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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 50 / 21 / 0 it is the complementary color CMYK 100 / 0 / 57 / 50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 50 / 21 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 50 / 21 / 0: CMYK 0 / 50 / 23 / 0, CMYK 0 / 43 / 16 / 0, CMYK 0 / 36 / 8 / 0, CMYK 0 / 29 / 1 / 0 and CMYK 0 / 22 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 50 / 21 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 50 / 21 / 0: CMYK 0 / 50 / 21 / 0, CMYK 0 / 54 / 24 / 7, CMYK 0 / 58 / 26 / 13, CMYK 0 / 64 / 29 / 20 and CMYK 0 / 70 / 33 / 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 21 / 0

HEX #FF80C9

RGB 255 128 201

HSL 325.51, 1%, 0.75%

LAB 70.12, 56.54, -15.51

 

Complementary color

CMYK 100 / 0 / 57 / 50

HEX #007F36

RGB 0 127 54

HSL 145.51, 1%, 0.25%

LAB 46.24, -46.84, 31.05

 

CMYK 0 / 50 / 23 / 0

HEX #FF80C4

RGB 255 128 196

HSL 327.87, 1%, 0.75%

LAB 69.95, 55.85, -12.97

 

CMYK 0 / 43 / 16 / 0

HEX #FF92D7

RGB 255 146 215

HSL 322.02, 1%, 0.79%

LAB 74.01, 49.77, -17.38

 

CMYK 0 / 36 / 8 / 0

HEX #FFA4EA

RGB 255 164 234

HSL 313.85, 1%, 0.82%

LAB 78.32, 43.63, -21.22

 

CMYK 0 / 29 / 1 / 0

HEX #FFB6FD

RGB 255 182 253

HSL 301.64, 1%, 0.86%

LAB 82.81, 37.56, -24.6

 

CMYK 0 / 22 / 0 / 0

HEX #FFC8FF

RGB 255 200 255

HSL 300, 1%, 0.89%

LAB 86.89, 28.47, -19.48

 

CMYK 0 / 50 / 21 / 0

HEX #FF80C9

RGB 255 128 201

HSL 325.51, 1%, 0.75%

LAB 70.12, 56.54, -15.51

 

CMYK 0 / 54 / 24 / 7

HEX #EE6EB6

RGB 238 110 182

HSL 326.25, 0.79%, 0.68%

LAB 63.92, 57.19, -14.39

 

CMYK 0 / 58 / 26 / 13

HEX #DD5CA3

RGB 221 92 163

HSL 326.98, 0.65%, 0.61%

LAB 57.72, 57.72, -13.06

 

CMYK 0 / 64 / 29 / 20

HEX #CC4A90

RGB 204 74 144

HSL 327.69, 0.56%, 0.55%

LAB 51.55, 58.05, -11.45

 

CMYK 0 / 70 / 33 / 27

HEX #BB387D

RGB 187 56 125

HSL 328.4, 0.54%, 0.48%

LAB 45.46, 58.02, -9.45

 

CMYK 0 / 50 / 21 / 0

HEX #FF80C9

RGB 255 128 201

HSL 325.51, 1%, 0.75%

LAB 70.12, 56.54, -15.51

 

CMYK 0 / 50 / 29 / 0

HEX #FF7FB4

RGB 255 127 180

HSL 335.16, 1%, 0.75%

LAB 69.28, 54.23, -5.01

 

CMYK 0 / 50 / 38 / 0

HEX #FF7F9F

RGB 255 127 159

HSL 345, 1%, 0.75%

LAB 68.71, 51.75, 5.97

 

CMYK 0 / 50 / 46 / 0

HEX #FF7F8A

RGB 255 127 138

HSL 354.84, 1%, 0.75%

LAB 68.22, 49.59, 17.1

 

CMYK 0 / 46 / 50 / 0

HEX #FF8A7F

RGB 255 138 127

HSL 5.16, 1%, 0.75%

LAB 70.15, 43.17, 25.86

 

