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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244 107 109 it is the complementary color RGB 11 148 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244 107 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 244 107 109: RGB 249 107 104, RGB 255 125 123, RGB 255 143 142, RGB 255 161 161 and RGB 255 179 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244 107 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 244 107 109: RGB 244 107 109, RGB 227 89 90, RGB 210 71 71, RGB 193 53 52 and RGB 176 35 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 55 / 4

HEX #F46B6D

RGB 244 107 109

HSL 359.12, 0.86%, 0.69%

LAB 62.38, 52.78, 25.31

 

Complementary color

CMYK 93 / 0 / 1 / 42

HEX #0B9492

RGB 11 148 146

HSL 179.12, 0.86%, 0.31%

LAB 55.41, -32.19, -8.26

 

CMYK 0 / 57 / 58 / 2

HEX #F96B68

RGB 249 107 104

HSL 1.24, 0.92%, 0.69%

LAB 63.06, 54.13, 29.16

 

CMYK 0 / 51 / 52 / 0

HEX #FF7D7B

RGB 255 125 123

HSL 0.91, 1%, 0.74%

LAB 67.54, 49.22, 24.58

 

CMYK 0 / 44 / 44 / 0

HEX #FF8F8E

RGB 255 143 142

HSL 0.53, 1%, 0.78%

LAB 71.46, 42.05, 19.34

 

CMYK 0 / 37 / 37 / 0

HEX #FFA1A1

RGB 255 161 161

HSL 0, 1%, 0.82%

LAB 75.65, 34.86, 14.72

 

CMYK 0 / 30 / 29 / 0

HEX #FFB3B4

RGB 255 179 180

HSL 359.21, 1%, 0.85%

LAB 80.06, 27.79, 10.63

 

CMYK 0 / 56 / 55 / 4

HEX #F46B6D

RGB 244 107 109

HSL 359.12, 0.86%, 0.69%

LAB 62.38, 52.78, 25.31

 

CMYK 0 / 61 / 60 / 11

HEX #E3595A

RGB 227 89 90

HSL 359.57, 0.71%, 0.62%

LAB 56.3, 53.76, 27.74

 

CMYK 0 / 66 / 66 / 18

HEX #D24747

RGB 210 71 71

HSL 0, 0.61%, 0.55%

LAB 50.29, 54.58, 30.58

 

CMYK 0 / 73 / 73 / 24

HEX #C13534

RGB 193 53 52

HSL 0.43, 0.58%, 0.48%

LAB 44.42, 55.09, 33.93

 

CMYK 0 / 80 / 81 / 31

HEX #B02321

RGB 176 35 33

HSL 0.84, 0.68%, 0.41%

LAB 38.8, 55.02, 37.76

 

CMYK 0 / 56 / 55 / 4

HEX #F46B6D

RGB 244 107 109

HSL 359.12, 0.86%, 0.69%

LAB 62.38, 52.78, 25.31

 

CMYK 0 / 47 / 56 / 5

HEX #F3806B

RGB 243 128 107

HSL 9.26, 0.85%, 0.69%

LAB 66.18, 42.11, 31.36

 

CMYK 0 / 38 / 56 / 5

HEX #F3976B

RGB 243 151 107

HSL 19.41, 0.85%, 0.69%

LAB 71.04, 30.27, 37.54

 

CMYK 0 / 29 / 56 / 5

HEX #F3AD6B

RGB 243 173 107

HSL 29.12, 0.85%, 0.69%

LAB 76.07, 18.68, 43.77

 

CMYK 0 / 19 / 56 / 5

HEX #F3C46B

RGB 243 196 107

HSL 39.26, 0.85%, 0.69%

LAB 81.62, 6.61, 50.44

 

CMYK 0 / 56 / 55 / 4

HEX #F46B6D

RGB 244 107 109

HSL 359.12, 0.86%, 0.69%

LAB 62.38, 52.78, 25.31

 

CMYK 0 / 55 / 55 / 84

HEX #281212

RGB 40 18 18

HSL 0, 0.38%, 0.11%

LAB 8.37, 11.4, 4.59

 

CMYK 0 / 56 / 55 / 64

HEX #5B2829

RGB 91 40 41

HSL 358.82, 0.39%, 0.26%

LAB 23.34, 23.5, 10.52

 

CMYK 0 / 56 / 56 / 44

HEX #8E3E3F

RGB 142 62 63

HSL 359.25, 0.39%, 0.4%

LAB 37.03, 34.05, 16.09

 

CMYK 0 / 56 / 55 / 24

HEX #C15556

RGB 193 85 86

HSL 359.44, 0.47%, 0.55%

LAB 50.1, 43.43, 20.95

 

CMYK 0 / 56 / 55 / 4

HEX #F46B6D

RGB 244 107 109

HSL 359.12, 0.86%, 0.69%

LAB 62.38, 52.78, 25.31

 

CMYK 10 / 0 / 56 / 5

HEX #DBF36B

RGB 219 243 107

HSL 70.59, 0.85%, 0.69%

LAB 91.78, -26.53, 61.72

 

CMYK 56 / 33 / 0 / 5

HEX #6BA4F3

RGB 107 164 243

HSL 214.85, 0.85%, 0.69%

LAB 66.63, 3.96, -45.16

 

CMYK 0 / 56 / 55 / 4

HEX #F46B6D

RGB 244 107 109

HSL 359.12, 0.86%, 0.69%

LAB 62.38, 52.78, 25.31

 

CMYK 55 / 0 / 56 / 5

HEX #6EF36B

RGB 110 243 107

HSL 118.68, 0.85%, 0.69%

LAB 86.24, -62.51, 53.88

 

CMYK 56 / 55 / 0 / 5

HEX #6B6EF3

RGB 107 110 243

HSL 238.68, 0.85%, 0.69%

LAB 52.67, 35.96, -67.42

 

CMYK 0 / 56 / 55 / 4

HEX #F46B6D

RGB 244 107 109

HSL 359.12, 0.86%, 0.69%

LAB 62.38, 52.78, 25.31

 

CMYK 10 / 0 / 56 / 5

HEX #DBF36B

RGB 219 243 107

HSL 70.59, 0.85%, 0.69%

LAB 91.78, -26.53, 61.72

 

CMYK 56 / 0 / 1 / 5

HEX #6BF3F1

RGB 107 243 241

HSL 179.12, 0.85%, 0.69%

LAB 88.72, -37.3, -10.27

 

CMYK 46 / 56 / 0 / 5

HEX #846BF3

RGB 132 107 243

HSL 251.03, 0.85%, 0.69%

LAB 53.91, 42.65, -65.33

 

CMYK 0 / 56 / 55 / 4

HEX #F46B6D

RGB 244 107 109

HSL 359.12, 0.86%, 0.69%

LAB 62.38, 52.78, 25.31

 

CMYK 27 / 0 / 56 / 5

HEX #B2F36B

RGB 178 243 107

HSL 88.68, 0.85%, 0.69%

LAB 89.22, -41.82, 58.1

 

CMYK 56 / 0 / 1 / 5

HEX #6BF3F1

RGB 107 243 241

HSL 179.12, 0.85%, 0.69%

LAB 88.72, -37.3, -10.27

 

CMYK 29 / 56 / 0 / 5

HEX #AD6BF3

RGB 173 107 243

HSL 269.12, 0.85%, 0.69%

LAB 57.91, 51.9, -58.68

 

Description

Color code: RGB 244 107 109 | qconv.com Color code: RGB 244 107 109 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 107 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 107 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 55 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 55% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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