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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 104 9 it is the complementary color RGB 56 151 246. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 104 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 199 104 9: RGB 204 104 4, RGB 221 122 23, RGB 238 140 42, RGB 255 158 61 and RGB 255 176 80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 104 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 199 104 9: RGB 199 104 9, RGB 182 86 0, RGB 165 68 0, RGB 148 50 0 and RGB 131 32 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 95 / 22

HEX #C76809

RGB 199 104 9

HSL 30, 0.91%, 0.41%

LAB 54.09, 32.74, 60.36

 

Complementary color

CMYK 77 / 39 / 0 / 4

HEX #3897F6

RGB 56 151 246

HSL 210, 0.91%, 0.59%

LAB 61.33, 4.56, -55.31

 

CMYK 0 / 49 / 98 / 20

HEX #CC6804

RGB 204 104 4

HSL 30, 0.96%, 0.41%

LAB 54.81, 34.74, 62.15

 

CMYK 0 / 45 / 90 / 13

HEX #DD7A17

RGB 221 122 23

HSL 30, 0.81%, 0.48%

LAB 61.09, 32.57, 63.62

 

CMYK 0 / 41 / 82 / 7

HEX #EE8C2A

RGB 238 140 42

HSL 30, 0.85%, 0.55%

LAB 67.35, 30.58, 63.68

 

CMYK 0 / 38 / 76 / 0

HEX #FF9E3D

RGB 255 158 61

HSL 30, 1%, 0.62%

LAB 73.58, 28.79, 62.9

 

CMYK 0 / 31 / 69 / 0

HEX #FFB050

RGB 255 176 80

HSL 32.91, 1%, 0.66%

LAB 77.81, 20.26, 59.07

 

CMYK 0 / 48 / 95 / 22

HEX #C76809

RGB 199 104 9

HSL 30, 0.91%, 0.41%

LAB 54.09, 32.74, 60.36

 

CMYK 0 / 53 / 100 / 29

HEX #B65600

RGB 182 86 0

HSL 28.35, 1%, 0.36%

LAB 47.75, 35.05, 57.04

 

CMYK 0 / 59 / 100 / 35

HEX #A54400

RGB 165 68 0

HSL 24.73, 1%, 0.32%

LAB 41.43, 37.37, 51.99

 

CMYK 0 / 66 / 100 / 42

HEX #943200

RGB 148 50 0

HSL 20.27, 1%, 0.29%

LAB 35.16, 39.42, 47

 

CMYK 0 / 76 / 100 / 49

HEX #832000

RGB 131 32 0

HSL 14.66, 1%, 0.26%

LAB 29.05, 40.88, 41.36

 

CMYK 0 / 48 / 95 / 22

HEX #C76809

RGB 199 104 9

HSL 30, 0.91%, 0.41%

LAB 54.09, 32.74, 60.36

 

CMYK 0 / 32 / 95 / 22

HEX #C78809

RGB 199 136 9

HSL 40.11, 0.91%, 0.41%

LAB 61.46, 15.44, 65.45

 

CMYK 0 / 16 / 95 / 22

HEX #C7A709

RGB 199 167 9

HSL 49.89, 0.91%, 0.41%

LAB 69.33, -1.32, 71.14

 

CMYK 0 / 0 / 95 / 22

HEX #C7C709

RGB 199 199 9

HSL 60, 0.91%, 0.41%

LAB 77.88, -17.79, 77.51

 

CMYK 16 / 0 / 95 / 22

HEX #A7C709

RGB 167 199 9

HSL 70.11, 0.91%, 0.41%

LAB 75.5, -31.28, 74.65

 

CMYK 0 / 48 / 95 / 22

HEX #C76809

RGB 199 104 9

HSL 30, 0.91%, 0.41%

LAB 54.09, 32.74, 60.36

 

CMYK 0 / 48 / 96 / 2

HEX #FA830B

RGB 250 131 11

HSL 30.13, 0.96%, 0.51%

LAB 66.96, 39.47, 72.05

 

CMYK 0 / 48 / 96 / 82

HEX #2E1802

RGB 46 24 2

HSL 30, 0.92%, 0.09%

LAB 10.84, 8.73, 15.55

 

CMYK 0 / 47 / 96 / 62

HEX #613304

RGB 97 51 4

HSL 30.32, 0.92%, 0.2%

LAB 26.5, 17.39, 35.09

 

CMYK 0 / 48 / 95 / 42

HEX #944D07

RGB 148 77 7

HSL 29.79, 0.91%, 0.3%

LAB 40.6, 25.65, 48.02

 

CMYK 0 / 48 / 95 / 22

HEX #C76809

RGB 199 104 9

HSL 30, 0.91%, 0.41%

LAB 54.09, 32.74, 60.36

 

CMYK 67 / 0 / 95 / 22

HEX #42C709

RGB 66 199 9

HSL 102, 0.91%, 0.41%

LAB 70.89, -64.21, 69.03

 

CMYK 86 / 95 / 0 / 22

HEX #1C09C7

RGB 28 9 199

HSL 246, 0.91%, 0.41%

LAB 25.46, 64.11, -87.16

 

CMYK 0 / 48 / 95 / 22

HEX #C76809

RGB 199 104 9

HSL 30, 0.91%, 0.41%

LAB 54.09, 32.74, 60.36

 

CMYK 95 / 0 / 48 / 22

HEX #09C768

RGB 9 199 104

HSL 150, 0.91%, 0.41%

LAB 70.8, -62.42, 36.03

 

CMYK 48 / 95 / 0 / 22

HEX #6809C7

RGB 104 9 199

HSL 270, 0.91%, 0.41%

LAB 32.4, 68.14, -75.44

 

CMYK 0 / 48 / 95 / 22

HEX #C76809

RGB 199 104 9

HSL 30, 0.91%, 0.41%

LAB 54.09, 32.74, 60.36

 

CMYK 67 / 0 / 95 / 22

HEX #42C709

RGB 66 199 9

HSL 102, 0.91%, 0.41%

LAB 70.89, -64.21, 69.03

 

CMYK 95 / 48 / 0 / 22

HEX #0968C7

RGB 9 104 199

HSL 210, 0.91%, 0.41%

LAB 44.35, 12.28, -56.13

 

CMYK 29 / 95 / 0 / 22

HEX #8E09C7

RGB 142 9 199

HSL 282, 0.91%, 0.41%

LAB 37.97, 72.33, -66.08

 

CMYK 0 / 48 / 95 / 22

HEX #C76809

RGB 199 104 9

HSL 30, 0.91%, 0.41%

LAB 54.09, 32.74, 60.36

 

CMYK 95 / 0 / 95 / 22

HEX #09C709

RGB 9 199 9

HSL 120, 0.91%, 0.41%

LAB 70.12, -70.95, 68.09

 

CMYK 95 / 48 / 0 / 22

HEX #0968C7

RGB 9 104 199

HSL 210, 0.91%, 0.41%

LAB 44.35, 12.28, -56.13

 

CMYK 0 / 95 / 0 / 22

HEX #C709C7

RGB 199 9 199

HSL 300, 0.91%, 0.41%

LAB 47.57, 80.77, -50.08

 

Description

Color code: RGB 199 104 9 | qconv.com Color code: RGB 199 104 9 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 104 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 104 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 95 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 95% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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