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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 246 92 169 it is the complementary color RGB 9 163 86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 246 92 169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 246 92 169: RGB 251 92 164, RGB 255 110 183, RGB 255 128 202, RGB 255 146 221 and RGB 255 164 240

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 246 92 169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 246 92 169: RGB 246 92 169, RGB 229 74 150, RGB 212 56 131, RGB 195 38 112 and RGB 178 20 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 31 / 4

HEX #F65CA9

RGB 246 92 169

HSL 330, 0.9%, 0.66%

LAB 61.75, 65.77, -10.1

 

Complementary color

CMYK 94 / 0 / 47 / 36

HEX #09A356

RGB 9 163 86

HSL 150, 0.9%, 0.34%

LAB 58.9, -53.33, 30.12

 

CMYK 0 / 63 / 35 / 2

HEX #FB5CA4

RGB 251 92 164

HSL 332.83, 0.95%, 0.67%

LAB 62.38, 66.64, -6.2

 

CMYK 0 / 57 / 28 / 0

HEX #FF6EB7

RGB 255 110 183

HSL 329.79, 1%, 0.72%

LAB 66.39, 62.44, -11

 

CMYK 0 / 50 / 21 / 0

HEX #FF80CA

RGB 255 128 202

HSL 325.04, 1%, 0.75%

LAB 70.15, 56.68, -16.02

 

CMYK 0 / 43 / 13 / 0

HEX #FF92DD

RGB 255 146 221

HSL 318.72, 1%, 0.79%

LAB 74.21, 50.69, -20.36

 

CMYK 0 / 36 / 6 / 0

HEX #FFA4F0

RGB 255 164 240

HSL 309.89, 1%, 0.82%

LAB 78.52, 44.64, -24.16

 

CMYK 0 / 63 / 31 / 4

HEX #F65CA9

RGB 246 92 169

HSL 330, 0.9%, 0.66%

LAB 61.75, 65.77, -10.1

 

CMYK 0 / 68 / 34 / 10

HEX #E54A96

RGB 229 74 150

HSL 330.58, 0.75%, 0.59%

LAB 55.84, 65.85, -8.15

 

CMYK 0 / 74 / 38 / 17

HEX #D43883

RGB 212 56 131

HSL 331.15, 0.64%, 0.53%

LAB 50.05, 65.5, -5.77

 

CMYK 0 / 81 / 43 / 24

HEX #C32670

RGB 195 38 112

HSL 331.72, 0.67%, 0.46%

LAB 44.46, 64.49, -2.79

 

CMYK 0 / 89 / 48 / 30

HEX #B2145D

RGB 178 20 93

HSL 332.28, 0.8%, 0.39%

LAB 39.17, 62.49, 1

 

CMYK 0 / 63 / 31 / 4

HEX #F65CA9

RGB 246 92 169

HSL 330, 0.9%, 0.66%

LAB 61.75, 65.77, -10.1

 

CMYK 0 / 63 / 42 / 4

HEX #F65A8E

RGB 246 90 142

HSL 340, 0.9%, 0.66%

LAB 60.66, 63.69, 3.92

 

CMYK 0 / 63 / 53 / 4

HEX #F65A74

RGB 246 90 116

HSL 350, 0.9%, 0.66%

LAB 60.04, 61.41, 18.18

 

CMYK 0 / 63 / 63 / 4

HEX #F65A5A

RGB 246 90 90

HSL 0, 0.9%, 0.66%

LAB 59.57, 59.63, 32.53

 

CMYK 0 / 53 / 63 / 4

HEX #F6745A

RGB 246 116 90

HSL 10, 0.9%, 0.66%

LAB 64.02, 47.94, 38.04

 

CMYK 0 / 63 / 31 / 4

HEX #F65CA9

RGB 246 92 169

HSL 330, 0.9%, 0.66%

LAB 61.75, 65.77, -10.1

 

CMYK 0 / 62 / 31 / 84

HEX #2A101D

RGB 42 16 29

HSL 330, 0.45%, 0.11%

LAB 8.58, 15.49, -3.03

 

CMYK 0 / 62 / 31 / 64

HEX #5D2340

RGB 93 35 64

HSL 330, 0.45%, 0.25%

LAB 23.34, 29.98, -5.13

 

CMYK 0 / 63 / 31 / 44

HEX #903663

RGB 144 54 99

HSL 330, 0.45%, 0.39%

LAB 36.87, 42.75, -6.91

 

CMYK 0 / 63 / 31 / 24

HEX #C34986

RGB 195 73 134

HSL 330, 0.5%, 0.53%

LAB 49.6, 54.57, -8.55

 

CMYK 0 / 63 / 31 / 4

HEX #F65CA9

RGB 246 92 169

HSL 330, 0.9%, 0.66%

LAB 61.75, 65.77, -10.1

 

CMYK 0 / 19 / 63 / 4

HEX #F6C75A

RGB 246 199 90

HSL 41.92, 0.9%, 0.66%

LAB 82.47, 5.11, 59.4

 

CMYK 63 / 7 / 0 / 4

HEX #5AE6F6

RGB 90 230 246

HSL 186.15, 0.9%, 0.66%

LAB 84.7, -32.73, -18.97

 

CMYK 0 / 63 / 31 / 4

HEX #F65CA9

RGB 246 92 169

HSL 330, 0.9%, 0.66%

LAB 61.75, 65.77, -10.1

 

CMYK 32 / 0 / 63 / 4

HEX #A8F65A

RGB 168 246 90

HSL 90, 0.9%, 0.66%

LAB 89.38, -48.06, 65.3

 

CMYK 63 / 32 / 0 / 4

HEX #5AA8F6

RGB 90 168 246

HSL 210, 0.9%, 0.66%

LAB 67.15, -0.53, -46.03

 

CMYK 0 / 63 / 31 / 4

HEX #F65CA9

RGB 246 92 169

HSL 330, 0.9%, 0.66%

LAB 61.75, 65.77, -10.1

 

CMYK 0 / 19 / 63 / 4

HEX #F6C75A

RGB 246 199 90

HSL 41.92, 0.9%, 0.66%

LAB 82.47, 5.11, 59.4

 

CMYK 63 / 0 / 32 / 4

HEX #5AF6A8

RGB 90 246 168

HSL 150, 0.9%, 0.66%

LAB 87.44, -58.38, 25.71

 

CMYK 63 / 44 / 0 / 4

HEX #5A89F6

RGB 90 137 246

HSL 221.92, 0.9%, 0.66%

LAB 58.71, 17.62, -59.42

 

CMYK 0 / 63 / 31 / 4

HEX #F65CA9

RGB 246 92 169

HSL 330, 0.9%, 0.66%

LAB 61.75, 65.77, -10.1

 

CMYK 0 / 0 / 63 / 4

HEX #F6F65A

RGB 246 246 90

HSL 60, 0.9%, 0.66%

LAB 94.42, -18.44, 72.16

 

CMYK 63 / 0 / 32 / 4

HEX #5AF6A8

RGB 90 246 168

HSL 150, 0.9%, 0.66%

LAB 87.44, -58.38, 25.71

 

CMYK 63 / 63 / 0 / 4

HEX #5A5AF6

RGB 90 90 246

HSL 240, 0.9%, 0.66%

LAB 47.16, 46.01, -78.12

 

Description

Color code: RGB 246 92 169 | qconv.com Color code: RGB 246 92 169 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 92 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 92 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 31 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 31% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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