57.05

 

CMYK 0 / 55 / 91 / 0

HEX #FF7218

RGB 255 114 24

HSL 23.38, 1%, 0.55%

LAB 64.45, 49.79, 68.04

 

CMYK 53 / 0 / 90 / 0

HEX #79FF19

RGB 121 255 25

HSL 94.96, 1%, 0.55%

LAB 89.7, -69.34, 83.22

 

CMYK 90 / 89 / 0 / 0

HEX #191DFF

RGB 25 29 255

HSL 238.96, 1%, 0.55%

LAB 34.61, 73.64, -103.99

 

CMYK 0 / 55 / 91 / 0

HEX #FF7218

RGB 255 114 24

HSL 23.38, 1%, 0.55%

LAB 64.45, 49.79, 68.04

 

CMYK 90 / 0 / 56 / 0

HEX #19FF71

RGB 25 255 113

HSL 142.96, 1%, 0.55%

LAB 88.41, -78.04, 53.39

 

CMYK 56 / 90 / 0 / 0

HEX #7119FF

RGB 113 25 255

HSL 262.96, 1%, 0.55%

LAB 40.29, 78.62, -94.39

 

CMYK 0 / 55 / 91 / 0

HEX #FF7218

RGB 255 114 24

HSL 23.38, 1%, 0.55%

LAB 64.45, 49.79, 68.04

 

CMYK 53 / 0 / 90 / 0

HEX #79FF19

RGB 121 255 25

HSL 94.96, 1%, 0.55%

LAB 89.7, -69.34, 83.22

 

CMYK 90 / 35 / 0 / 0

HEX #19A7FF

RGB 25 167 255

HSL 202.96, 1%, 0.55%

LAB 65.8, -3.77, -53.16

 

CMYK 38 / 90 / 0 / 0

HEX #9F19FF

RGB 159 25 255

HSL 274.96, 1%, 0.55%

LAB 46.02, 82.99, -84.73

 

CMYK 0 / 55 / 91 / 0

HEX #FF7218

RGB 255 114 24

HSL 23.38, 1%, 0.55%

LAB 64.45, 49.79, 68.04

 

CMYK 80 / 0 / 90 / 0

HEX #34FF19

RGB 52 255 25

HSL 112.96, 1%, 0.55%

LAB 88.12, -82.57, 81.27

 

CMYK 90 / 35 / 0 / 0

HEX #19A7FF

RGB 25 167 255

HSL 202.96, 1%, 0.55%

LAB 65.8, -3.77, -53.16

 

CMYK 11 / 90 / 0 / 0

HEX #E419FF

RGB 228 25 255

HSL 292.96, 1%, 0.55%

LAB 56.5, 92.2, -67.23

 

Description

Color code: RGB 255 114 24 | qconv.com Color code: RGB 255 114 24 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 114 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 114 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 91 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 91% 0% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

42% - Günstige Pauschalrei...
Link: http://www.start.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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