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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 250 158 66 it is the complementary color RGB 5 97 189. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 250 158 66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 250 158 66: RGB 255 158 61, RGB 255 176 80, RGB 255 194 99, RGB 255 212 118 and RGB 255 230 137

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 250 158 66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 250 158 66: RGB 250 158 66, RGB 233 140 47, RGB 216 122 28, RGB 199 104 9 and RGB 182 86 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 74 / 2

HEX #FA9E42

RGB 250 158 66

HSL 30, 0.95%, 0.62%

LAB 73, 26.96, 60.03

 

Complementary color

CMYK 97 / 49 / 0 / 26

HEX #0561BD

RGB 5 97 189

HSL 210, 0.95%, 0.38%

LAB 41.62, 12.66, -54.75

 

CMYK 0 / 38 / 76 / 0

HEX #FF9E3D

RGB 255 158 61

HSL 30, 1%, 0.62%

LAB 73.58, 28.79, 62.9

 

CMYK 0 / 31 / 69 / 0

HEX #FFB050

RGB 255 176 80

HSL 32.91, 1%, 0.66%

LAB 77.81, 20.26, 59.07

 

CMYK 0 / 24 / 61 / 0

HEX #FFC263

RGB 255 194 99

HSL 36.54, 1%, 0.69%

LAB 82.24, 12, 55.28

 

CMYK 0 / 17 / 54 / 0

HEX #FFD476

RGB 255 212 118

HSL 41.17, 1%, 0.73%

LAB 86.83, 4.09, 51.64

 

CMYK 0 / 10 / 46 / 0

HEX #FFE689

RGB 255 230 137

HSL 47.29, 1%, 0.77%

LAB 91.53, -3.42, 48.21

 

CMYK 0 / 37 / 74 / 2

HEX #FA9E42

RGB 250 158 66

HSL 30, 0.95%, 0.62%

LAB 73, 26.96, 60.03

 

CMYK 0 / 40 / 80 / 9

HEX #E98C2F

RGB 233 140 47

HSL 30, 0.81%, 0.55%

LAB 66.74, 28.68, 61.03

 

CMYK 0 / 44 / 87 / 15

HEX #D87A1C

RGB 216 122 28

HSL 30, 0.77%, 0.48%

LAB 60.43, 30.61, 61.37

 

CMYK 0 / 48 / 95 / 22

HEX #C76809

RGB 199 104 9

HSL 30, 0.91%, 0.41%

LAB 54.09, 32.74, 60.36

 

CMYK 0 / 53 / 100 / 29

HEX #B65600

RGB 182 86 0

HSL 28.35, 1%, 0.36%

LAB 47.75, 35.05, 57.04

 

CMYK 0 / 37 / 74 / 2

HEX #FA9E42

RGB 250 158 66

HSL 30, 0.95%, 0.62%

LAB 73, 26.96, 60.03

 

CMYK 0 / 25 / 74 / 2

HEX #FABC42

RGB 250 188 66

HSL 39.78, 0.95%, 0.62%

LAB 80, 11.25, 66.99

 

CMYK 0 / 12 / 74 / 2

HEX #FADB42

RGB 250 219 66

HSL 49.89, 0.95%, 0.62%

LAB 87.67, -4.67, 74.39

 

CMYK 0 / 0 / 74 / 2

HEX #FAFA42

RGB 250 250 66

HSL 60, 0.95%, 0.62%

LAB 95.62, -19.91, 81.83

 

CMYK 12 / 0 / 74 / 2

HEX #DBFA42

RGB 219 250 66

HSL 70.11, 0.95%, 0.62%

LAB 93.37, -32.32, 78.93

 

CMYK 0 / 37 / 74 / 2

HEX #FA9E42

RGB 250 158 66

HSL 30, 0.95%, 0.62%

LAB 73, 26.96, 60.03

 

CMYK 0 / 37 / 74 / 82

HEX #2E1D0C

RGB 46 29 12

HSL 30, 0.59%, 0.11%

LAB 12.52, 6.07, 13.74

 

CMYK 0 / 37 / 73 / 62

HEX #613D1A

RGB 97 61 26

HSL 29.58, 0.58%, 0.24%

LAB 29.29, 12.18, 27.44

 

CMYK 0 / 36 / 74 / 42

HEX #945E27

RGB 148 94 39

HSL 30.28, 0.58%, 0.37%

LAB 44.87, 17.02, 39.39

 

CMYK 0 / 37 / 73 / 22

HEX #C77E35

RGB 199 126 53

HSL 30, 0.58%, 0.49%

LAB 59.27, 22.15, 49.76

 

CMYK 0 / 37 / 74 / 2

HEX #FA9E42

RGB 250 158 66

HSL 30, 0.95%, 0.62%

LAB 73, 26.96, 60.03

 

CMYK 52 / 0 / 74 / 2

HEX #79FA42

RGB 121 250 66

HSL 102.07, 0.95%, 0.62%

LAB 88.37, -65.86, 72.37

 

CMYK 66 / 74 / 0 / 2

HEX #5442FA

RGB 84 66 250

HSL 245.87, 0.95%, 0.62%

LAB 42.28, 59.73, -88.38

 

CMYK 0 / 37 / 74 / 2

HEX #FA9E42

RGB 250 158 66

HSL 30, 0.95%, 0.62%

LAB 73, 26.96, 60.03

 

CMYK 74 / 0 / 37 / 2

HEX #42FA9E

RGB 66 250 158

HSL 150, 0.95%, 0.62%

LAB 87.97, -65.48, 31.39

 

CMYK 37 / 74 / 0 / 2

HEX #9E42FA

RGB 158 66 250

HSL 270, 0.95%, 0.62%

LAB 49.58, 69.83, -76.13

 

CMYK 0 / 37 / 74 / 2

HEX #FA9E42

RGB 250 158 66

HSL 30, 0.95%, 0.62%

LAB 73, 26.96, 60.03

 

CMYK 52 / 0 / 74 / 2

HEX #79FA42

RGB 121 250 66

HSL 102.07, 0.95%, 0.62%

LAB 88.37, -65.86, 72.37

 

CMYK 74 / 37 / 0 / 2

HEX #429EFA

RGB 66 158 250

HSL 210, 0.95%, 0.62%

LAB 63.77, 3.03, -53.61

 

CMYK 22 / 74 / 0 / 2

HEX #C242FA

RGB 194 66 250

HSL 281.74, 0.95%, 0.62%

LAB 54.31, 76.11, -68.23

 

CMYK 0 / 37 / 74 / 2

HEX #FA9E42

RGB 250 158 66

HSL 30, 0.95%, 0.62%

LAB 73, 26.96, 60.03

 

CMYK 74 / 0 / 74 / 2

HEX #42FA42

RGB 66 250 66

HSL 120, 0.95%, 0.62%

LAB 86.96, -77.34, 70.5

 

CMYK 74 / 37 / 0 / 2

HEX #429EFA

RGB 66 158 250

HSL 210, 0.95%, 0.62%

LAB 63.77, 3.03, -53.61

 

CMYK 0 / 74 / 0 / 2

HEX #FA42FA

RGB 250 66 250

HSL 300, 0.95%, 0.62%

LAB 62.61, 86.78, -54.47

 

Description

Color code: RGB 250 158 66 | qconv.com Color code: RGB 250 158 66 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 158 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 158 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 74 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 74% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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