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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 23 / 44 / 63 it is the complementary color CMYK 20 / 10 / 0 / 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 23 / 44 / 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 23 / 44 / 63: CMYK 0 / 26 / 52 / 61, CMYK 0 / 22 / 42 / 55, CMYK 0 / 18 / 35 / 48, CMYK 0 / 15 / 30 / 41 and CMYK 0 / 13 / 26 / 35

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 23 / 44 / 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 23 / 44 / 63: CMYK 0 / 22 / 44 / 63, CMYK 0 / 29 / 56 / 70, CMYK 0 / 38 / 75 / 76, CMYK 0 / 56 / 100 / 83 and CMYK 0 / 96 / 100 / 90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 44 / 63

HEX #5E4935

RGB 94 73 53

HSL 29.27, 0.28%, 0.29%

LAB 32.7, 5.86, 15.37

 

Complementary color

CMYK 20 / 10 / 0 / 21

HEX #A1B6CA

RGB 161 182 202

HSL 209.27, 0.28%, 0.71%

LAB 73.09, -2.9, -12.53

 

CMYK 0 / 26 / 52 / 61

HEX #634930

RGB 99 73 48

HSL 29.41, 0.35%, 0.29%

LAB 33.2, 7.6, 19.22

 

CMYK 0 / 22 / 42 / 55

HEX #745B43

RGB 116 91 67

HSL 29.39, 0.27%, 0.36%

LAB 40.57, 6.68, 17.73

 

CMYK 0 / 18 / 35 / 48

HEX #856D56

RGB 133 109 86

HSL 29.36, 0.21%, 0.43%

LAB 47.75, 5.95, 16.42

 

CMYK 0 / 15 / 30 / 41

HEX #967F69

RGB 150 127 105

HSL 29.33, 0.18%, 0.5%

LAB 54.74, 5.36, 15.25

 

CMYK 0 / 13 / 26 / 35

HEX #A7917C

RGB 167 145 124

HSL 29.3, 0.2%, 0.57%

LAB 61.59, 4.87, 14.18

 

CMYK 0 / 22 / 44 / 63

HEX #5E4935

RGB 94 73 53

HSL 29.27, 0.28%, 0.29%

LAB 32.7, 5.86, 15.37

 

CMYK 0 / 29 / 56 / 70

HEX #4D3722

RGB 77 55 34

HSL 29.3, 0.39%, 0.22%

LAB 25.03, 6.86, 16.95

 

CMYK 0 / 38 / 75 / 76

HEX #3C250F

RGB 60 37 15

HSL 29.33, 0.6%, 0.15%

LAB 17.08, 8.3, 18.55

 

CMYK 0 / 56 / 100 / 83

HEX #2B1300

RGB 43 19 0

HSL 26.51, 1%, 0.08%

LAB 8.82, 10.39, 13.43

 

CMYK 0 / 96 / 100 / 90

HEX #1A0100

RGB 26 1 0

HSL 2.31, 1%, 0.05%

LAB 2.18, 8.5, 3.42

 

CMYK 0 / 22 / 44 / 63

HEX #5E4935

RGB 94 73 53

HSL 29.27, 0.28%, 0.29%

LAB 32.7, 5.86, 15.37

 

CMYK 0 / 15 / 44 / 63

HEX #5E5035

RGB 94 80 53

HSL 39.51, 0.28%, 0.29%

LAB 34.75, 1.53, 18.07

 

CMYK 0 / 7 / 44 / 63

HEX #5E5735

RGB 94 87 53

HSL 49.76, 0.28%, 0.29%

LAB 36.84, -2.72, 20.77

 

CMYK 0 / 1 / 44 / 63

HEX #5E5D35

RGB 94 93 53

HSL 58.54, 0.28%, 0.29%

LAB 38.67, -6.28, 23.09

 

CMYK 6 / 0 / 44 / 63

HEX #585E35

RGB 88 94 53

HSL 68.78, 0.28%, 0.29%

LAB 38.44, -9.58, 22.69

 