CMYK 0 / 50 / 21 / 0

HEX #FF80C9

RGB 255 128 201

HSL 325.51, 1%, 0.75%

LAB 70.12, 56.54, -15.51

 

CMYK 0 / 49 / 22 / 80

HEX #331A28

RGB 51 26 40

HSL 326.4, 0.32%, 0.15%

LAB 13.2, 14.81, -4.15

 

CMYK 0 / 50 / 22 / 60

HEX #663350

RGB 102 51 80

HSL 325.88, 0.33%, 0.3%

LAB 28.83, 26.91, -7.43

 

CMYK 0 / 50 / 21 / 40

HEX #994D79

RGB 153 77 121

HSL 325.26, 0.33%, 0.45%

LAB 43.45, 37.34, -10.57

 

CMYK 0 / 50 / 21 / 20

HEX #CC66A1

RGB 204 102 161

HSL 325.29, 0.5%, 0.6%

LAB 56.99, 47.44, -13.25

 

CMYK 0 / 50 / 21 / 0

HEX #FF80C9

RGB 255 128 201

HSL 325.51, 1%, 0.75%

LAB 70.12, 56.54, -15.51

 

CMYK 0 / 19 / 50 / 0

HEX #FFCE7F

RGB 255 206 127

HSL 37.03, 1%, 0.75%

LAB 85.47, 7.93, 45.59

 

CMYK 50 / 1 / 0 / 0

HEX #7FFCFF

RGB 127 252 255

HSL 181.41, 1%, 0.75%

LAB 92.29, -34.03, -12.18

 

CMYK 0 / 50 / 21 / 0

HEX #FF80C9

RGB 255 128 201

HSL 325.51, 1%, 0.75%

LAB 70.12, 56.54, -15.51

 

CMYK 21 / 0 / 50 / 0

HEX #C9FF7F

RGB 201 255 127

HSL 85.31, 1%, 0.75%

LAB 94.09, -37, 55.16

 

CMYK 50 / 21 / 0 / 0

HEX #7FC9FF

RGB 127 201 255

HSL 205.31, 1%, 0.75%

LAB 78.17, -8.6, -33.6

 

CMYK 0 / 50 / 21 / 0

HEX #FF80C9

RGB 255 128 201

HSL 325.51, 1%, 0.75%

LAB 70.12, 56.54, -15.51

 

CMYK 0 / 19 / 50 / 0

HEX #FFCE7F

RGB 255 206 127

HSL 37.03, 1%, 0.75%

LAB 85.47, 7.93, 45.59

 

CMYK 50 / 0 / 29 / 0

HEX #7FFFB4

RGB 127 255 180

HSL 144.84, 1%, 0.75%

LAB 91.38, -51.96, 25.18

 

CMYK 50 / 31 / 0 / 0

HEX #7FB0FF

RGB 127 176 255

HSL 217.03, 1%, 0.75%

LAB 71.41, 5.07, -44.11

 

CMYK 0 / 50 / 21 / 0

HEX #FF80C9

RGB 255 128 201

HSL 325.51, 1%, 0.75%

LAB 70.12, 56.54, -15.51

 

CMYK 0 / 4 / 50 / 0

HEX #FFF47F

RGB 255 244 127

HSL 54.84, 1%, 0.75%

LAB 94.95, -11.26, 57.1

 

CMYK 50 / 0 / 29 / 0

HEX #7FFFB4

RGB 127 255 180

HSL 144.84, 1%, 0.75%

LAB 91.38, -51.96, 25.18

 

CMYK 50 / 46 / 0 / 0

HEX #7F8AFF

RGB 127 138 255

HSL 234.84, 1%, 0.75%

LAB 61.58, 27.02, -59.67

 

Description

Color code: CMYK 0 / 50 / 21 / 0 | qconv.com Color code: CMYK 0 / 50 / 21 / 0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 128 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 128 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 21 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 21% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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