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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 56 / 90 / 0 / 0 it is the complementary color CMYK 38 / 0 / 100 / 10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 56 / 90 / 0 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 56 / 90 / 0 / 0: CMYK 53 / 90 / 0 / 2, CMYK 47 / 83 / 0 / 0, CMYK 41 / 76 / 0 / 0, CMYK 34 / 69 / 0 / 0 and CMYK 27 / 62 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 56 / 90 / 0 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 56 / 90 / 0 / 0: CMYK 56 / 90 / 0 / 0, CMYK 60 / 97 / 0 / 7, CMYK 64 / 100 / 0 / 15, CMYK 69 / 100 / 0 / 22 and CMYK 75 / 100 / 0 / 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 90 / 0 / 0

HEX #701AFF

RGB 112 26 255

HSL 262.53, 1%, 0.55%

LAB 40.25, 78.33, -94.45

 

Complementary color

CMYK 38 / 0 / 100 / 10

HEX #8FE500

RGB 143 229 0

HSL 82.53, 1%, 0.45%

LAB 82.85, -53.43, 80.59

 

CMYK 53 / 90 / 0 / 2

HEX #751AFA

RGB 117 26 250

HSL 264.38, 0.96%, 0.54%

LAB 40.28, 77.59, -91.58

 

CMYK 47 / 83 / 0 / 0

HEX #862CFF

RGB 134 44 255

HSL 265.59, 1%, 0.59%

LAB 44.36, 75.58, -87.58

 

CMYK 41 / 76 / 0 / 0

HEX #973EFF

RGB 151 62 255

HSL 267.67, 1%, 0.62%

LAB 48.57, 71.46, -80.6

 

CMYK 34 / 69 / 0 / 0

HEX #A850FF

RGB 168 80 255

HSL 270.17, 1%, 0.66%

LAB 53.26, 66.78, -72.88

 

CMYK 27 / 62 / 0 / 0

HEX #B962FF

RGB 185 98 255

HSL 273.25, 1%, 0.69%

LAB 58.29, 61.89, -64.64

 

CMYK 56 / 90 / 0 / 0

HEX #701AFF

RGB 112 26 255

HSL 262.53, 1%, 0.55%

LAB 40.25, 78.33, -94.45

 

CMYK 60 / 97 / 0 / 7

HEX #5F08EC

RGB 95 8 236

HSL 262.89, 0.93%, 0.48%

LAB 35.33, 75.89, -91.96

 

CMYK 64 / 100 / 0 / 15

HEX #4E00D9

RGB 78 0 217

HSL 261.57, 1%, 0.43%

LAB 30.95, 71.78, -88.4

 

CMYK 69 / 100 / 0 / 22

HEX #3D00C6

RGB 61 0 198

HSL 258.48, 1%, 0.39%

LAB 26.93, 66.6, -84.06

 

CMYK 75 / 100 / 0 / 30

HEX #2C00B3

RGB 44 0 179

HSL 254.75, 1%, 0.35%

LAB 22.97, 61.41, -79.43

 

CMYK 56 / 90 / 0 / 0

HEX #701AFF

RGB 112 26 255

HSL 262.53, 1%, 0.55%

LAB 40.25, 78.33, -94.45

 

CMYK 42 / 90 / 0 / 0

HEX #9319FF

RGB 147 25 255

HSL 271.83, 1%, 0.55%

LAB 44.4, 81.7, -87.46

 

CMYK 27 / 90 / 0 / 0

HEX #BA19FF

RGB 186 25 255

HSL 282, 1%, 0.55%

LAB 49.92, 86.27, -78.19

 

CMYK 12 / 90 / 0 / 0

HEX #E019FF

RGB 224 25 255

HSL 291.91, 1%, 0.55%

LAB 55.85, 91.6, -68.3

 

CMYK 0 / 90 / 3 / 0

HEX #FF19F7

RGB 255 25 247

HSL 302.09, 1%, 0.55%

LAB 60.49, 95.32, -56.13

 

