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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 249 127 206 it is the complementary color RGB 6 128 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 249 127 206. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 249 127 206: RGB 254 127 201, RGB 255 145 220, RGB 255 163 239, RGB 255 181 255 and RGB 255 199 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 249 127 206. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 249 127 206: RGB 249 127 206, RGB 232 109 187, RGB 215 91 168, RGB 198 73 149 and RGB 181 55 130

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 17 / 2

HEX #F97FCE

RGB 249 127 206

HSL 321.15, 0.91%, 0.74%

LAB 69.31, 55.89, -19.59

 

Complementary color

CMYK 95 / 0 / 62 / 50

HEX #068031

RGB 6 128 49

HSL 141.15, 0.91%, 0.26%

LAB 46.58, -47.47, 33.98

 

CMYK 0 / 50 / 21 / 0

HEX #FE7FC9

RGB 254 127 201

HSL 325.04, 0.98%, 0.75%

LAB 69.8, 56.7, -16

 

CMYK 0 / 43 / 14 / 0

HEX #FF91DC

RGB 255 145 220

HSL 319.09, 1%, 0.78%

LAB 73.98, 51.03, -20.17

 

CMYK 0 / 36 / 6 / 0

HEX #FFA3EF

RGB 255 163 239

HSL 310.43, 1%, 0.82%

LAB 78.28, 44.98, -23.99

 

CMYK 0 / 29 / 0 / 0

HEX #FFB5FF

RGB 255 181 255

HSL 300, 1%, 0.85%

LAB 82.66, 38.44, -25.9

 

CMYK 0 / 22 / 0 / 0

HEX #FFC7FF

RGB 255 199 255

HSL 300, 1%, 0.89%

LAB 86.67, 29, -19.82

 

CMYK 0 / 49 / 17 / 2

HEX #F97FCE

RGB 249 127 206

HSL 321.15, 0.91%, 0.74%

LAB 69.31, 55.89, -19.59

 

CMYK 0 / 53 / 19 / 9

HEX #E86DBB

RGB 232 109 187

HSL 321.95, 0.73%, 0.67%

LAB 63.08, 56.53, -18.59

 

CMYK 0 / 58 / 22 / 16

HEX #D75BA8

RGB 215 91 168

HSL 322.74, 0.61%, 0.6%

LAB 56.84, 57.06, -17.39

 

CMYK 0 / 63 / 25 / 22

HEX #C64995

RGB 198 73 149

HSL 323.52, 0.52%, 0.53%

LAB 50.62, 57.38, -15.93

 

CMYK 0 / 70 / 28 / 29

HEX #B53782

RGB 181 55 130

HSL 324.29, 0.53%, 0.46%

LAB 44.47, 57.34, -14.09

 

CMYK 0 / 49 / 17 / 2

HEX #F97FCE

RGB 249 127 206

HSL 321.15, 0.91%, 0.74%

LAB 69.31, 55.89, -19.59

 

CMYK 0 / 49 / 25 / 2

HEX #F980BA

RGB 249 128 186

HSL 331.24, 0.91%, 0.74%

LAB 68.84, 52.6, -9.12

 

CMYK 0 / 49 / 33 / 2

HEX #F980A6

RGB 249 128 166

HSL 341.16, 0.91%, 0.74%

LAB 68.26, 50.06, 1.28

 

CMYK 0 / 49 / 41 / 2

HEX #F98092

RGB 249 128 146

HSL 351.07, 0.91%, 0.74%

LAB 67.76, 47.82, 11.83

 

CMYK 0 / 48 / 49 / 2

HEX #F98280

RGB 249 130 128

HSL 0.99, 0.91%, 0.74%

LAB 67.77, 45.07, 21.96

 

CMYK 0 / 49 / 17 / 2

HEX #F97FCE

RGB 249 127 206

HSL 321.15, 0.91%, 0.74%

LAB 69.31, 55.89, -19.59

 

CMYK 0 / 49 / 18 / 82

HEX #2D1725

RGB 45 23 37

HSL 321.82, 0.32%, 0.13%

LAB 11.31, 13.64, -4.9

 

CMYK 0 / 49 / 18 / 62

HEX #60314F

RGB 96 49 79

HSL 321.7, 0.32%, 0.28%

LAB 27.43, 25.66, -8.97

 

CMYK 0 / 49 / 17 / 42

HEX #934B7A

RGB 147 75 122

HSL 320.83, 0.32%, 0.44%

LAB 42.22, 36.53, -13.13

 

CMYK 0 / 49 / 17 / 22

HEX #C665A4

RGB 198 101 164

HSL 321.03, 0.46%, 0.59%

LAB 56.08, 46.47, -16.44

 

CMYK 0 / 49 / 17 / 2

HEX #F97FCE

RGB 249 127 206

HSL 321.15, 0.91%, 0.74%

LAB 69.31, 55.89, -19.59

 

CMYK 0 / 22 / 49 / 2

HEX #F9C280

RGB 249 194 128

HSL 32.73, 0.91%, 0.74%

LAB 81.99, 11.85, 40.6

 

CMYK 49 / 0 / 3 / 2

HEX #80F9F2

RGB 128 249 242

HSL 176.53, 0.91%, 0.74%

LAB 91.12, -35.68, -7.16

 

CMYK 0 / 49 / 17 / 2

HEX #F97FCE

RGB 249 127 206

HSL 321.15, 0.91%, 0.74%

LAB 69.31, 55.89, -19.59

 

CMYK 17 / 0 / 49 / 2

HEX #CEF980

RGB 206 249 128

HSL 81.32, 0.91%, 0.74%

LAB 92.77, -32.34, 53.18

 

CMYK 49 / 17 / 0 / 2

HEX #80CEF9

RGB 128 206 249

HSL 201.32, 0.91%, 0.74%

LAB 79.37, -12.7, -28.55

 

CMYK 0 / 49 / 17 / 2

HEX #F97FCE

RGB 249 127 206

HSL 321.15, 0.91%, 0.74%

LAB 69.31, 55.89, -19.59

 

CMYK 0 / 22 / 49 / 2

HEX #F9C280

RGB 249 194 128

HSL 32.73, 0.91%, 0.74%

LAB 81.99, 11.85, 40.6

 

CMYK 49 / 0 / 32 / 2

HEX #80F9AA

RGB 128 249 170

HSL 140.83, 0.91%, 0.74%

LAB 89.51, -51.05, 27.69

 

CMYK 49 / 27 / 0 / 2

HEX #80B6F9

RGB 128 182 249

HSL 213.22, 0.91%, 0.74%

LAB 72.82, 0.2, -38.67

 

CMYK 0 / 49 / 17 / 2

HEX #F97FCE

RGB 249 127 206

HSL 321.15, 0.91%, 0.74%

LAB 69.31, 55.89, -19.59

 

CMYK 0 / 8 / 49 / 2

HEX #F9E680

RGB 249 230 128

HSL 50.58, 0.91%, 0.74%

LAB 90.91, -6.61, 51.67

 

CMYK 49 / 0 / 32 / 2

HEX #80F9AA

RGB 128 249 170

HSL 140.83, 0.91%, 0.74%

LAB 89.51, -51.05, 27.69

 

CMYK 49 / 41 / 0 / 2

HEX #8092F9

RGB 128 146 249

HSL 231.07, 0.91%, 0.74%

LAB 63.33, 20.75, -53.58

 

Description

Color code: RGB 249 127 206 | qconv.com Color code: RGB 249 127 206 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 127 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 127 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 17 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 17% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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