CMYK 0 / 22 / 44 / 63

HEX #5E4935

RGB 94 73 53

HSL 29.27, 0.28%, 0.29%

LAB 32.7, 5.86, 15.37

 

CMYK 0 / 22 / 43 / 43

HEX #917152

RGB 145 113 82

HSL 29.52, 0.28%, 0.45%

LAB 50.02, 8.3, 22.02

 

CMYK 0 / 22 / 43 / 23

HEX #C4986F

RGB 196 152 111

HSL 28.94, 0.42%, 0.6%

LAB 66.01, 11.13, 27.87

 

CMYK 0 / 22 / 44 / 3

HEX #F7C08B

RGB 247 192 139

HSL 29.44, 0.87%, 0.76%

LAB 81.48, 13.16, 34.24

 

CMYK 0 / 23 / 44 / 83

HEX #2B2118

RGB 43 33 24

HSL 28.42, 0.28%, 0.13%

LAB 13.63, 3.15, 7.91

 

CMYK 0 / 22 / 44 / 63

HEX #5E4935

RGB 94 73 53

HSL 29.27, 0.28%, 0.29%

LAB 32.7, 5.86, 15.37

 

CMYK 30 / 0 / 44 / 63

HEX #425E35

RGB 66 94 53

HSL 100.98, 0.28%, 0.29%

LAB 36.78, -19.01, 20.24

 

CMYK 40 / 44 / 0 / 63

HEX #38355E

RGB 56 53 94

HSL 244.39, 0.28%, 0.29%

LAB 24.31, 12.66, -24.05

 

CMYK 0 / 22 / 44 / 63

HEX #5E4935

RGB 94 73 53

HSL 29.27, 0.28%, 0.29%

LAB 32.7, 5.86, 15.37

 

CMYK 44 / 0 / 22 / 63

HEX #355E49

RGB 53 94 73

HSL 149.27, 0.28%, 0.29%

LAB 36.45, -19.8, 7.59

 

CMYK 22 / 44 / 0 / 63

HEX #49355E

RGB 73 53 94

HSL 269.27, 0.28%, 0.29%

LAB 26.07, 18.2, -21.15

 

CMYK 0 / 22 / 44 / 63

HEX #5E4935

RGB 94 73 53

HSL 29.27, 0.28%, 0.29%

LAB 32.7, 5.86, 15.37

 

CMYK 30 / 0 / 44 / 63

HEX #425E35

RGB 66 94 53

HSL 100.98, 0.28%, 0.29%

LAB 36.78, -19.01, 20.24

 

CMYK 44 / 21 / 0 / 63

HEX #354A5E

RGB 53 74 94

HSL 209.27, 0.28%, 0.29%

LAB 30.55, -2.26, -14.34

 

CMYK 14 / 44 / 0 / 63

HEX #51355E

RGB 81 53 94

HSL 280.98, 0.28%, 0.29%

LAB 27.03, 20.94, -19.59

 

CMYK 0 / 22 / 44 / 63

HEX #5E4935

RGB 94 73 53

HSL 29.27, 0.28%, 0.29%

LAB 32.7, 5.86, 15.37

 

CMYK 44 / 0 / 44 / 63

HEX #355E35

RGB 53 94 53

HSL 120, 0.28%, 0.29%

LAB 36.02, -23.9, 19.1

 

CMYK 44 / 21 / 0 / 63

HEX #354A5E

RGB 53 74 94

HSL 209.27, 0.28%, 0.29%

LAB 30.55, -2.26, -14.34

 

CMYK 1 / 44 / 0 / 63

HEX #5D355E

RGB 93 53 94

HSL 298.54, 0.28%, 0.29%

LAB 28.59, 25.14, -17.03

 

Description

Color code: CMYK 0 / 23 / 44 / 63 | qconv.com Color code: CMYK 0 / 23 / 44 / 63 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 73 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 73 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 44 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 44% 63% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

47% - Datenschutzerklärung
Link: http://www.speedwareshop.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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