CMYK 56 / 90 / 0 / 0

HEX #701AFF

RGB 112 26 255

HSL 262.53, 1%, 0.55%

LAB 40.25, 78.33, -94.45

 

CMYK 57 / 90 / 0 / 80

HEX #160533

RGB 22 5 51

HSL 262.17, 0.82%, 0.11%

LAB 4.68, 19.79, -25.94

 

CMYK 56 / 90 / 0 / 60

HEX #2D0A66

RGB 45 10 102

HSL 262.83, 0.82%, 0.22%

LAB 14.03, 38.32, -45.99

 

CMYK 56 / 90 / 0 / 40

HEX #431099

RGB 67 16 153

HSL 262.34, 0.81%, 0.33%

LAB 23.22, 52.35, -63.17

 

CMYK 56 / 90 / 0 / 20

HEX #5A15CC

RGB 90 21 204

HSL 262.62, 0.81%, 0.44%

LAB 31.96, 65.74, -79.13

 

CMYK 56 / 90 / 0 / 0

HEX #701AFF

RGB 112 26 255

HSL 262.53, 1%, 0.55%

LAB 40.25, 78.33, -94.45

 

CMYK 0 / 90 / 51 / 0

HEX #FF197C

RGB 255 25 124

HSL 334.17, 1%, 0.55%

LAB 55.49, 82.19, 7.34

 

CMYK 87 / 0 / 90 / 0

HEX #21FF19

RGB 33 255 25

HSL 117.91, 1%, 0.55%

LAB 87.93, -84.32, 81.02

 

CMYK 56 / 90 / 0 / 0

HEX #701AFF

RGB 112 26 255

HSL 262.53, 1%, 0.55%

LAB 40.25, 78.33, -94.45

 

CMYK 0 / 57 / 90 / 0

HEX #FF6D19

RGB 255 109 25

HSL 21.91, 1%, 0.55%

LAB 63.56, 52.12, 67.14

 

CMYK 90 / 0 / 57 / 0

HEX #19FF6D

RGB 25 255 109

HSL 141.91, 1%, 0.55%

LAB 88.37, -78.56, 55.11

 

CMYK 56 / 90 / 0 / 0

HEX #701AFF

RGB 112 26 255

HSL 262.53, 1%, 0.55%

LAB 40.25, 78.33, -94.45

 

CMYK 0 / 90 / 51 / 0

HEX #FF197C

RGB 255 25 124

HSL 334.17, 1%, 0.55%

LAB 55.49, 82.19, 7.34

 

CMYK 33 / 0 / 90 / 0

HEX #AAFF19

RGB 170 255 25

HSL 82.17, 1%, 0.55%

LAB 91.75, -54.14, 85.75

 

CMYK 90 / 0 / 39 / 0

HEX #19FF9B

RGB 25 255 155

HSL 153.91, 1%, 0.55%

LAB 88.97, -71.37, 34.14

 

CMYK 56 / 90 / 0 / 0

HEX #701AFF

RGB 112 26 255

HSL 262.53, 1%, 0.55%

LAB 40.25, 78.33, -94.45

 

CMYK 0 / 90 / 78 / 0

HEX #FF1938

RGB 255 25 56

HSL 351.91, 1%, 0.55%

LAB 54.28, 78.81, 45.9

 

CMYK 33 / 0 / 90 / 0

HEX #AAFF19

RGB 170 255 25

HSL 82.17, 1%, 0.55%

LAB 91.75, -54.14, 85.75

 

CMYK 90 / 0 / 12 / 0

HEX #19FFE0

RGB 25 255 224

HSL 171.91, 1%, 0.55%

LAB 90.37, -55.91, 0.85

 

Description

Color code: CMYK 56 / 90 / 0 / 0 | qconv.com Color code: CMYK 56 / 90 / 0 / 0 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 26 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 26 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 90 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 90% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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