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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 248 191 138 it is the complementary color RGB 7 64 117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 248 191 138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 248 191 138: RGB 253 191 133, RGB 255 209 152, RGB 255 227 171, RGB 255 245 190 and RGB 255 255 209

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 248 191 138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 248 191 138: RGB 248 191 138, RGB 231 173 119, RGB 214 155 100, RGB 197 137 81 and RGB 180 119 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 44 / 3

HEX #F8BF8A

RGB 248 191 138

HSL 28.91, 0.89%, 0.76%

LAB 81.32, 13.98, 34.57

 

Complementary color

CMYK 94 / 45 / 0 / 54

HEX #074075

RGB 7 64 117

HSL 208.91, 0.89%, 0.24%

LAB 26.72, 4.82, -35.13

 

CMYK 0 / 25 / 47 / 1

HEX #FDBF85

RGB 253 191 133

HSL 29, 0.97%, 0.76%

LAB 81.75, 15.47, 37.82

 

CMYK 0 / 18 / 40 / 0

HEX #FFD198

RGB 255 209 152

HSL 33.2, 1%, 0.8%

LAB 86.57, 8.8, 34.35

 

CMYK 0 / 11 / 33 / 0

HEX #FFE3AB

RGB 255 227 171

HSL 40, 1%, 0.84%

LAB 91.3, 1.72, 30.91

 

CMYK 0 / 4 / 25 / 0

HEX #FFF5BE

RGB 255 245 190

HSL 50.77, 1%, 0.87%

LAB 96.11, -4.98, 27.75

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD1

RGB 255 255 209

HSL 60, 1%, 0.91%

LAB 98.98, -7.34, 22.04

 

CMYK 0 / 23 / 44 / 3

HEX #F8BF8A

RGB 248 191 138

HSL 28.91, 0.89%, 0.76%

LAB 81.32, 13.98, 34.57

 

CMYK 0 / 25 / 48 / 9

HEX #E7AD77

RGB 231 173 119

HSL 28.93, 0.7%, 0.69%

LAB 74.96, 14.85, 35.91

 

CMYK 0 / 28 / 53 / 16

HEX #D69B64

RGB 214 155 100

HSL 28.95, 0.58%, 0.62%

LAB 68.5, 15.85, 37.33

 

CMYK 0 / 30 / 59 / 23

HEX #C58951

RGB 197 137 81

HSL 28.97, 0.5%, 0.55%

LAB 61.96, 17, 38.84

 

CMYK 0 / 34 / 66 / 29

HEX #B4773E

RGB 180 119 62

HSL 28.98, 0.49%, 0.47%

LAB 55.32, 18.34, 40.41

 

CMYK 0 / 23 / 44 / 3

HEX #F8BF8A

RGB 248 191 138

HSL 28.91, 0.89%, 0.76%

LAB 81.32, 13.98, 34.57

 

CMYK 0 / 16 / 44 / 3

HEX #F8D08B

RGB 248 208 139

HSL 37.98, 0.89%, 0.76%

LAB 85.47, 5.23, 39.43

 

CMYK 0 / 9 / 44 / 3

HEX #F8E28B

RGB 248 226 139

HSL 47.89, 0.89%, 0.76%

LAB 89.96, -3.97, 45.14

 

CMYK 0 / 2 / 44 / 3

HEX #F8F48B

RGB 248 244 139

HSL 57.8, 0.89%, 0.76%

LAB 94.54, -12.93, 50.84

 

CMYK 6 / 0 / 44 / 3

HEX #E9F88B

RGB 233 248 139

HSL 68.26, 0.89%, 0.76%

LAB 94.45, -20.64, 50.49

 

CMYK 0 / 23 / 44 / 3

HEX #F8BF8A

RGB 248 191 138

HSL 28.91, 0.89%, 0.76%

LAB 81.32, 13.98, 34.57

 

CMYK 0 / 23 / 45 / 83

HEX #2C2218

RGB 44 34 24

HSL 30, 0.29%, 0.13%

LAB 14.09, 2.97, 8.55

 

CMYK 0 / 23 / 44 / 63

HEX #5F4935

RGB 95 73 53

HSL 28.57, 0.28%, 0.29%

LAB 32.82, 6.33, 15.55

 

CMYK 0 / 23 / 45 / 43

HEX #927051

RGB 146 112 81

HSL 28.62, 0.29%, 0.45%

LAB 49.85, 9.2, 22.38

 

CMYK 0 / 23 / 44 / 23

HEX #C5986E

RGB 197 152 110

HSL 28.97, 0.43%, 0.6%

LAB 66.1, 11.43, 28.55

 

CMYK 0 / 23 / 44 / 3

HEX #F8BF8A

RGB 248 191 138

HSL 28.91, 0.89%, 0.76%

LAB 81.32, 13.98, 34.57

 

CMYK 29 / 0 / 44 / 3

HEX #AFF88B

RGB 175 248 139

HSL 100.18, 0.89%, 0.76%

LAB 90.83, -41.55, 45.19

 

CMYK 41 / 44 / 0 / 3

HEX #928BF8

RGB 146 139 248

HSL 243.85, 0.89%, 0.76%

LAB 62.8, 28.76, -53.79

 

CMYK 0 / 23 / 44 / 3

HEX #F8BF8A

RGB 248 191 138

HSL 28.91, 0.89%, 0.76%

LAB 81.32, 13.98, 34.57

 

CMYK 44 / 0 / 23 / 3

HEX #8BF8BE

RGB 139 248 190

HSL 148.07, 0.89%, 0.76%

LAB 90.02, -44.12, 18.25

 

CMYK 23 / 44 / 0 / 3

HEX #BE8BF8

RGB 190 139 248

HSL 268.07, 0.89%, 0.76%

LAB 66.66, 40.22, -47.43

 

CMYK 0 / 23 / 44 / 3

HEX #F8BF8A

RGB 248 191 138

HSL 28.91, 0.89%, 0.76%

LAB 81.32, 13.98, 34.57

 

CMYK 29 / 0 / 44 / 3

HEX #AFF88B

RGB 175 248 139

HSL 100.18, 0.89%, 0.76%

LAB 90.83, -41.55, 45.19

 

CMYK 44 / 21 / 0 / 3

HEX #8BC5F8

RGB 139 197 248

HSL 208.07, 0.89%, 0.76%

LAB 77.4, -5.64, -30.99

 

CMYK 15 / 44 / 0 / 3

HEX #D38BF8

RGB 211 139 248

HSL 279.63, 0.89%, 0.76%

LAB 68.82, 46.05, -43.9

 

CMYK 0 / 23 / 44 / 3

HEX #F8BF8A

RGB 248 191 138

HSL 28.91, 0.89%, 0.76%

LAB 81.32, 13.98, 34.57

 

CMYK 43 / 0 / 44 / 3

HEX #8EF88B

RGB 142 248 139

HSL 118.35, 0.89%, 0.76%

LAB 89.28, -51.81, 42.89

 

CMYK 44 / 21 / 0 / 3

HEX #8BC5F8

RGB 139 197 248

HSL 208.07, 0.89%, 0.76%

LAB 77.4, -5.64, -30.99

 

CMYK 2 / 44 / 0 / 3

HEX #F48BF8

RGB 244 139 248

HSL 297.8, 0.89%, 0.76%

LAB 72.55, 55.4, -37.8

 

Description

Color code: RGB 248 191 138 | qconv.com Color code: RGB 248 191 138 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 191 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 191 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 44 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 44% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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